X.
I haven't seen a single second of it.
Not a clip. Not a pic. Not a quote.
This year's X Factor is a complete mystery to me. Who are these 'twins' people speak of with such derision? And how can I generate a Facebook campaign with even half as many signatures on it as their I bet I can find a million people who hate the twins group? Some of us can only dream of such exposure.
It's not that I took some high-minded decision not to partake in the shiny ITV1 shenanigans. I think watercooler telly is not only the most transatlantic of phrases I could have made up there, it's one of the saving graces of modern life. Something we can share with strangers.
It's just that, well... when am I ever going to be in the mood to watch a programme that is as much about toe-curling car-crash talentlessness as it is about soulless slickibility. (Yeah, chew on that, automatic spellchecker.) I mean, I have enough of all this at home.
---
One of the key daft things about working at Momo is the split personality it requires. Yes, it keeps me entertained, swapping hats as I do, but it begs the question: When am I going to knuckle down with something and start to get properly any chuffing good at it?
I've spent today generating big sheets of layout paper with numbers scribbled all over them. Next week, Julian and I are in the Middle East, trying to convince a significant client that we do in fact know our seating facilities from our articulation in the arm – and for this we obviously need to demonstrate fairly clearly that we know what we're talking about.
Now, you might say that given my preponderance of coping with too much to do by winging things shamelessly, this is an uncomfortable state of affairs for my company's creative director to find himself in.
But, while I'm putting together a strategy and a budget for something that will take a year for us to deliver to a growing international business, I'm also trying to release a record.
If nothing else, this presents a significant challenge to choice of haircut.
I mean, two more different markets I could not be trying to serve. And there is only so far the idea of 'idiosyncratic' will get you before you luck out, suddenly very obviously dressed for the wrong context.
---
Thing is, big break for Momo:typo as this gig would be, I do feel happy that we can help the client. We've done some great work for them before and we've got some great people involved, ready to jump all over it. I'm mainly just, kind of, excited. Sure – I'll need to wear a tie when operating this side of the business. This side of the business is often talking in board rooms and sensible grown up places.
But, y'know, I rarely wear a tie to these places. I prefer to be conspicuously human in formal environments – so long as I look like I know what I'm doing there in the first place. The human bit is, in fact, the whole point of my work. And these days, I'm more likely to put on a tie to go talk to some musos – a nice, trendy slim one. I think I did, in fact, recently.
It was a meeting about our little bit of conspicuously shiny ITV-type work, going out in time for Christmas.
Olu and Lou are seasoned musos, each having been signed to majors at some point in their careers and each knowing a thing or two about being very cool very naturally. I'm not sure whether they noticed and appreciated my nice trendy thin tie or not, when we met the first time to discuss Thinking Juice's little advert for the telly. I'm sure they did.
As amusing as the paying demands of advertising are, it's still hard not to feel something uncomfortably approaching serious pride in some bits of work you get to contribute to in this business. Silly does not always equal ridiculous. At least, not when you receive the cheque.
Squeezing into their roof-top studio with three brass players, or hearing the session cut of the strings part in the mix for the first time, I feel as comfortable with the work we're turning out here as I do anything grown-up enough to dress open-necked in the boardroom.
It's all a bit of a weird cross-over, I'll grant you. But I'm oddly comfortable with Momo's split personalty as I prepare for the Autumn shift.
Don't ask me what it is, but something tells me it's too soon to cut my hair.
Friday, October 30, 2009
Thursday, October 22, 2009
Therapy.
Therapy.
I have no particular need of therapy at the moment. Other than as I always do, for the backdrop, bedrock barking. Things are okay, I should say – but busy.
People like busy people. It sounds credible. It's a good problem. But you can be busy being an arse, remember. And I should know.
No, I'm thinking of a type of therapy that's so universal, so multi-practical, so everyday-useful I mention it now as a helpful daily tip, should you find yourself 'busy'.
Need a pep?
Pertness pooped?
Feeling less than frisky?
Really f***ing depressed?
I defy you to find me a human condition that is not downright righted by taking the following simple steps:
1: Locate a music playing device. A proper one, not a phone. One you can annoy the neighbours with (which if you do, you can instantly return to point one to feel better again, remember).
2: Locate a playable copy of Earth Wind & FIre's tunes In the stone and Star.
3: Turn up volume a tad beyond Loud Enough.
4: Press Play.
Really. I frankly DARE you to try to prove me wrong. I would prescribe this on the NHS for people with the most fearsome personal obstacles to overcome. Only I might prescribe the whole damned Greatest Hits for hardcore cases.
Trust me. I'm not mad.
Despite being off to the physical therapy of a circuits class.
I have no particular need of therapy at the moment. Other than as I always do, for the backdrop, bedrock barking. Things are okay, I should say – but busy.
People like busy people. It sounds credible. It's a good problem. But you can be busy being an arse, remember. And I should know.
No, I'm thinking of a type of therapy that's so universal, so multi-practical, so everyday-useful I mention it now as a helpful daily tip, should you find yourself 'busy'.
Need a pep?
Pertness pooped?
Feeling less than frisky?
Really f***ing depressed?
I defy you to find me a human condition that is not downright righted by taking the following simple steps:
1: Locate a music playing device. A proper one, not a phone. One you can annoy the neighbours with (which if you do, you can instantly return to point one to feel better again, remember).
2: Locate a playable copy of Earth Wind & FIre's tunes In the stone and Star.
3: Turn up volume a tad beyond Loud Enough.
4: Press Play.
Really. I frankly DARE you to try to prove me wrong. I would prescribe this on the NHS for people with the most fearsome personal obstacles to overcome. Only I might prescribe the whole damned Greatest Hits for hardcore cases.
Trust me. I'm not mad.
Despite being off to the physical therapy of a circuits class.
Tuesday, October 06, 2009
Old blogger.
Old blogger.
It's not exactly been a jolly bloggy kind of few weeks, it has to be said. The pithy mirth and incisive observation you've come to rely on, oh utterly imaginary reader, have not been bubbling in the gullet ready to spill out of the creative windpipe into an entertainingly explosive coughing fit all over the Mac monitor quite as normal. I have had indigestion. Or whatever the upright version of constipation would be, suffered metaphorically. Off-colour in some way, anyway.
Which you undoubtedly are now after that little picture.
My point is that the only news I've had and the only interesting happenings I've witnessed in that time would have been so tedious to report, I'd have had no trouble conjuring a pretty accurate atmosphere of slow death. And, like every Hollywood take on the second world war ever released, the point of all this is hardly historical realism, is it.
You come here for succinct entertainment and pseudo-clever enlightenment mixed with just a self-affacing twist of zeitgeistian insight, masquerading only flimsily as proper personal journal. There's no way I'd expect you to read what I'm REALLY doing every day, any more than you'd expect me to give you what you really want – detailed but readable proof that my life is actually fairly devoid of any truly decent stories, star-struck chance happenings, big creative achievements or half way sodding decent pay packets.
---
So yes, I've not been in the mood to rock the blog. Not had time either, really.
Not the way I wanted to start my 40th year.
For I have. Today. Today marks the completion of my 39th year on Earth and the inexorable skid through my fortieth into my actual fortieth birthday, one little year from now. I have, as my sister put it, just one year left of legitimate kidulthood.
I don't know what's more tragic – that my generation's main claim to fame is that it invented this shameful reflection on our inability to grasp responsibility, or that I would describe any occurrence of it, at any age whatsoever, as legitimate.
Age itself hasn't usually been an issue for me, I have to say. The numbers are pretty meaningless. If only they'd take the hint and consistently feel so.
The numbers are, in fact, more than meaningless – they start to sound just ridiculous. I mean, who the hell would let an arse like me near the age of 40? I'm the same time-wasting bastard I was two decades ago. What am I going to do with an adult age like 40? Really? Find a point to all this arsing about all of a sudden?
I think we all tend to be judged on track records. And there's plenty of track behind me now, apparently. And not many records.
Apart from this heavily edited and incidental blog, anyway.
I suspect I know exactly what I'll do with an adult age like 40.
Put it off for a year.
It's not exactly been a jolly bloggy kind of few weeks, it has to be said. The pithy mirth and incisive observation you've come to rely on, oh utterly imaginary reader, have not been bubbling in the gullet ready to spill out of the creative windpipe into an entertainingly explosive coughing fit all over the Mac monitor quite as normal. I have had indigestion. Or whatever the upright version of constipation would be, suffered metaphorically. Off-colour in some way, anyway.
Which you undoubtedly are now after that little picture.
My point is that the only news I've had and the only interesting happenings I've witnessed in that time would have been so tedious to report, I'd have had no trouble conjuring a pretty accurate atmosphere of slow death. And, like every Hollywood take on the second world war ever released, the point of all this is hardly historical realism, is it.
You come here for succinct entertainment and pseudo-clever enlightenment mixed with just a self-affacing twist of zeitgeistian insight, masquerading only flimsily as proper personal journal. There's no way I'd expect you to read what I'm REALLY doing every day, any more than you'd expect me to give you what you really want – detailed but readable proof that my life is actually fairly devoid of any truly decent stories, star-struck chance happenings, big creative achievements or half way sodding decent pay packets.
---
So yes, I've not been in the mood to rock the blog. Not had time either, really.
Not the way I wanted to start my 40th year.
For I have. Today. Today marks the completion of my 39th year on Earth and the inexorable skid through my fortieth into my actual fortieth birthday, one little year from now. I have, as my sister put it, just one year left of legitimate kidulthood.
I don't know what's more tragic – that my generation's main claim to fame is that it invented this shameful reflection on our inability to grasp responsibility, or that I would describe any occurrence of it, at any age whatsoever, as legitimate.
Age itself hasn't usually been an issue for me, I have to say. The numbers are pretty meaningless. If only they'd take the hint and consistently feel so.
The numbers are, in fact, more than meaningless – they start to sound just ridiculous. I mean, who the hell would let an arse like me near the age of 40? I'm the same time-wasting bastard I was two decades ago. What am I going to do with an adult age like 40? Really? Find a point to all this arsing about all of a sudden?
I think we all tend to be judged on track records. And there's plenty of track behind me now, apparently. And not many records.
Apart from this heavily edited and incidental blog, anyway.
I suspect I know exactly what I'll do with an adult age like 40.
Put it off for a year.
Thursday, September 17, 2009
Yelp.
Yelp.
Here's the truth: I don't get us. Us lot – humans.
I mean, I do – I can yelp at the moon with the craziest of them. But we are mad bastards.
I mean, how is it that we can meet each other in the street on most days and more or less come off as grounded, sensible neighbours who can be trusted to help each other out in an emergency – and yet manage to produce armies of flesh-eating zombies as soon as someone rings the Oh Shit bell?
I mean, really – where do all the monsters come from? Where are we hiding them?
---
Something I'm largely ignorant of is the conflict in Sri Lanka. What sparked the Tamil Tigers' two decades or however long of dissent and fighting against the government, I don't know. I've not been to the country. I hear it's beautiful.
But lastnight, I heard just a clip of an interview with a woman who'd escaped from the final throes of the war in the north of the island, earlier this year. She described scenes of carnage beyond counting.
She said that in one place she found herself, 'everywhere was bodies'. Everywhere she looked she saw corpses. Not just fallen or left, but piled.
She ran to the local hospital. They had no more room for bodies of people – there too, they were piling them in corridors and side rooms.
Where did all these dead people come from? And, more to the point, where did their killers come from?
---
This morning, an account by a woman who walked for miles to escape the fighting in the Somalian capital Mogadishu, left me wondering the same thing. She said she was so repeatedly robbed as a refugee, and so subsequently malnourished, her dreadful appearance must have been the only thing that saved her from being raped. She said that most other women with her had been, by the time they reached the coast.
It resonates with stories from the genocide in Rwanda more than a decade ago. And perhaps, in a sense, with others from the war in the former Yugoslavia – neighbours and ordinary locals appearing to develop an overnight thirst for eachother's blood and suffering.
In the case of Sri Lanka, it was government forces apparently dishing out the death. In Rwanda and in Yugoslavia, in the broadest terms, tribal friction had embedded itself in identity like a sleeper cell, so they say.
But whatever uniform you're wearing, or given at birth, you are still you when you make your choices. Even when you're part of a system trained to execute orders.
You're still you. Aren't you?
And in Somalia? Well, it's just about every conceivable element of conflict all thrown in together, isn't it? Identity, politics, poverty, money, geography – it sounds like every slavering, blood-shot, howling vision of hell ever hallucinated. It sounds like Dante's fucking Inferno. And yet, the woman this morning could still remember 'how beautiful Mogadishu was before the fighting'.
Can anyone imagine the Dish as beautiful? From the ignorant snippets of it we digest quickly from the news, it has become another Beirut or a Belfast – a place synonymous with destruction.
---
It seems incomprehensible. I don't understand where the sheer numbers of rapists and murderers appear from, when the trumpet of chaos bleats. And the level of depravity and cruelty lept to so quickly in war zones. I can't picture that happening in Bournemouth.
I feel sure that young men and women serving with British forces in Afghanistan at the moment might be able to look me thoughtfully in the eye as I say this.
So interesting, as an aside, that two of the most level-headed, likeable and positive people to have perhaps ever appeared on Channel 4's post-supper comfort Location location location were lastnight's couple, Chris and Nikki – a major in the Paras and a flight lieutenant in the RAF, respectively. If you were looking for it, at least in the edit, there was a self-effacing note of dignity brought to the usually agonising proceedings of middle class people enjoying their freedom by whining about only having a £500,000 budget to buy a home.
I shamelessly love Phil and Kirsty. And I whine about property often. But its interesting to observe people who are trained in the art of self control – trained specifically so they can be fit to defend our right to make TV about banal comforts.
---
As the debate around healthcare in the US begins to pull in ever more inflammatory language, and a barking, screaming, hair-pulling, goggle-eyed, yelping madness seems to be supplanting the country's pragmatic conversation about how best to sustain its society, I wonder how close to childish lunacy even the most idyllic models for living really are.
Is there a better dream than America? And are more petulant, ignorant voices to be heard hollering so loudly anywhere else on Earth?
But whether Bournemouth, Beirut or Belfast; Berlin, Boston or Baltimore – we humans are the only common factor in these different scenes. And, if you think about where people in these different cities find themselves in 2009, our ability to rebuild, to transform, to totally re-invent our vision of these places, and of eachother, seems as remarkable perhaps as our lurking and utterly universal weakness for fear.
Here's the truth: I don't get us. Us lot – humans.
I mean, I do – I can yelp at the moon with the craziest of them. But we are mad bastards.
I mean, how is it that we can meet each other in the street on most days and more or less come off as grounded, sensible neighbours who can be trusted to help each other out in an emergency – and yet manage to produce armies of flesh-eating zombies as soon as someone rings the Oh Shit bell?
I mean, really – where do all the monsters come from? Where are we hiding them?
---
Something I'm largely ignorant of is the conflict in Sri Lanka. What sparked the Tamil Tigers' two decades or however long of dissent and fighting against the government, I don't know. I've not been to the country. I hear it's beautiful.
But lastnight, I heard just a clip of an interview with a woman who'd escaped from the final throes of the war in the north of the island, earlier this year. She described scenes of carnage beyond counting.
She said that in one place she found herself, 'everywhere was bodies'. Everywhere she looked she saw corpses. Not just fallen or left, but piled.
She ran to the local hospital. They had no more room for bodies of people – there too, they were piling them in corridors and side rooms.
Where did all these dead people come from? And, more to the point, where did their killers come from?
---
This morning, an account by a woman who walked for miles to escape the fighting in the Somalian capital Mogadishu, left me wondering the same thing. She said she was so repeatedly robbed as a refugee, and so subsequently malnourished, her dreadful appearance must have been the only thing that saved her from being raped. She said that most other women with her had been, by the time they reached the coast.
It resonates with stories from the genocide in Rwanda more than a decade ago. And perhaps, in a sense, with others from the war in the former Yugoslavia – neighbours and ordinary locals appearing to develop an overnight thirst for eachother's blood and suffering.
In the case of Sri Lanka, it was government forces apparently dishing out the death. In Rwanda and in Yugoslavia, in the broadest terms, tribal friction had embedded itself in identity like a sleeper cell, so they say.
But whatever uniform you're wearing, or given at birth, you are still you when you make your choices. Even when you're part of a system trained to execute orders.
You're still you. Aren't you?
And in Somalia? Well, it's just about every conceivable element of conflict all thrown in together, isn't it? Identity, politics, poverty, money, geography – it sounds like every slavering, blood-shot, howling vision of hell ever hallucinated. It sounds like Dante's fucking Inferno. And yet, the woman this morning could still remember 'how beautiful Mogadishu was before the fighting'.
Can anyone imagine the Dish as beautiful? From the ignorant snippets of it we digest quickly from the news, it has become another Beirut or a Belfast – a place synonymous with destruction.
---
It seems incomprehensible. I don't understand where the sheer numbers of rapists and murderers appear from, when the trumpet of chaos bleats. And the level of depravity and cruelty lept to so quickly in war zones. I can't picture that happening in Bournemouth.
I feel sure that young men and women serving with British forces in Afghanistan at the moment might be able to look me thoughtfully in the eye as I say this.
So interesting, as an aside, that two of the most level-headed, likeable and positive people to have perhaps ever appeared on Channel 4's post-supper comfort Location location location were lastnight's couple, Chris and Nikki – a major in the Paras and a flight lieutenant in the RAF, respectively. If you were looking for it, at least in the edit, there was a self-effacing note of dignity brought to the usually agonising proceedings of middle class people enjoying their freedom by whining about only having a £500,000 budget to buy a home.
I shamelessly love Phil and Kirsty. And I whine about property often. But its interesting to observe people who are trained in the art of self control – trained specifically so they can be fit to defend our right to make TV about banal comforts.
---
As the debate around healthcare in the US begins to pull in ever more inflammatory language, and a barking, screaming, hair-pulling, goggle-eyed, yelping madness seems to be supplanting the country's pragmatic conversation about how best to sustain its society, I wonder how close to childish lunacy even the most idyllic models for living really are.
Is there a better dream than America? And are more petulant, ignorant voices to be heard hollering so loudly anywhere else on Earth?
But whether Bournemouth, Beirut or Belfast; Berlin, Boston or Baltimore – we humans are the only common factor in these different scenes. And, if you think about where people in these different cities find themselves in 2009, our ability to rebuild, to transform, to totally re-invent our vision of these places, and of eachother, seems as remarkable perhaps as our lurking and utterly universal weakness for fear.
Friday, September 11, 2009
So Tong, then.
So Tong, then.
In a typical Friday style, I've been in the studio for a while. So long, in fact, that I have removed the empty cafetiere and mug from the little table in the window and replaced them with a full bottle of Burgundy Pinot Noir and a glass.
So it's a year since we were braving mudslides at Robin Hill country park, over on the island for Bestival. It's begun again over there now and they're forecasting great weather. And Kraftwerk. And stupid sci-fi costumes.
..What am I doing here, again?
Pouring a glass and saying cheers, actually. Turns out it's Pete Tong's last 'welcome to the weekend' tonight.
Yep, it's come around already. And it turns out too that the Essential Selection is as old as our marriage. Eighteen years.
I feel a genuine sadness. This news just makes me feel that little bit more sad than I did already.
---
How many Fridays felt that bit better because of this show? I don't want to overstate it – wait 'ill I've polished off the glass – but whether we were cooking damn fine chile or driving somewhere to meet chums, watching the sun go down in the Arnewood kitchen window or watching the countryside slip past the windscreen on some evening A-road somewhere, this was how we knew it was the weekend.
When I think back to these years and this little joyful detail of our average week, I shall probably think of listening to a live version of World Hold On from one of Pete's Ibiza shows one summer, while we were stuck in a stationary traffic jam in North London one sunny summer evening. What a strangely nice memory.
Still, sentimentality never built the future, eh.
Think I might keep this cork on my desk, though.
One more tune, mate – it's three minutes to the end of the show.
..Finally it's happened to me? From 1991? The year it started; the year we were married.
Good choice.
Somehow, we shall keep dancing.
Cheers.
In a typical Friday style, I've been in the studio for a while. So long, in fact, that I have removed the empty cafetiere and mug from the little table in the window and replaced them with a full bottle of Burgundy Pinot Noir and a glass.
So it's a year since we were braving mudslides at Robin Hill country park, over on the island for Bestival. It's begun again over there now and they're forecasting great weather. And Kraftwerk. And stupid sci-fi costumes.
..What am I doing here, again?
Pouring a glass and saying cheers, actually. Turns out it's Pete Tong's last 'welcome to the weekend' tonight.
Yep, it's come around already. And it turns out too that the Essential Selection is as old as our marriage. Eighteen years.
I feel a genuine sadness. This news just makes me feel that little bit more sad than I did already.
---
How many Fridays felt that bit better because of this show? I don't want to overstate it – wait 'ill I've polished off the glass – but whether we were cooking damn fine chile or driving somewhere to meet chums, watching the sun go down in the Arnewood kitchen window or watching the countryside slip past the windscreen on some evening A-road somewhere, this was how we knew it was the weekend.
When I think back to these years and this little joyful detail of our average week, I shall probably think of listening to a live version of World Hold On from one of Pete's Ibiza shows one summer, while we were stuck in a stationary traffic jam in North London one sunny summer evening. What a strangely nice memory.
Still, sentimentality never built the future, eh.
Think I might keep this cork on my desk, though.
One more tune, mate – it's three minutes to the end of the show.
..Finally it's happened to me? From 1991? The year it started; the year we were married.
Good choice.
Somehow, we shall keep dancing.
Cheers.
Wednesday, September 09, 2009
09.09.09 09:09
09.09.09 09:09
(Bugger.)
09.09.09 21:09
Yes, alright. I missed the proper one this morning.
But here we are in the next best thing. I was working through the proper one and here I still am – for the record, doing another part of this giant pitch for a particular international client.
Coo-er. Sounds glam.
It's not. I do this in my bedroom, remember.
Anyway. A neuf.
---
(And for the record, ignore the demented clock on the post bar below – I hit Post at EXACTLY nine minutes past... oh even I'm not listening any more.)
(Bugger.)
09.09.09 21:09
Yes, alright. I missed the proper one this morning.
But here we are in the next best thing. I was working through the proper one and here I still am – for the record, doing another part of this giant pitch for a particular international client.
Coo-er. Sounds glam.
It's not. I do this in my bedroom, remember.
Anyway. A neuf.
---
(And for the record, ignore the demented clock on the post bar below – I hit Post at EXACTLY nine minutes past... oh even I'm not listening any more.)
Wednesday, September 02, 2009
Rain and rowlocks.
Rain and rowlocks.
At last.
At long, chuffing last.
Miserable weather.
>CRACKS OUT LACED FINGERS AND PULLS IN CHAIR<
I can finally get some decent work done.
---
Of course, it's not helpful to a normal household rhythm, but gloomy teatimes can be a great time for the brain to find creative traction. The more the rain slips down the window, the better it seems; the fuller the gutter, the firmer the grip.
Now that I have low lights on and ridiculous jazz courtesy of FIP, I can feel productivity seeping through my veins again, bringing Momo's mojo to life.
I've found some gorgeous afternoons draining productivity this summer. The ability to make decisions sometimes, worryingly, just departs and I've spent hours scratching at the layout pad and the screen and the kettle, muttering motivational mantras to no decisional avail. I loath it. I've left school. I hate the suspicion that I need a scary maths teacher to help me get through a piece of work.
Momo does, of course, operate like a business even with me at the helm. Writers may get to lie in until noon and then gaze forlornly at daytime telly until cake time, but my little studio always has something sensible in actual production, with things like deadlines and phone calls and emails and budgets and strategies and clever-dick ideas to administer.
Beats me how I let this happen.
But, even so, when you are the business and the Brilliant Brain fairy leaves your shoulder, it doesn't feel encouraging.
So a bit of cosy rain tonight feels like a refreshing shower to the outlook.
---
It's something to do with my ever-deepening love affair with Autumn, of course – the season of fresh starts. I've been actively waiting for it this year, despite loving impromptu sunshine and family and lazy riverbanks and discovering the lunacy that is the invention of rowing, on days like Monday's bank holiday.
All very good and much appreciated – but that's the point, after all. Summer should really be the time to let go of the reins a little; create the rhythm of a restart at the back-to-school time of year.
I think, though, this year's been a bit of an exaggeration for me on that score because of Momo's preponderance of cranium-aching projects over the balmy months. If everything on your creative schedule at any one time is strategic stuff – fathoming marketing campaigns, or website structures – you're in danger of running out of buffer space in the brain, let me say.
I rather prefer having some of the projects on the schedule near their end and needing some pretty artwork finishing or fancy words filling in.
Still, if I can keep with it enough – and if this rotten and therefore inspirational weather digs in properly – the cranium aching of this summer may well lead to a very interesting final quarter of 2009 for Momo. Both Tempo and Typo.
---
I should feel encouraged, I guess. Most of the time I keep Momo on a steady course down stream nicely. Al hamdu li lah. But as I approach the beginning of this funny business' eighth year – eighth, for Pete's sake – I am certainly ready to see a new season unfold around me.
If this rain keeps up, of course, it may really float Momo's little rowboat.
But, as I have now learned with blistered palms thanks to the hire place on the river at Wareham, pulling for all you're worth just to go backwards seems like an awful lot of rowlocks.
At last.
At long, chuffing last.
Miserable weather.
>CRACKS OUT LACED FINGERS AND PULLS IN CHAIR<
I can finally get some decent work done.
---
Of course, it's not helpful to a normal household rhythm, but gloomy teatimes can be a great time for the brain to find creative traction. The more the rain slips down the window, the better it seems; the fuller the gutter, the firmer the grip.
Now that I have low lights on and ridiculous jazz courtesy of FIP, I can feel productivity seeping through my veins again, bringing Momo's mojo to life.
I've found some gorgeous afternoons draining productivity this summer. The ability to make decisions sometimes, worryingly, just departs and I've spent hours scratching at the layout pad and the screen and the kettle, muttering motivational mantras to no decisional avail. I loath it. I've left school. I hate the suspicion that I need a scary maths teacher to help me get through a piece of work.
Momo does, of course, operate like a business even with me at the helm. Writers may get to lie in until noon and then gaze forlornly at daytime telly until cake time, but my little studio always has something sensible in actual production, with things like deadlines and phone calls and emails and budgets and strategies and clever-dick ideas to administer.
Beats me how I let this happen.
But, even so, when you are the business and the Brilliant Brain fairy leaves your shoulder, it doesn't feel encouraging.
So a bit of cosy rain tonight feels like a refreshing shower to the outlook.
---
It's something to do with my ever-deepening love affair with Autumn, of course – the season of fresh starts. I've been actively waiting for it this year, despite loving impromptu sunshine and family and lazy riverbanks and discovering the lunacy that is the invention of rowing, on days like Monday's bank holiday.
All very good and much appreciated – but that's the point, after all. Summer should really be the time to let go of the reins a little; create the rhythm of a restart at the back-to-school time of year.
I think, though, this year's been a bit of an exaggeration for me on that score because of Momo's preponderance of cranium-aching projects over the balmy months. If everything on your creative schedule at any one time is strategic stuff – fathoming marketing campaigns, or website structures – you're in danger of running out of buffer space in the brain, let me say.
I rather prefer having some of the projects on the schedule near their end and needing some pretty artwork finishing or fancy words filling in.
Still, if I can keep with it enough – and if this rotten and therefore inspirational weather digs in properly – the cranium aching of this summer may well lead to a very interesting final quarter of 2009 for Momo. Both Tempo and Typo.
---
I should feel encouraged, I guess. Most of the time I keep Momo on a steady course down stream nicely. Al hamdu li lah. But as I approach the beginning of this funny business' eighth year – eighth, for Pete's sake – I am certainly ready to see a new season unfold around me.
If this rain keeps up, of course, it may really float Momo's little rowboat.
But, as I have now learned with blistered palms thanks to the hire place on the river at Wareham, pulling for all you're worth just to go backwards seems like an awful lot of rowlocks.
Monday, August 24, 2009
Sheesh.
Sheesh.
I learned something depressing today.
>DEEP BREATH<
Turns out my occasional recreational toke on a shisha pipe is going to kill me after all. And as punishment for my smugness about its 'practical harmlessness', rather faster than a cigarette, apparently.
Great. Spent my life walking the remarkably high-minded line between having never smoked and being socially unphased by the idea of people smoking, and then it turns out my multi-cultural affectations are going to punch me in the lungs for being a pretentious arse. Fair enough I suppose.
A study by the Department of Health and the Tobacco Control Collaborating Centre – you know them, right? – has revealed some allegedly shocking levels of Carbon Monoxide.
>SIGH-COUGH!<
Turns out half an hour on a hookah is, at its measurably very best, significantly worse for you than a fag. In fact, in many instances apparently, an average shish sesh outstrips a ciggy by factors in the hundreds for CO levels.
And to add cultural insult to circulatory injury, a London shisha bar owner mentioned that he doesn't ever inhale when he's using one. Like you're not supposed to.
So I should stop filling my lungs with this stuff, then? You tell me this now?
But it's so sociable. I really enjoy breaking out the pipe occasionally. Never put anything more relaxing in it than humble oriental apple resin, you understand, but it's a nice thing to hand round the table after you've mopped up the last of your baba ganoush and your lamb tabouli, don't you think? Right?
Oh fine. Right. So don't break out the hubbly bubbly.
---
I can hardly have any complaints otherwise today, though.
I've spent half of it sifting through the schedule to construct various strata of To Do lists from the chaotic debris of a busy couple of weeks. And I've been doing so after a weekend that was a much looked-forward-to long one that's subsequently etched its blatant idleness all over my face. Really. I have stupid ski-jock panda eyes from staring at the skies in sunnies.
After a few days of shamelessly lounging around the vast front lawn of Laura and Chris's place on the Westcliff, sipping champers and nibbling strawberries, while tracing the lazy arcs of various acrobatic aero displays over Bournemouth's fairly amphitheatrical bay, I feel nicely head-cleared again. Gorgeous weather for four days, basically, while a selection aviation engines purred and roared their poetry over the seaside atmosphere. Lovely. These are the days, and all that.
The ones that will help you say: "meh – fair enough" when it all goes belly up.
The secret to switching off in such a Carefree Git-like manner though, is tying up loose ends before you clear off. Wiping the ol' slate. Putting out the mental moggy and leaving a note for the mental milkman. Clunking the door closed on a clean house as you leave with a full case.
I managed to push the wraparounds up the nose and fold the hands behind the remarkably successfully disengaged bean as I did for three whole, luxuriant days purely thanks to the number of serendipitously positive notes on which last week was mercifully ended – the most significant and serenading of which being the pertinent one. The one you need to take note of. The album.
The album.
Yes. Really.
If I could relax on the lawn at all for a couple of precious days, it was partly because I could bask a little in the mental warmth of having posted a complete pre-mastered version of The Golden Age to Jamie on Saturday morning. Yes, again, really.
No, really.
Ish. The 'ish' being that it's not completely right, of course. So just hold your horses.
It's not a version I'll be putting in anyone else's hands until I've heard his immediate verdict and given him my lengthy Well Obviously It Won't Be Like That list. Various levels are off and numerous details are not quite right and a session is missing... but, ah, it is in shape. It does exist. ..I can now hear it from start to finish.
There is now no smoke to hide behind.
>DEEP BREATH<
So now, back to work, I have to start resolving what the hell to do with it.
Sheesh.
I learned something depressing today.
>DEEP BREATH<
Turns out my occasional recreational toke on a shisha pipe is going to kill me after all. And as punishment for my smugness about its 'practical harmlessness', rather faster than a cigarette, apparently.
Great. Spent my life walking the remarkably high-minded line between having never smoked and being socially unphased by the idea of people smoking, and then it turns out my multi-cultural affectations are going to punch me in the lungs for being a pretentious arse. Fair enough I suppose.
A study by the Department of Health and the Tobacco Control Collaborating Centre – you know them, right? – has revealed some allegedly shocking levels of Carbon Monoxide.
>SIGH-COUGH!<
Turns out half an hour on a hookah is, at its measurably very best, significantly worse for you than a fag. In fact, in many instances apparently, an average shish sesh outstrips a ciggy by factors in the hundreds for CO levels.
And to add cultural insult to circulatory injury, a London shisha bar owner mentioned that he doesn't ever inhale when he's using one. Like you're not supposed to.
So I should stop filling my lungs with this stuff, then? You tell me this now?
But it's so sociable. I really enjoy breaking out the pipe occasionally. Never put anything more relaxing in it than humble oriental apple resin, you understand, but it's a nice thing to hand round the table after you've mopped up the last of your baba ganoush and your lamb tabouli, don't you think? Right?
Oh fine. Right. So don't break out the hubbly bubbly.
---
I can hardly have any complaints otherwise today, though.
I've spent half of it sifting through the schedule to construct various strata of To Do lists from the chaotic debris of a busy couple of weeks. And I've been doing so after a weekend that was a much looked-forward-to long one that's subsequently etched its blatant idleness all over my face. Really. I have stupid ski-jock panda eyes from staring at the skies in sunnies.
After a few days of shamelessly lounging around the vast front lawn of Laura and Chris's place on the Westcliff, sipping champers and nibbling strawberries, while tracing the lazy arcs of various acrobatic aero displays over Bournemouth's fairly amphitheatrical bay, I feel nicely head-cleared again. Gorgeous weather for four days, basically, while a selection aviation engines purred and roared their poetry over the seaside atmosphere. Lovely. These are the days, and all that.
The ones that will help you say: "meh – fair enough" when it all goes belly up.
The secret to switching off in such a Carefree Git-like manner though, is tying up loose ends before you clear off. Wiping the ol' slate. Putting out the mental moggy and leaving a note for the mental milkman. Clunking the door closed on a clean house as you leave with a full case.
I managed to push the wraparounds up the nose and fold the hands behind the remarkably successfully disengaged bean as I did for three whole, luxuriant days purely thanks to the number of serendipitously positive notes on which last week was mercifully ended – the most significant and serenading of which being the pertinent one. The one you need to take note of. The album.
The album.
Yes. Really.
If I could relax on the lawn at all for a couple of precious days, it was partly because I could bask a little in the mental warmth of having posted a complete pre-mastered version of The Golden Age to Jamie on Saturday morning. Yes, again, really.
No, really.
Ish. The 'ish' being that it's not completely right, of course. So just hold your horses.
It's not a version I'll be putting in anyone else's hands until I've heard his immediate verdict and given him my lengthy Well Obviously It Won't Be Like That list. Various levels are off and numerous details are not quite right and a session is missing... but, ah, it is in shape. It does exist. ..I can now hear it from start to finish.
There is now no smoke to hide behind.
>DEEP BREATH<
So now, back to work, I have to start resolving what the hell to do with it.
Sheesh.
Monday, August 17, 2009
"The Golden Age of Explora –
>SHUFFLE<
>HORN SQUEEKS<
(Ready, everyone?)
>AHEM!<
"The Golden Age of Explora –
– whuh?
Oh bugger. What, still?
Right. Well so it's too soon to do the big fanfare (sorry chaps – see you at Tuesday practice) but The Golden Age is none-the-less very close.
No, now less of that attitude. It IS nearly done.
Currently, these are the headlines:
• all horn sessions are done and edited into shape.
• cello sessions are done and awaiting mixes.
• almost all tracks are creatively finished.
• problem track Just passing through is almost on the mat but still slugging it out with me.
• awaiting strings for Waiting is a bit like being on holiday.
• we still have no opening micro track.
• we still have no album cover, but the cover artwork style is all together and looking fab.
So it's, y'know, almost there. 'So near', etc.
---
It's been a mammoth weekend. I've barely left the house. Between this and a fairly monsterous pitch for Typo, I've been bending the bean and the eyesight rather heavily.
But the end is in sight on both counts. If I dare believe it.
Now, clear up this tinsel and put away the chairs. Someone else needs the hall.
>HORN SQUEEKS<
(Ready, everyone?)
>AHEM!<
"The Golden Age of Explora –
– whuh?
Oh bugger. What, still?
Right. Well so it's too soon to do the big fanfare (sorry chaps – see you at Tuesday practice) but The Golden Age is none-the-less very close.
No, now less of that attitude. It IS nearly done.
Currently, these are the headlines:
• all horn sessions are done and edited into shape.
• cello sessions are done and awaiting mixes.
• almost all tracks are creatively finished.
• problem track Just passing through is almost on the mat but still slugging it out with me.
• awaiting strings for Waiting is a bit like being on holiday.
• we still have no opening micro track.
• we still have no album cover, but the cover artwork style is all together and looking fab.
So it's, y'know, almost there. 'So near', etc.
---
It's been a mammoth weekend. I've barely left the house. Between this and a fairly monsterous pitch for Typo, I've been bending the bean and the eyesight rather heavily.
But the end is in sight on both counts. If I dare believe it.
Now, clear up this tinsel and put away the chairs. Someone else needs the hall.
Friday, August 14, 2009
Welcome to the weekend.
Welcome to the weekend.
I guess all things must change.
I just sort of periodically hope that this doesn't apply to all things. Y'know?
There is one thing in particular that I didn't dare contemplate would change any time soon. Just because it would be so, well, wrong. But it has changed. Or will be changing. And I have mixed feelings about it.
Because, from September, Pete Tong will no longer be welcoming us to the weekend.
Ee-GAD.
---
The thing I love about radio generally is how it gets in your head. It moves in with you and follows you around the house – though not in a creepy lodger kind of way. In a comfy chum kind of way. Or a learned chum kind of way. Or a groovy, energetic, well-connected, Will Make The Effort To Go Clubbing For You chum kind of way. I like that guy. All these guys. And, as any entrenched Radio 4 listener will tell you, these broadcast backdrops to your life can become part of the very fabric of it – the mucking about with of which is potentially upsetting.
Witness my month of measurable grief when Mark and Lard split. Those bastards left me all alone. With Steve Wright.
---
Now, the Radio One Friday evening schedule has been as much an irrational comfort to us as any nerve-steadying shipping forecast or gentle willow-crack heart-warming conjoured by cricket coverage. Just knowing it's there is nice. It makes it Friday. Pete Tong makes it Friday. Moving him is like, I dunno, moving the Today programme to a timeslot after everyone's gone to work.
>shudders<
My mixed feelings about his sacred show being moved are as they are because jolly good taste-setter and all-round radio poppet, Annie Mac, is swapping slots with him – he takes over the Mash-up slot at 9.00 on a Friday evening, and she will be booting up the weekend for us at 7.00.
Now, we've famously loved young Maccers' little electro-beat show from the beginning. Even memorably starred in it once. ..Slash, momentarily wrecked its credibility. She is, I guess, as worthy a successor to the Essential Selection as you could wish for really – in fact, hearing bits of her sitting in for Zane Lowe this week, I can't help feeling that most of the country would feel pretty happy about her being on the wireless every night of the week.
..But, isn't the Mash-up's music more of a 9.00pm thing? More quirky and varied; Pete's slick grooves just feel more early evening chic, somehow.
Ah, well. I shall tune in to both and be thankful for each show's different comfort appearing out of the unique funding of my license fee. Hadn't planned to redecorate my Fridays but we shall bravely adapt. And really, you couldn't wish increasingly legendary status on anyone more deserving than the blessed Maccers. So toot that air horn someone.
But.
Hmm.
Just perhaps...
..if even the most immovable things can yet be moved, when least expected, upsetting everyone's comforting frame of reference... could that even include something as ludicrously unlikely as the blatant unfinishedness of Momo:tempo's debut album? More even than that, it's wanton ignominy?
Surely not. Some things DON'T change.
..Unless this weekend does what it's supposed to.
---
Pips, sirens, beats – "Welcome to the weekend."
It's 7.00pm on a Friday as I type now and Pete is kicking things off noisily around the flat. I'm sipping a cream soda but plan to turn it into a G&T shortly, to go with my aim of actually working up something cool and definite for the album artwork tonight.
You see, I'm working to a bit of an actual deadline on all this now. Stalwart, long-term TC Peach supporter, Jamie Lee, has become so insensed at the number of years he's had to wait for an original recording from said obscure artist, he's promised some kind of record store rage if he returns from his family's extended break in France at the end of the week to not find a preview copy of The Golden Age of Exploration sitting on his mat.
Thing is, as one of fewer long-term fans than I have digits, Jamie represents a percentage mailing list loss I can ill afford. True, he's hardcore – he doesn't count Chaser or Beyond the storm as legitimate albums and claims to have been therefore waiting since 1997 and Worship the system for a proper pop record from me. But he did direct my first pop video – Thunder in the hills, which for my hair alone should never make it to YouTube – and does genuinely seem to actually like the music itself.
For this reason, I am entrusting the first ever preview listen of the whole new tune fest to him – to tell me straight what he's been prepared to tell me in the past. Namely, when he thinks I'm embarrassing myself.
---
Think about it. I need someone to do this. I can't see anything about The Golden Age straight anymore. I have no idea if I'm some mad Victorian barron, spending a fortune on an elaborately inept invention that high society will have to humour me about, even as it titters in ever-more to-my-face ridicule about it. I need someone to hear this rubbish and warn me off.
I already know it's a music album bereft of proper credibility, in Essential Selection or Mash-up terms. It's too much of a process of exploration – partly hence the name – to be undone and made 'cool' by a berk like me.
Yet, is it still legitimate? I think – no, I suspect, – it... is. But I could do with at least someone else thinking so too before I press the button on a thousand hard copies of the blasted thing.
---
Brekkers with Gel in the Cali this morning saw us lingering an extra ten to chat music. I shared with him my inordinate excitement – eclipsing quite predictably the reasonably full-on workload in the Typo studio at the moment – about doing something I've dreamed of for years.
Putting real strings on a piece of music.
Yes, this is very normal for many musicians with a budget, but this week I could hardly contain my Bless Me enthusiasm at finally getting a simple little CD in the post for three tracks to have a cellist and violinist session on.
I spoke with Simon the cellist tonight and his solo work on Identity and Duality respectively is all but done. And frankly, I can't wait to hear how this makes these two distinctly thoughtful chapters of the new album sound.
But more than this, I've decided to put my hand in Momo's pocket for something rather special to end the whole long-player with – strings on Waiting is a bit like being on holiday, the album finale. It's such a sun-drenched kind of refrain, it would just be such a classy way to leave the musical moment. If any potential listener can get through all the fannying around and stupid shenanigans before that, anyway.
Sadly, I have to wait until the end of the month before the violinist is back from holiday. But I am fully prepared to. I AM SO EXITED.
Gellan, on hearing this, was a total mate and simply said he couldn't wait to hear it all.
---
I don't know. I've operated in such comprehensive musical obscurity, unable to pull together all my musical experiences and explorations before now, the idea that me and my natural naffness might make a record that can almost stand up in the arena of credibility – or even get a couple of people to listen to it – well, that seems too much to imagine. Doesn't sound very Real World to me.
Yet.
I'm getting one or two more people around me give me that look. That look that I'd get just very occasionally from a single very timely person, telling me that they totally loved what I'd done. Just when I was about to give up.
Bloody thanks, single timely person.
Like that one lass running across a field to me just as I was leaving another essentially-empty gig at a small local music festival, some dozen years ago. Or that one bloke asking for a CD just as I was packing up from a sparce show at The Gardening Club on some nameless Wednesday. Like, thanks. For sharing our madness, just when I was on the cusp of sanity.
But now I'm getting more unhelpfulness. The sort of little things that I am powerless to resist.
Simon's growing interest in it from one cello session. The affection from Gel, Zo and the Thinking Juice gang about it. The sudden online airplay from one unknown DJ last month. The out-of-the blue contact from a young chap last week saying he's 'never been more excited about waiting for a new album' than since discovering it. Mark the drum's fantastically encouraging excitement about forming the live band for it. John the horn's professionally experienced keenness this week to stay involved and do more sessions.
It.. it sort of feels like I should still, insanely be doing this. I told Gel I couldn't really put all this out there, but I'm... darn it, it's out there. I'm feeling it.
Now. I realise that all that this massive response so far adds up to is just a tiny group of positive friends sincerely wishing me well and a couple of possible random nutters, I know. Yet, tiny world as this may be, it's very nice. And it's been steadily increasing my tempted sense of excitement.
---
Don't get me wrong – this record won't be properly right. Take heart – remember that I simply don't know what I'm doing enough. I am, lest we forget, just some chap making music that's not very hip, simply to please himself. And that's not going to change, of course.
So you won't have to redecorate your life's frame of reference any time soon, I shouldn't think.
But it's all rather good fun, isn't it?
---
So, after a week of bending my head around website structures and pitch strategies and brochure copy and emailers of news, I am staying at the Mac and shipping in the pizza and turning up the dance music tonight, to see if I can make a credible brand for The Golden Age out of the print making session that the creative superforce Sarah G-H kindly helped me with in her studio a couple of weeks back.
Then I have two days to wrap up all the edits, sessions and unworking bits of Momo:tempo's debut album musical creative, in order to actually, definitely, possibly complete it.
I guess all things, even this, must change eventually.
Maybe.
I guess all things must change.
I just sort of periodically hope that this doesn't apply to all things. Y'know?
There is one thing in particular that I didn't dare contemplate would change any time soon. Just because it would be so, well, wrong. But it has changed. Or will be changing. And I have mixed feelings about it.
Because, from September, Pete Tong will no longer be welcoming us to the weekend.
Ee-GAD.
---
The thing I love about radio generally is how it gets in your head. It moves in with you and follows you around the house – though not in a creepy lodger kind of way. In a comfy chum kind of way. Or a learned chum kind of way. Or a groovy, energetic, well-connected, Will Make The Effort To Go Clubbing For You chum kind of way. I like that guy. All these guys. And, as any entrenched Radio 4 listener will tell you, these broadcast backdrops to your life can become part of the very fabric of it – the mucking about with of which is potentially upsetting.
Witness my month of measurable grief when Mark and Lard split. Those bastards left me all alone. With Steve Wright.
---
Now, the Radio One Friday evening schedule has been as much an irrational comfort to us as any nerve-steadying shipping forecast or gentle willow-crack heart-warming conjoured by cricket coverage. Just knowing it's there is nice. It makes it Friday. Pete Tong makes it Friday. Moving him is like, I dunno, moving the Today programme to a timeslot after everyone's gone to work.
>shudders<
My mixed feelings about his sacred show being moved are as they are because jolly good taste-setter and all-round radio poppet, Annie Mac, is swapping slots with him – he takes over the Mash-up slot at 9.00 on a Friday evening, and she will be booting up the weekend for us at 7.00.
Now, we've famously loved young Maccers' little electro-beat show from the beginning. Even memorably starred in it once. ..Slash, momentarily wrecked its credibility. She is, I guess, as worthy a successor to the Essential Selection as you could wish for really – in fact, hearing bits of her sitting in for Zane Lowe this week, I can't help feeling that most of the country would feel pretty happy about her being on the wireless every night of the week.
..But, isn't the Mash-up's music more of a 9.00pm thing? More quirky and varied; Pete's slick grooves just feel more early evening chic, somehow.
Ah, well. I shall tune in to both and be thankful for each show's different comfort appearing out of the unique funding of my license fee. Hadn't planned to redecorate my Fridays but we shall bravely adapt. And really, you couldn't wish increasingly legendary status on anyone more deserving than the blessed Maccers. So toot that air horn someone.
But.
Hmm.
Just perhaps...
..if even the most immovable things can yet be moved, when least expected, upsetting everyone's comforting frame of reference... could that even include something as ludicrously unlikely as the blatant unfinishedness of Momo:tempo's debut album? More even than that, it's wanton ignominy?
Surely not. Some things DON'T change.
..Unless this weekend does what it's supposed to.
---
Pips, sirens, beats – "Welcome to the weekend."
It's 7.00pm on a Friday as I type now and Pete is kicking things off noisily around the flat. I'm sipping a cream soda but plan to turn it into a G&T shortly, to go with my aim of actually working up something cool and definite for the album artwork tonight.
You see, I'm working to a bit of an actual deadline on all this now. Stalwart, long-term TC Peach supporter, Jamie Lee, has become so insensed at the number of years he's had to wait for an original recording from said obscure artist, he's promised some kind of record store rage if he returns from his family's extended break in France at the end of the week to not find a preview copy of The Golden Age of Exploration sitting on his mat.
Thing is, as one of fewer long-term fans than I have digits, Jamie represents a percentage mailing list loss I can ill afford. True, he's hardcore – he doesn't count Chaser or Beyond the storm as legitimate albums and claims to have been therefore waiting since 1997 and Worship the system for a proper pop record from me. But he did direct my first pop video – Thunder in the hills, which for my hair alone should never make it to YouTube – and does genuinely seem to actually like the music itself.
For this reason, I am entrusting the first ever preview listen of the whole new tune fest to him – to tell me straight what he's been prepared to tell me in the past. Namely, when he thinks I'm embarrassing myself.
---
Think about it. I need someone to do this. I can't see anything about The Golden Age straight anymore. I have no idea if I'm some mad Victorian barron, spending a fortune on an elaborately inept invention that high society will have to humour me about, even as it titters in ever-more to-my-face ridicule about it. I need someone to hear this rubbish and warn me off.
I already know it's a music album bereft of proper credibility, in Essential Selection or Mash-up terms. It's too much of a process of exploration – partly hence the name – to be undone and made 'cool' by a berk like me.
Yet, is it still legitimate? I think – no, I suspect, – it... is. But I could do with at least someone else thinking so too before I press the button on a thousand hard copies of the blasted thing.
---
Brekkers with Gel in the Cali this morning saw us lingering an extra ten to chat music. I shared with him my inordinate excitement – eclipsing quite predictably the reasonably full-on workload in the Typo studio at the moment – about doing something I've dreamed of for years.
Putting real strings on a piece of music.
Yes, this is very normal for many musicians with a budget, but this week I could hardly contain my Bless Me enthusiasm at finally getting a simple little CD in the post for three tracks to have a cellist and violinist session on.
I spoke with Simon the cellist tonight and his solo work on Identity and Duality respectively is all but done. And frankly, I can't wait to hear how this makes these two distinctly thoughtful chapters of the new album sound.
But more than this, I've decided to put my hand in Momo's pocket for something rather special to end the whole long-player with – strings on Waiting is a bit like being on holiday, the album finale. It's such a sun-drenched kind of refrain, it would just be such a classy way to leave the musical moment. If any potential listener can get through all the fannying around and stupid shenanigans before that, anyway.
Sadly, I have to wait until the end of the month before the violinist is back from holiday. But I am fully prepared to. I AM SO EXITED.
Gellan, on hearing this, was a total mate and simply said he couldn't wait to hear it all.
---
I don't know. I've operated in such comprehensive musical obscurity, unable to pull together all my musical experiences and explorations before now, the idea that me and my natural naffness might make a record that can almost stand up in the arena of credibility – or even get a couple of people to listen to it – well, that seems too much to imagine. Doesn't sound very Real World to me.
Yet.
I'm getting one or two more people around me give me that look. That look that I'd get just very occasionally from a single very timely person, telling me that they totally loved what I'd done. Just when I was about to give up.
Bloody thanks, single timely person.
Like that one lass running across a field to me just as I was leaving another essentially-empty gig at a small local music festival, some dozen years ago. Or that one bloke asking for a CD just as I was packing up from a sparce show at The Gardening Club on some nameless Wednesday. Like, thanks. For sharing our madness, just when I was on the cusp of sanity.
But now I'm getting more unhelpfulness. The sort of little things that I am powerless to resist.
Simon's growing interest in it from one cello session. The affection from Gel, Zo and the Thinking Juice gang about it. The sudden online airplay from one unknown DJ last month. The out-of-the blue contact from a young chap last week saying he's 'never been more excited about waiting for a new album' than since discovering it. Mark the drum's fantastically encouraging excitement about forming the live band for it. John the horn's professionally experienced keenness this week to stay involved and do more sessions.
It.. it sort of feels like I should still, insanely be doing this. I told Gel I couldn't really put all this out there, but I'm... darn it, it's out there. I'm feeling it.
Now. I realise that all that this massive response so far adds up to is just a tiny group of positive friends sincerely wishing me well and a couple of possible random nutters, I know. Yet, tiny world as this may be, it's very nice. And it's been steadily increasing my tempted sense of excitement.
---
Don't get me wrong – this record won't be properly right. Take heart – remember that I simply don't know what I'm doing enough. I am, lest we forget, just some chap making music that's not very hip, simply to please himself. And that's not going to change, of course.
So you won't have to redecorate your life's frame of reference any time soon, I shouldn't think.
But it's all rather good fun, isn't it?
---
So, after a week of bending my head around website structures and pitch strategies and brochure copy and emailers of news, I am staying at the Mac and shipping in the pizza and turning up the dance music tonight, to see if I can make a credible brand for The Golden Age out of the print making session that the creative superforce Sarah G-H kindly helped me with in her studio a couple of weeks back.
Then I have two days to wrap up all the edits, sessions and unworking bits of Momo:tempo's debut album musical creative, in order to actually, definitely, possibly complete it.
I guess all things, even this, must change eventually.
Maybe.
Monday, August 03, 2009
Eighteen and expecting.*
Eighteen and expecting.*
Just over a week on from an old friend's happy wedding and from happily making jokes at his expense in front of all his other friends, I find myself looking at today's date in the diary and remembering a similar day a couple of worlds away.
Eighteen years ago, Caroline and I demonstrated our decision to stop mucking about and step up.
For, betrothed by our villages as a peace accord I think, our childlike selves took vows to laugh at eachother's jokes and to inspect eachother's unmentionable ailments until one or both of us dropped with the emotional effort of looking interested.
To her eternal and almost saint-like credit, eighteen circuits of the Earth later, Caroline still lets slip the odd unguarded titter at my shrinking gene pool of jokes. Which might have been reason alone to keep me interested all that time, clever girl.
But the truth is, of course, when someone consistently impresses you with who they are, it's hard not to stay interested.
And if, on top of this, they're consistently nice to you… well, the shoes are staying off and under the table, aren't they?
..Though I would say it turns out that this happy equilibrium depends rather on you giving them as many reasons as you can humanly think of for them to be nice to you. One of which might be pretending to play it cool at a very early stage – something which can for a while take the kind of herculean creative effort of a hormonal young man that could alternatively have been very usefully channeled into a career or something. Sure – tell 'em you've fallen in love. But not every ten minutes from about half an hour after meeting them. Not if you want it to last, loverboy.
---
Approaching life's middle eight, I marvel at anyone's ability to find someone who can keep time and tune with them. To find someone who's willing to join the band at all seems remarkable, but to find someone who can stick with the piece through numerous time signature and key changes and still have intuition enough to improv a little before coming back in on cue for the big refrain together at the end seems too much to ask. Not least of all because it sounds as if you're asking them to marry a jazz musician.
No, to have survived so many over-stretched metaphors, flowery language and inexplicably stuck drum machines on stage and to still be arsing about enjoying ourselves as ever we were is something I don't really know how to say thankyou for.
But the fact that my long-suffering wife would, if made to read this, simply sigh and get on with something useful rather than carefully packing a case and leaving without a word is something you should show her some reverence for.
I do.
---
When I think of the different relationships around us during those eighteen years – or twenty-one really – I think I'm mainly thinking that no marriage survives in a vacuum. It needs relational air to breathe.
For those whose paths have had to separate during that time, I pause with some reverence. And for those who have helped us build something consistent through changing circumstances, by being consistent with us and eachother in all their different shapes of relationship, I simply mumble a thankyou prayer.
Because, just over a week on from Julian's wedding and remembering my own, I can picture that he, for example, was at both. And interestingly, from a different but distantly related social family, so too was Mikey – Best Manning at the first, creating a party atmosphere with decks at the second. ..As too was his wife, then girlfriend, Emma.
I think, when friends demonstrate that they think it's worth sticking around – at least, those that are somehow able to – you get to see over time why commitment is really so groovy.
Without the cloud of people who were there in August 1991, tripping over Caroline's beautiful long train in the barn dance, and who weren't there but who I can't somehow believe weren't, and who were but aren't around with us now – and even those who never joined us at all, though we hoped they might – without them and the thought of them, I might not be still coming home to this remarkable woman's embrace every night.
(..Except, she comes home to me. But, y'know. Don't pick at the mood.)
So I'm thinking, here's to the next eighteen years, gang. Wherever we find ourselves on this particular Monday, whatever has or hasn't happened to us as we'd hoped, whatever is present, whoever is absent, when it feels things should really be somehow otherwise... I'm still expecting all kinds of good things. You've shown us an uncountable many already.
xxx
*Don't get excited. Read to the end. It's a play on words thing.
Just over a week on from an old friend's happy wedding and from happily making jokes at his expense in front of all his other friends, I find myself looking at today's date in the diary and remembering a similar day a couple of worlds away.
Eighteen years ago, Caroline and I demonstrated our decision to stop mucking about and step up.
For, betrothed by our villages as a peace accord I think, our childlike selves took vows to laugh at eachother's jokes and to inspect eachother's unmentionable ailments until one or both of us dropped with the emotional effort of looking interested.
To her eternal and almost saint-like credit, eighteen circuits of the Earth later, Caroline still lets slip the odd unguarded titter at my shrinking gene pool of jokes. Which might have been reason alone to keep me interested all that time, clever girl.
But the truth is, of course, when someone consistently impresses you with who they are, it's hard not to stay interested.
And if, on top of this, they're consistently nice to you… well, the shoes are staying off and under the table, aren't they?
..Though I would say it turns out that this happy equilibrium depends rather on you giving them as many reasons as you can humanly think of for them to be nice to you. One of which might be pretending to play it cool at a very early stage – something which can for a while take the kind of herculean creative effort of a hormonal young man that could alternatively have been very usefully channeled into a career or something. Sure – tell 'em you've fallen in love. But not every ten minutes from about half an hour after meeting them. Not if you want it to last, loverboy.
---
Approaching life's middle eight, I marvel at anyone's ability to find someone who can keep time and tune with them. To find someone who's willing to join the band at all seems remarkable, but to find someone who can stick with the piece through numerous time signature and key changes and still have intuition enough to improv a little before coming back in on cue for the big refrain together at the end seems too much to ask. Not least of all because it sounds as if you're asking them to marry a jazz musician.
No, to have survived so many over-stretched metaphors, flowery language and inexplicably stuck drum machines on stage and to still be arsing about enjoying ourselves as ever we were is something I don't really know how to say thankyou for.
But the fact that my long-suffering wife would, if made to read this, simply sigh and get on with something useful rather than carefully packing a case and leaving without a word is something you should show her some reverence for.
I do.
---
When I think of the different relationships around us during those eighteen years – or twenty-one really – I think I'm mainly thinking that no marriage survives in a vacuum. It needs relational air to breathe.
For those whose paths have had to separate during that time, I pause with some reverence. And for those who have helped us build something consistent through changing circumstances, by being consistent with us and eachother in all their different shapes of relationship, I simply mumble a thankyou prayer.
Because, just over a week on from Julian's wedding and remembering my own, I can picture that he, for example, was at both. And interestingly, from a different but distantly related social family, so too was Mikey – Best Manning at the first, creating a party atmosphere with decks at the second. ..As too was his wife, then girlfriend, Emma.
I think, when friends demonstrate that they think it's worth sticking around – at least, those that are somehow able to – you get to see over time why commitment is really so groovy.
Without the cloud of people who were there in August 1991, tripping over Caroline's beautiful long train in the barn dance, and who weren't there but who I can't somehow believe weren't, and who were but aren't around with us now – and even those who never joined us at all, though we hoped they might – without them and the thought of them, I might not be still coming home to this remarkable woman's embrace every night.
(..Except, she comes home to me. But, y'know. Don't pick at the mood.)
So I'm thinking, here's to the next eighteen years, gang. Wherever we find ourselves on this particular Monday, whatever has or hasn't happened to us as we'd hoped, whatever is present, whoever is absent, when it feels things should really be somehow otherwise... I'm still expecting all kinds of good things. You've shown us an uncountable many already.
xxx
*Don't get excited. Read to the end. It's a play on words thing.
Saturday, July 25, 2009
After-dinner chocks.
After-dinner chocks.
Today is the centenary of Louise Bleriot's powered flight across the English Channel – his first, and everybody's.
Looking at the faithfully restored replica of his flimsy, wing-warping, stick-string-and-oil-gauge monoplane, I am moved into an instant and unsurprising Edwardian reverie. How I have always wished I could have been one of those magnificent men, etc. Without the inevitability of fighting in the Great War, obviously. But with the aviation fashion. Obviously.
Msr B's little aircraft is also, it must be spelled out, not sturdy looking. Flimsy, even.
Which brings me to my Best Man's speech.
---
Today is also Julian and Angela's wedding. And looking at the picture postcard perfection of the setting lastnight, with the almost hand-painted cloudscapes sliding over the undulating crop fields and verdant woods, little chapel perched on the hill against the sky behind the playful country marquee... I did think: "Shame I'm going to ruin all this pastoral ambience with desperate bum gags or similar...".
I won't. Of course.
I think the speech is pretty tame and only titter-inducing at best. But I'd better get my hairy ass in the shower and get bibbed and tuckered pronto, and try not to think about whether the jazz band will ever find this random field on the Sussex/Hampshire border.
Should be a very special occasion. But I'll be relieved when we've finally survived all the up-tiddly-ups and dumped it on the deck in one piece.
After-dinner chocks away then.
Today is the centenary of Louise Bleriot's powered flight across the English Channel – his first, and everybody's.
Looking at the faithfully restored replica of his flimsy, wing-warping, stick-string-and-oil-gauge monoplane, I am moved into an instant and unsurprising Edwardian reverie. How I have always wished I could have been one of those magnificent men, etc. Without the inevitability of fighting in the Great War, obviously. But with the aviation fashion. Obviously.
Msr B's little aircraft is also, it must be spelled out, not sturdy looking. Flimsy, even.
Which brings me to my Best Man's speech.
---
Today is also Julian and Angela's wedding. And looking at the picture postcard perfection of the setting lastnight, with the almost hand-painted cloudscapes sliding over the undulating crop fields and verdant woods, little chapel perched on the hill against the sky behind the playful country marquee... I did think: "Shame I'm going to ruin all this pastoral ambience with desperate bum gags or similar...".
I won't. Of course.
I think the speech is pretty tame and only titter-inducing at best. But I'd better get my hairy ass in the shower and get bibbed and tuckered pronto, and try not to think about whether the jazz band will ever find this random field on the Sussex/Hampshire border.
Should be a very special occasion. But I'll be relieved when we've finally survived all the up-tiddly-ups and dumped it on the deck in one piece.
After-dinner chocks away then.
Monday, July 20, 2009
"Cheese so strong, it'll blow your head off".
"Cheese so strong,
it'll blow your head off".
There is a reason some creative friends call on Momo's services.
While trying to deliver some sensible things, like designs for a little DM campaign and the build artwork for a couple of websites for a couple of Momo's clients, I dropped into the groovy offices of Thinking Juice this time last week to chat through a pitch idea with Gellan.
"I've got you in for this," he said, uncovering some scamps for a TV storyboard.
"It's a singing inanimate household item I can't identify for confidentiality reasons." I said.
"That's right," he replied simply, "and if we win an award for most annoying advert this Christmas, I will feel we've done our job properly."
He paused. "That's where you come in."
---
It goes without saying I suppose, that I subsequently found myself somehow squeezing in the time to write a 30-second demo of an unrestrainedly cheesy 70s Soul Group-style finger-clicking seasonal exhortation to buy certain retail goods. You're not surprised, I can tell.
Tired and marginally deadline-pushed one evening, I found myself sitting in front of the mic at some 9.00pm, directly over the heads of the undoubtedly relaxing neighbours downstairs, feeling a bit grouchy, and having to loudly croon about 'super-dooper savings' or similar in four-part harmony through a forced grin. They can hear if you're grinning or not, you know.
Gellan had the decency to play it in his packed pitch meeting a couple of days later.
If it's had the same effect on them as it's had on me every damn day since I released it into the wild, it will have blown his chance of ever getting to work with these people. They will be cursing him regularly for haunting their eternity with the damn thing. Some of them may even have ended it all, who knows.
Last time he briefed me to be even cheesier than normal – designing the packaging for Wyke Farms' TNT cheddar, 'cheese so strong it'll blow your head off' – we won an award. And had security advisors tell us it should be pulled from all supermarket shelves.
Don't dare brief Momo:fromagio – I'll give you exactly what you ask for every time.
it'll blow your head off".
There is a reason some creative friends call on Momo's services.
While trying to deliver some sensible things, like designs for a little DM campaign and the build artwork for a couple of websites for a couple of Momo's clients, I dropped into the groovy offices of Thinking Juice this time last week to chat through a pitch idea with Gellan.
"I've got you in for this," he said, uncovering some scamps for a TV storyboard.
"It's a singing inanimate household item I can't identify for confidentiality reasons." I said.
"That's right," he replied simply, "and if we win an award for most annoying advert this Christmas, I will feel we've done our job properly."
He paused. "That's where you come in."
---
It goes without saying I suppose, that I subsequently found myself somehow squeezing in the time to write a 30-second demo of an unrestrainedly cheesy 70s Soul Group-style finger-clicking seasonal exhortation to buy certain retail goods. You're not surprised, I can tell.
Tired and marginally deadline-pushed one evening, I found myself sitting in front of the mic at some 9.00pm, directly over the heads of the undoubtedly relaxing neighbours downstairs, feeling a bit grouchy, and having to loudly croon about 'super-dooper savings' or similar in four-part harmony through a forced grin. They can hear if you're grinning or not, you know.
Gellan had the decency to play it in his packed pitch meeting a couple of days later.
If it's had the same effect on them as it's had on me every damn day since I released it into the wild, it will have blown his chance of ever getting to work with these people. They will be cursing him regularly for haunting their eternity with the damn thing. Some of them may even have ended it all, who knows.
Last time he briefed me to be even cheesier than normal – designing the packaging for Wyke Farms' TNT cheddar, 'cheese so strong it'll blow your head off' – we won an award. And had security advisors tell us it should be pulled from all supermarket shelves.
Don't dare brief Momo:fromagio – I'll give you exactly what you ask for every time.
Wednesday, July 15, 2009
Fruit Bastilles.
Fruit Bastilles.
Bon quatorze juillet!! YAY!
Les bollox á la bourgeoisie! Eh, mes amis?
..er... eh? Hoh-heehoh!
..Qwuh?
..Hier?
>SIGH/SHRUG<
Naturellement.
Dak. Or.
>DROPS BAGUETTES IN BIN, FLOUNCES OFF, WITH A QUICK SMEER OF DRAWN-ON TWIRLY MOUSTACHE ON CUFF OF STRIPED JERSEY<
>KICKS OLD BIKE<
>THROWS ONION AT KID<
Bon quatorze juillet!! YAY!
Les bollox á la bourgeoisie! Eh, mes amis?
..er... eh? Hoh-heehoh!
..Qwuh?
..Hier?
>SIGH/SHRUG<
Naturellement.
Dak. Or.
>DROPS BAGUETTES IN BIN, FLOUNCES OFF, WITH A QUICK SMEER OF DRAWN-ON TWIRLY MOUSTACHE ON CUFF OF STRIPED JERSEY<
>KICKS OLD BIKE<
>THROWS ONION AT KID<
Wednesday, July 08, 2009
Tour de force.
I guess you could say that a little sign of having at last begun to leave emotional kindergarten on your journey to Actual Adulthood is when you realise that romance isn’t just about emergency Valentine’s cards.
If you’ve only recently twigged that 'romance' is a code word for two very different things at once depending on which side of a relationship you’re on, I must point out that this doesn't count. Grasping the fact that the word can mean 'chocolate' to one of you and Special Occasion Sex (SOS) to the other doesn’t qualify you as an emotional mentor. It just means you might understand your disappointment better. But, y'know. Perhaps even that's a start.
No, the truth of the word romance is that it isn’t restricted to relationships at all, of course.
..Though, I should also point out that saying this in lofty tones on the morning of a significant birthday/anniversary/Valentine's day, imagining the assertion to be your new style of gift to the occasion, still means you're an idiot. Don't ask why, just go buy some chocolates now.
Div.
---
But, ah – romance.
Romance is, of course, all at once a wildly flimsy, silly thing and a captivatingly wonderful, energising thing. You usually get it into your head in the absence of hard facts – often despite them, which is how robust this flimsy thing is. In fact more even than that, romance is rarely the friend of logic.
The magic of it is that, once you’re past the I Really So Love You Darling stage and have moved on to the Who’s That Bigger Person I'm Sure I've Seen Sharing The House With Me And My Kids stage, you can adapt the afor-mentioned silly flimsy feelgood to work on a place or a thing or an idea or... anything. It is, after all, an idea – a jolly scrummy, possibly fwuffy, undoubtedly impractical, proudly unempirically-appealing idea of something. And don't it warm your cockles?
Of course, I can work it up about almost anything.
I'll even get nostalgic for Charlie Brooker's acidic, billious moaning, after he's finally locked away for walking into Trafalgar Square with a flamethrower and red-eyed tears of regret for humanity's lostness. ..See? I feel lump in my throat about it already. I love that man. That nearly broken man.
But right now, I am feeling it for a bike race.
---
We used to dream about driving the support cars in the Tour de France. Years ago, when we watched it after school. We used to turn up Pete Shelley's strangely affecting theme tune to the Channel Four coverage and wish we were chasing the peleton across the swooping Gallic countryside for three weeks of the summer. Or even better, driving the motorcycle cameras.
For me, the romance comes in a kind of crossing of romantic lay-lines, converging on the world's most iconic cycle fight. It's the Wimbledon or World Cup of cycling. But without the BBC coverage. Or any upper body mass index whatsoever.
Really, think about it Рwhat's not to love? Almost a month of constant evolving road shots and helicopter shots of the French countryside, from coastal plain to mountain peak. A final stage that stops Paris for a day, as the measurably superhuman madmen still pedaling chase eachother over the cobbles of the Champs Elys̩s and round the Concorde.
And what superhuman madmen. An entire working day in the saddle almost every day for over three weeks. 3,500 KM. Just try to imagine that kind of endurance. Doing ONE day at thirty to forty KPH for over six hours would kill most of us. And then there's the sprinting. The whole concept of actually racing each other. Knocking time off. ..Knocking time off? Off your life, mate.
And people do die on the TDF. If you've seen the speeds they come down the mountains on two very very skinny wheels in nothing but body paint, you'll know why these chaps with Spielberg-alien stick-thin arms are Herculean bloody demi-gods of courage and physical achievement.
Freaks, in other words. And who doesn't love a bit of mawkish freakshow? Really?
---
I think I could watch it on a three-week loop in a womb tank. What with Phil Leggit's soothing tones – as synonymous with cycle TV as Motson to footie, or Walker to F1 – and all that road movie footage, sweeping past the poplars and swooshing past the streams of people delirious with joy at seeing this legendary, chain-shlinking titan reesh past their noses in under an Earth second. Well worth the enormous car park fee that second.
But also, I love it because it is an expression of that idea of Europe that I've manufactured for myself and insist on cherishing.
That silly, romantic idea, largely removed from reality's brutal drudgery, of a sedate melting pot of intense historic culture, of cafés and quirky TV, of slick logos and rank oddness. Of groovy accents and fantastic food. Of... Europe. A collection of countries and outlooks that together create something wondrous in the bosom. At least for me. A great comfort of possibilities and fine living and just ponsing (or possibly pensing) about in an endless succession of spankingly lovely, uplifting places.
A comfort that dare not look upon the ugly truths of division and corruption and bureaucracy lest it forget itself and spend not its euros on holiday there every year.
---
Any notional love I profess for the Tour de France is not borne out by knowledge or commitment, of course. Don't be silly now.
I still have no idea what consitutes tactics in cycling. Not Dying should be enough.
The bloke who crosses the line first on any day... wins? Right? Well no. Well, yes – he wins the coveted green jersey – given to the bloke who does indeed cross the line first to win that Etape or stage and get the most points. Fair enough – wheel on the French trophy birds, he's less Not Dead than 150 other blokes that day.
But he could be nowhere in the actual race – the race for the sacred maillot jaune – the yellow jersey.
I know, I don't really get it.
I always fancied the King Of The Mountains title. Not because I'd contemplate cycling those tarmacked cliffs in the Alps instead of nipping off to a cable car, but because the jersey is a very confident polkadot pink on white. Properly cool graphic style.
But if I am that extra bit taken with the romantic idea of this gruelling, bespoked madness, it is for one extra reason. Little did G̩o Lef̬vre Рlunatic journalist with L'Auto magazine in 1903 who's deranged vision the French frenziedly bought into Рrealise that his work would inspire another very firmly European idea, eight decades later. Electronic music.
Every time I watch the TDF, I think of Kraftwerk. A formative musical love for me that, as you know, provokes a particularly comforting, if inexplicable, swell in my bosom.
As the peleton morphs and flows through the rolling French scenery, I think of four German blokes and their seminal electro-pop 12" Tour de France. And then I think of their love of cycling – and the fact that they buggered off from the studio for years, not for beer, bongs or birds but bikes. To go cycling.
And if that doesn't make your warm little heart beat a bit faster, you have no romance left in you.
I guess you could say that a little sign of having at last begun to leave emotional kindergarten on your journey to Actual Adulthood is when you realise that romance isn’t just about emergency Valentine’s cards.
If you’ve only recently twigged that 'romance' is a code word for two very different things at once depending on which side of a relationship you’re on, I must point out that this doesn't count. Grasping the fact that the word can mean 'chocolate' to one of you and Special Occasion Sex (SOS) to the other doesn’t qualify you as an emotional mentor. It just means you might understand your disappointment better. But, y'know. Perhaps even that's a start.
No, the truth of the word romance is that it isn’t restricted to relationships at all, of course.
..Though, I should also point out that saying this in lofty tones on the morning of a significant birthday/anniversary/Valentine's day, imagining the assertion to be your new style of gift to the occasion, still means you're an idiot. Don't ask why, just go buy some chocolates now.
Div.
---
But, ah – romance.
Romance is, of course, all at once a wildly flimsy, silly thing and a captivatingly wonderful, energising thing. You usually get it into your head in the absence of hard facts – often despite them, which is how robust this flimsy thing is. In fact more even than that, romance is rarely the friend of logic.
The magic of it is that, once you’re past the I Really So Love You Darling stage and have moved on to the Who’s That Bigger Person I'm Sure I've Seen Sharing The House With Me And My Kids stage, you can adapt the afor-mentioned silly flimsy feelgood to work on a place or a thing or an idea or... anything. It is, after all, an idea – a jolly scrummy, possibly fwuffy, undoubtedly impractical, proudly unempirically-appealing idea of something. And don't it warm your cockles?
Of course, I can work it up about almost anything.
I'll even get nostalgic for Charlie Brooker's acidic, billious moaning, after he's finally locked away for walking into Trafalgar Square with a flamethrower and red-eyed tears of regret for humanity's lostness. ..See? I feel lump in my throat about it already. I love that man. That nearly broken man.
But right now, I am feeling it for a bike race.
---
We used to dream about driving the support cars in the Tour de France. Years ago, when we watched it after school. We used to turn up Pete Shelley's strangely affecting theme tune to the Channel Four coverage and wish we were chasing the peleton across the swooping Gallic countryside for three weeks of the summer. Or even better, driving the motorcycle cameras.
For me, the romance comes in a kind of crossing of romantic lay-lines, converging on the world's most iconic cycle fight. It's the Wimbledon or World Cup of cycling. But without the BBC coverage. Or any upper body mass index whatsoever.
Really, think about it Рwhat's not to love? Almost a month of constant evolving road shots and helicopter shots of the French countryside, from coastal plain to mountain peak. A final stage that stops Paris for a day, as the measurably superhuman madmen still pedaling chase eachother over the cobbles of the Champs Elys̩s and round the Concorde.
And what superhuman madmen. An entire working day in the saddle almost every day for over three weeks. 3,500 KM. Just try to imagine that kind of endurance. Doing ONE day at thirty to forty KPH for over six hours would kill most of us. And then there's the sprinting. The whole concept of actually racing each other. Knocking time off. ..Knocking time off? Off your life, mate.
And people do die on the TDF. If you've seen the speeds they come down the mountains on two very very skinny wheels in nothing but body paint, you'll know why these chaps with Spielberg-alien stick-thin arms are Herculean bloody demi-gods of courage and physical achievement.
Freaks, in other words. And who doesn't love a bit of mawkish freakshow? Really?
---
I think I could watch it on a three-week loop in a womb tank. What with Phil Leggit's soothing tones – as synonymous with cycle TV as Motson to footie, or Walker to F1 – and all that road movie footage, sweeping past the poplars and swooshing past the streams of people delirious with joy at seeing this legendary, chain-shlinking titan reesh past their noses in under an Earth second. Well worth the enormous car park fee that second.
But also, I love it because it is an expression of that idea of Europe that I've manufactured for myself and insist on cherishing.
That silly, romantic idea, largely removed from reality's brutal drudgery, of a sedate melting pot of intense historic culture, of cafés and quirky TV, of slick logos and rank oddness. Of groovy accents and fantastic food. Of... Europe. A collection of countries and outlooks that together create something wondrous in the bosom. At least for me. A great comfort of possibilities and fine living and just ponsing (or possibly pensing) about in an endless succession of spankingly lovely, uplifting places.
A comfort that dare not look upon the ugly truths of division and corruption and bureaucracy lest it forget itself and spend not its euros on holiday there every year.
---
Any notional love I profess for the Tour de France is not borne out by knowledge or commitment, of course. Don't be silly now.
I still have no idea what consitutes tactics in cycling. Not Dying should be enough.
The bloke who crosses the line first on any day... wins? Right? Well no. Well, yes – he wins the coveted green jersey – given to the bloke who does indeed cross the line first to win that Etape or stage and get the most points. Fair enough – wheel on the French trophy birds, he's less Not Dead than 150 other blokes that day.
But he could be nowhere in the actual race – the race for the sacred maillot jaune – the yellow jersey.
I know, I don't really get it.
I always fancied the King Of The Mountains title. Not because I'd contemplate cycling those tarmacked cliffs in the Alps instead of nipping off to a cable car, but because the jersey is a very confident polkadot pink on white. Properly cool graphic style.
But if I am that extra bit taken with the romantic idea of this gruelling, bespoked madness, it is for one extra reason. Little did G̩o Lef̬vre Рlunatic journalist with L'Auto magazine in 1903 who's deranged vision the French frenziedly bought into Рrealise that his work would inspire another very firmly European idea, eight decades later. Electronic music.
Every time I watch the TDF, I think of Kraftwerk. A formative musical love for me that, as you know, provokes a particularly comforting, if inexplicable, swell in my bosom.
As the peleton morphs and flows through the rolling French scenery, I think of four German blokes and their seminal electro-pop 12" Tour de France. And then I think of their love of cycling – and the fact that they buggered off from the studio for years, not for beer, bongs or birds but bikes. To go cycling.
And if that doesn't make your warm little heart beat a bit faster, you have no romance left in you.
Saturday, July 04, 2009
Venus thigh-strap.
Venus thigh-strap.
I am blogging at quarter to three on a sunny Saturday afternoon for one reason: that headline.
The Mss Williams are slogging it out in amazonian fashion in the women's final at Wimbledon and Venus has some supportive webbing all the way up one leg. Hence: well, see above.
And that's it.
Read it again. It's still good.
I am blogging at quarter to three on a sunny Saturday afternoon for one reason: that headline.
The Mss Williams are slogging it out in amazonian fashion in the women's final at Wimbledon and Venus has some supportive webbing all the way up one leg. Hence: well, see above.
And that's it.
Read it again. It's still good.
Thursday, July 02, 2009
Open window playlist.
Open window playlist.
Here's an original idea. On heatwave days like these, open all the windows in your flat and... don't turn on any music.
Try it.
..See? Or rather, hear? ..soothing isn't it?
Just the sounds of birds twerpling and people pottering along the road in flimsy footwear. Quietly. Contentedly. Peacefully.
Ah, summer.
Of course, I've just spent the last hour working with headphones on, listening to old 80s disco records very loudly and singing along in my famously-black-soul-sounding voice – very loudly. It's a wonder I can write articles while doing this. It is.
However, much as that disco euphoria seems universal when you're lost in it, I suspect the summer would appreciate it very much if I closed all my windows.
Hmm.
>PAUSES<
"..Miss Frisky Lady, take me awayyy – she's fresh! (FRESH!) excy-ding... (do-do-do-do-doo)..."
>GETS UP AND CLOSES WINDOW WITH LITTLE SIGH.<
Here's an original idea. On heatwave days like these, open all the windows in your flat and... don't turn on any music.
Try it.
..See? Or rather, hear? ..soothing isn't it?
Just the sounds of birds twerpling and people pottering along the road in flimsy footwear. Quietly. Contentedly. Peacefully.
Ah, summer.
Of course, I've just spent the last hour working with headphones on, listening to old 80s disco records very loudly and singing along in my famously-black-soul-sounding voice – very loudly. It's a wonder I can write articles while doing this. It is.
However, much as that disco euphoria seems universal when you're lost in it, I suspect the summer would appreciate it very much if I closed all my windows.
Hmm.
>PAUSES<
"..Miss Frisky Lady, take me awayyy – she's fresh! (FRESH!) excy-ding... (do-do-do-do-doo)..."
>GETS UP AND CLOSES WINDOW WITH LITTLE SIGH.<
Tuesday, June 30, 2009
Norway, Jose.
Norway, Jose.
As stag dos go, this one could easily be described as having taken a proper stab at the idea.
Though introducing sharp objects to this particular weekend might have tipped the balance of our actual survival.
Julian has, of course, already had a stag do. The one I arranged in London. The one where I enjoyed myself enormously by dressing up in tweed and hoping for boyish larks tipping Bobbies' helmets off with my brolly and that kind of thing, while wondering innocently why everyone else in said stag do was looking at me expectantly by 1.00am with very clear 'And...?' expressions on their faces. Like they were expecting something else or something. Like a nice meal and a few spirited hijinks with voddy glasses didn't constitute the full stagging monty or something. The stag do where I did an uncomfortably good impression of Will from The Inbetweeners, in fact.
Yes, well apparently these larks weren't quite enough. Not for an international chap like Jules.
I can picture us talking about it now. As light dawned, I had said, crestfallen: "I'm sorry, old thing, I don't think we have time for a whole Grand Tour of southern Europe and the Latin peninsular."
To which he had replied: "Get on the plane, doofus."
---
He hadn't, obviously. It was a made up scene. Plus, I've never once heard Julian say the word 'doofus'. And anyway, the second gig was always planned because there was always a second Best Man.
A man who had, I understood all too well as the date loomed, a secluded house in the wooded, wild countryside of Norway.
---
Angela had once recently said to me with an unnerving amount of gravitas: "I'm relying on you to keep Julian alive in Norway." As well she might have done it seems, for she has met Anders and been to Norway and seen what happens there.
In the event, however, Anders himself wasn't the primary protagonist Story Creator. All great stag dos – in fact, all great memoirs – need at least one good Story Creator. Someone so unpredictable, energetic, creative and oblivious to appropriate times of day for being sense-spankingly pissed that Things Simply Happen.
Yeah.
Enter John-Magner, stage left. Wheelying quadbike. Wearing permed wig. And Russian General's hat. Waving beer can like World Cup. Doing big thumbs up.
---
I can offer some advice when it comes to the safe operation of a quadbike for the very first time: have a fair bit to drink first. Everything subsequently happens in slo-mo; gives you more time to think.
You might want to check with your own GP first, however.
As you may know, I'm not a big drinker. That is, I reach for the red grape fairly often in social circumstances these days, but only a toddler's tinkle of it is needed for my child-like constitution to start warping my vision warmly. I am, it must be said, a very cheap date.
So it was hardly a surprise that, having as we did about a thousand cans of beer piled on the deck, by the time John-Magner was enthusiastically talking me through the controls of his 50cc toy, I was comfortably soft around the wits.
I should explain that Anders' fairly beautifully-restored pine-panelled house sits on the edge of a stunning, wide valley of woodland and is surrounded by a useful amount of land for the primary use of buggering about. But take an extra mental beat to consider the topology there – the edge of a valley. Slopes. And rocks. And trees – which also means terrain-ambiguizing grass.
As I flew through the warm evening air, I was thanking the Lord in soothingly detached fashion for my weirdly natural ability for Driving Stuff – still there, it seems, when sober – without which I knew I'd have been bucked over a boulder at 50kph at the touch of the throttle that night. That, coupled with a lot of very dumb luck.
Naturally, John-Magner had a second quadbike down on his farm. Appearing with it not long after we'd eaten the evening's multifarious barbequed meat, he pointed out casually: "Iss bedder. Smaller. Bigger engine. Brakes fakked."
Chasing eachother around the hillside in a hastily-prescribed relay course was then the work of mere moments, as you'd expect. One of us throwing a bike too enthusiastically into the steep run around the bottom of the house and flipping it against a rock and splitting a head open was the work of not many more moments.
Given that Anders grew up riding quadbikes around the stupidly unpredictable landscapes of Norway, he must have been a bit peeved that it had been him. But, as a local friend turned up a short while later to give him a lift to an equally amused local doctor to sew up the hole behind his ear, we concluded quickly that the best thing we could do was finish the nice Bordeaux and really see what the bikes could do.
Yes, I didn't know the course at first. Yes, I thought I stood a good chance of getting four well-treaded wheels to climb the wall back onto the gravel track. Still do. But yes, thankfully small quadbikes aren't really so hard to push off when they fall backwards on top of you. Not if you use both feet. And have plenty of time to think.
As Jules and I chased each other in muddy circles around the top field, I then remembered that we really could keep doing this all night if we wanted – Norway knows no night at this time of year.
---
In the event, by half midnight, when Anders still hadn't returned, John Magner said: "I know a pardy. D'you wanna pardy? I call a texi, yeah?"
We looked at eachother. I casually dusted some crumbs of earth from the sleeve of my smart cream suit shirt, ignoring the grass stains across my back.
"Sure" we all said.
---
The pardy had ended some time ago, as we stood with a crate of beer in the town square, a 20-minute, bass-bin-propelled Mercedez drive later. By the time we made it back to Anders after an hour-or-more's essentially pointless but entertaining round trip, we were ready for whisky.
John-Magner said: "Let's go into Lillehammer. There'll be some other pardies." We actually contemplated it at 2.00am, but eventually retired to cards for an hour or so.
I had survived Day One.
---
Day Two dawned in different ways for us all. For Julian, it was with a playful amount of hangover and John-Magner appearing from a night in the barn with the words: "Hair of de dog, men – whisky." For me it was with a blind stagger to the shower, followed by a deafening banging on the bathroom door and JM's enthusiastic voice shouting: "Beer, men! Start de day wiv a beer. I heff it out here for you, men." For Sebastian, slumbering still, it was with said Norwegian force of nature shaking him awake and pushing a beer can into his vision; "You need BEER, men!"
Now, I don't want you to think that the group was intoxicated all weekend. Contrary to myth, most of us are essentially sensible chaps of a certain age – young enough to still wheely a quadbike, but old enough to avoid hangovers. But after JM had disappeared and Seb and I had been enjoying a highly civilised conversation about music and theatre or somesuch, out in the lazy sunshine on the deck, I did find myself wondering if I should give into the enthusiastic pressure to steady the nerves with something – as JM reappeared with an ominous rumble, eventually bursting into the balmy peace with the full roar of his 150hp, large-framed, John Deere tractor.
I can't say what we all found ourselves doing next, naturally. I leave the picture with you. But it was a step up from quadbiking. Hypothetically, you understand.
Which left us with a dilemma by lunchtime: where to take things from there?
Which, in turn, presented the only obvious conclusion. Bob-sleighing.
---
Like so many former Olympic sites, the bob complex near Lillehammer looks a little sad out of season. Without the snow, it had the faint air of Mrs Havisham's home, a faded memory of former glories.
None the less, as the five of us, plus Lush the enthusiastic, short-haired pointer, arrived at the run, we still felt the effect of the safety signs, doing their best to put you off going any further.
"No one with spinal problems or heart conditions can ride" said Linda, Norway's only female bob sleigh driver. "In the corners we pull about three gs or so" she added calmly.
We stood there and blinked. But the point, I should point out, was this: It was a stag do. And Linda was Norway's only female bob sleigh driver. There was a combination of reasons why there would be no way any of us would be backing out.
I should say simply, by way of avoiding dragging it out, that they wouldn't let us employ John-Magner's hearty suggestion that we drive their van down the bob sleigh run. They simply put us in a little cage on little wheels with little Linda and before we could consider the possibilities of this, pushed us off a very smooth cliff.
I did wonder if my little arms would simply snap half way down. I really wasn't sure what their braking and/or breaking tollerances were.
Yet, after a few faintly horrific seconds of rocket spine compression, neck jerking and barely holding on, we rolled to a halt.
"You boys should come back when there's ice" Linda said flatly as we peeled ourselves off eachother and crawled back to the car.
---
I thought we might go shooting. There was also talk – serious talk, it seemed – of dynamite. There was also talk of other things even more creative and unwise. But as the afternoon waxed into the humid evening, we walked around the rocky tree line for a while and then went back to cook moose burgers. We then, despite the colourful ideas, essentially just played cards, drank affordably nice wine, moved onto Anders' very expensively nice congnac and cigars, played cards until about 2.00, when we turned in. Light still in the sky.
John-Magner had turned in – that is, climbed onto the sofa with a blanket – at about 8.00. We left him sleeping there like a baby.
I had survived Day Two. But who knew how.
---
I shall conclude it there. We laughed a lot and enjoyed both the grape and the grain and overall I think Julian had a blast. We learned all kinds of things about driving, hunting and first aid and left with some profound gratitude to Anders for his calm generosity.
I also wanted to thank John-Magner for being the Story Creator. There was, under the unnerving lack of inhibitions, someone there that some instinct in me – some essential genetic survival aerial – had told me I could trust. I certainly don't know anyone else who would still know what they were doing under similar circumstances. But those Norwegian guys are tough as Vikings. And JM seems especially loved for it.
Traveling back on the train through the incomparable countryside of lake and wood, I was grateful for japes together. The random madness of it.
Yet I couldn't help feeling a good deal of relief at the idea of getting back to the studio and back to work, doing something where I at least knew my arse from my elbow. Not to mention the idea of seeing much-loved chums without being expected to drink my body weight in meths and perform vehicle circus tricks.
No way, mate. On yer bike.
----
As stag dos go, this one could easily be described as having taken a proper stab at the idea.
Though introducing sharp objects to this particular weekend might have tipped the balance of our actual survival.
Julian has, of course, already had a stag do. The one I arranged in London. The one where I enjoyed myself enormously by dressing up in tweed and hoping for boyish larks tipping Bobbies' helmets off with my brolly and that kind of thing, while wondering innocently why everyone else in said stag do was looking at me expectantly by 1.00am with very clear 'And...?' expressions on their faces. Like they were expecting something else or something. Like a nice meal and a few spirited hijinks with voddy glasses didn't constitute the full stagging monty or something. The stag do where I did an uncomfortably good impression of Will from The Inbetweeners, in fact.
Yes, well apparently these larks weren't quite enough. Not for an international chap like Jules.
I can picture us talking about it now. As light dawned, I had said, crestfallen: "I'm sorry, old thing, I don't think we have time for a whole Grand Tour of southern Europe and the Latin peninsular."
To which he had replied: "Get on the plane, doofus."
---
He hadn't, obviously. It was a made up scene. Plus, I've never once heard Julian say the word 'doofus'. And anyway, the second gig was always planned because there was always a second Best Man.
A man who had, I understood all too well as the date loomed, a secluded house in the wooded, wild countryside of Norway.
---
Angela had once recently said to me with an unnerving amount of gravitas: "I'm relying on you to keep Julian alive in Norway." As well she might have done it seems, for she has met Anders and been to Norway and seen what happens there.
In the event, however, Anders himself wasn't the primary protagonist Story Creator. All great stag dos – in fact, all great memoirs – need at least one good Story Creator. Someone so unpredictable, energetic, creative and oblivious to appropriate times of day for being sense-spankingly pissed that Things Simply Happen.
Yeah.
Enter John-Magner, stage left. Wheelying quadbike. Wearing permed wig. And Russian General's hat. Waving beer can like World Cup. Doing big thumbs up.
---
I can offer some advice when it comes to the safe operation of a quadbike for the very first time: have a fair bit to drink first. Everything subsequently happens in slo-mo; gives you more time to think.
You might want to check with your own GP first, however.
As you may know, I'm not a big drinker. That is, I reach for the red grape fairly often in social circumstances these days, but only a toddler's tinkle of it is needed for my child-like constitution to start warping my vision warmly. I am, it must be said, a very cheap date.
So it was hardly a surprise that, having as we did about a thousand cans of beer piled on the deck, by the time John-Magner was enthusiastically talking me through the controls of his 50cc toy, I was comfortably soft around the wits.
I should explain that Anders' fairly beautifully-restored pine-panelled house sits on the edge of a stunning, wide valley of woodland and is surrounded by a useful amount of land for the primary use of buggering about. But take an extra mental beat to consider the topology there – the edge of a valley. Slopes. And rocks. And trees – which also means terrain-ambiguizing grass.
As I flew through the warm evening air, I was thanking the Lord in soothingly detached fashion for my weirdly natural ability for Driving Stuff – still there, it seems, when sober – without which I knew I'd have been bucked over a boulder at 50kph at the touch of the throttle that night. That, coupled with a lot of very dumb luck.
Naturally, John-Magner had a second quadbike down on his farm. Appearing with it not long after we'd eaten the evening's multifarious barbequed meat, he pointed out casually: "Iss bedder. Smaller. Bigger engine. Brakes fakked."
Chasing eachother around the hillside in a hastily-prescribed relay course was then the work of mere moments, as you'd expect. One of us throwing a bike too enthusiastically into the steep run around the bottom of the house and flipping it against a rock and splitting a head open was the work of not many more moments.
Given that Anders grew up riding quadbikes around the stupidly unpredictable landscapes of Norway, he must have been a bit peeved that it had been him. But, as a local friend turned up a short while later to give him a lift to an equally amused local doctor to sew up the hole behind his ear, we concluded quickly that the best thing we could do was finish the nice Bordeaux and really see what the bikes could do.
Yes, I didn't know the course at first. Yes, I thought I stood a good chance of getting four well-treaded wheels to climb the wall back onto the gravel track. Still do. But yes, thankfully small quadbikes aren't really so hard to push off when they fall backwards on top of you. Not if you use both feet. And have plenty of time to think.
As Jules and I chased each other in muddy circles around the top field, I then remembered that we really could keep doing this all night if we wanted – Norway knows no night at this time of year.
---
In the event, by half midnight, when Anders still hadn't returned, John Magner said: "I know a pardy. D'you wanna pardy? I call a texi, yeah?"
We looked at eachother. I casually dusted some crumbs of earth from the sleeve of my smart cream suit shirt, ignoring the grass stains across my back.
"Sure" we all said.
---
The pardy had ended some time ago, as we stood with a crate of beer in the town square, a 20-minute, bass-bin-propelled Mercedez drive later. By the time we made it back to Anders after an hour-or-more's essentially pointless but entertaining round trip, we were ready for whisky.
John-Magner said: "Let's go into Lillehammer. There'll be some other pardies." We actually contemplated it at 2.00am, but eventually retired to cards for an hour or so.
I had survived Day One.
---
Day Two dawned in different ways for us all. For Julian, it was with a playful amount of hangover and John-Magner appearing from a night in the barn with the words: "Hair of de dog, men – whisky." For me it was with a blind stagger to the shower, followed by a deafening banging on the bathroom door and JM's enthusiastic voice shouting: "Beer, men! Start de day wiv a beer. I heff it out here for you, men." For Sebastian, slumbering still, it was with said Norwegian force of nature shaking him awake and pushing a beer can into his vision; "You need BEER, men!"
Now, I don't want you to think that the group was intoxicated all weekend. Contrary to myth, most of us are essentially sensible chaps of a certain age – young enough to still wheely a quadbike, but old enough to avoid hangovers. But after JM had disappeared and Seb and I had been enjoying a highly civilised conversation about music and theatre or somesuch, out in the lazy sunshine on the deck, I did find myself wondering if I should give into the enthusiastic pressure to steady the nerves with something – as JM reappeared with an ominous rumble, eventually bursting into the balmy peace with the full roar of his 150hp, large-framed, John Deere tractor.
I can't say what we all found ourselves doing next, naturally. I leave the picture with you. But it was a step up from quadbiking. Hypothetically, you understand.
Which left us with a dilemma by lunchtime: where to take things from there?
Which, in turn, presented the only obvious conclusion. Bob-sleighing.
---
Like so many former Olympic sites, the bob complex near Lillehammer looks a little sad out of season. Without the snow, it had the faint air of Mrs Havisham's home, a faded memory of former glories.
None the less, as the five of us, plus Lush the enthusiastic, short-haired pointer, arrived at the run, we still felt the effect of the safety signs, doing their best to put you off going any further.
"No one with spinal problems or heart conditions can ride" said Linda, Norway's only female bob sleigh driver. "In the corners we pull about three gs or so" she added calmly.
We stood there and blinked. But the point, I should point out, was this: It was a stag do. And Linda was Norway's only female bob sleigh driver. There was a combination of reasons why there would be no way any of us would be backing out.
I should say simply, by way of avoiding dragging it out, that they wouldn't let us employ John-Magner's hearty suggestion that we drive their van down the bob sleigh run. They simply put us in a little cage on little wheels with little Linda and before we could consider the possibilities of this, pushed us off a very smooth cliff.
I did wonder if my little arms would simply snap half way down. I really wasn't sure what their braking and/or breaking tollerances were.
Yet, after a few faintly horrific seconds of rocket spine compression, neck jerking and barely holding on, we rolled to a halt.
"You boys should come back when there's ice" Linda said flatly as we peeled ourselves off eachother and crawled back to the car.
---
I thought we might go shooting. There was also talk – serious talk, it seemed – of dynamite. There was also talk of other things even more creative and unwise. But as the afternoon waxed into the humid evening, we walked around the rocky tree line for a while and then went back to cook moose burgers. We then, despite the colourful ideas, essentially just played cards, drank affordably nice wine, moved onto Anders' very expensively nice congnac and cigars, played cards until about 2.00, when we turned in. Light still in the sky.
John-Magner had turned in – that is, climbed onto the sofa with a blanket – at about 8.00. We left him sleeping there like a baby.
I had survived Day Two. But who knew how.
---
I shall conclude it there. We laughed a lot and enjoyed both the grape and the grain and overall I think Julian had a blast. We learned all kinds of things about driving, hunting and first aid and left with some profound gratitude to Anders for his calm generosity.
I also wanted to thank John-Magner for being the Story Creator. There was, under the unnerving lack of inhibitions, someone there that some instinct in me – some essential genetic survival aerial – had told me I could trust. I certainly don't know anyone else who would still know what they were doing under similar circumstances. But those Norwegian guys are tough as Vikings. And JM seems especially loved for it.
Traveling back on the train through the incomparable countryside of lake and wood, I was grateful for japes together. The random madness of it.
Yet I couldn't help feeling a good deal of relief at the idea of getting back to the studio and back to work, doing something where I at least knew my arse from my elbow. Not to mention the idea of seeing much-loved chums without being expected to drink my body weight in meths and perform vehicle circus tricks.
No way, mate. On yer bike.
----
Friday, June 26, 2009
Julian's reasonably pointless, impractically timed, but in-the-event rather fun second stag do.
Julian's reasonably pointless,
impractically timed, but in-the-event
rather fun second stag do.
Gorgeous Norwegian valley – check.
Alchohol – check.
Quadbikes – check.
One of us in hospital before the first evening's out – check.
Don't ask. We're all fine.
This is surreal. And wasting time. But bonkers fun.
Wish Caz was here.
You should see Norway in the sunshine, by the way. And it doesn't go down at this time of year; it's gone 11.00pm. We could do this all night.
impractically timed, but in-the-event
rather fun second stag do.
Gorgeous Norwegian valley – check.
Alchohol – check.
Quadbikes – check.
One of us in hospital before the first evening's out – check.
Don't ask. We're all fine.
This is surreal. And wasting time. But bonkers fun.
Wish Caz was here.
You should see Norway in the sunshine, by the way. And it doesn't go down at this time of year; it's gone 11.00pm. We could do this all night.
Thursday, June 25, 2009
Momo:Typo's Top Five Rules of Creative.
Momo:Typo's
Top Five Rules of Creative.
Found myself leaving this sage advice on Gellan's wall this morning, following his Facebook status about doing a very important photoshoot today.
That is, I left point one as sage advice, and when this was so earnestly received by his creative team, I felt it might be useful for everyone to have these essential five core principles of Momo's brand communications to hand, to guide them into the fearsome blank page.
Feel free to select as appropriate at any given creative crisis point.
When engaging in design work or advertising communications, always frame your approach around these five key rules, to guarantee strategic effectiveness:
1: Don't muff it up.
2: Make it dead good.
3: Make the depth of field still narrower (..to photographers).
4: HEADLINES MUST HAVE PUNS.
5: Try adding an arrow.
And remember, don't forget to finger pistol often. They'll think you're being ironic, but you'll know you're just being cool.
..I mean, who knew that Momo had a formula?
>Cuh<
Top Five Rules of Creative.
Found myself leaving this sage advice on Gellan's wall this morning, following his Facebook status about doing a very important photoshoot today.
That is, I left point one as sage advice, and when this was so earnestly received by his creative team, I felt it might be useful for everyone to have these essential five core principles of Momo's brand communications to hand, to guide them into the fearsome blank page.
Feel free to select as appropriate at any given creative crisis point.
When engaging in design work or advertising communications, always frame your approach around these five key rules, to guarantee strategic effectiveness:
1: Don't muff it up.
2: Make it dead good.
3: Make the depth of field still narrower (..to photographers).
4: HEADLINES MUST HAVE PUNS.
5: Try adding an arrow.
And remember, don't forget to finger pistol often. They'll think you're being ironic, but you'll know you're just being cool.
..I mean, who knew that Momo had a formula?
>Cuh<
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