Rubbish.
There's no getting away from it. Naples is rubbish.
Really. Everywhere you drive, there are piles of festering rubbish, subsuming dumpsters and laybies and spilling into the traffic. Blowing around in the balmy breeze. I don't know what the cause of the much-laboured binmen's strike is in the famous old city, but it's causing a stink alright - no trash has been collected in weeks.
I know this only first-hand from driving around the suburbs - they're literally piling it up against the sides of Vesuvius. Of course, smug people with sat-navs would have missed this level of cultural experience after picking up their boxy hire cars from the airport and making their way smoothly out of the city. But we're not so narrow minded. When we arrived a couple fo weeks ago, we took forty minutes to actually head south on the motorway, meandering the ups and downs and round-rounds of the local backroads, marveling at the contemporary displays of municipal politics, so charmingly expressive of the region. Even knowing Italian road culture reasonably well, you still don't stand an empty dustbin's chance in Naples of getting to the right place logically. Not if you follow the roadsigns. Rookie mistake.
Still, we hardly came here for the roadsignage or the laybies. We came here for... sleep, I think actually. And we've had plenty of that.
Much as I could bang on about the casual beauty of Cilerno and Amalfi - the undulous, igneous grandeur, spilling from craggy, hairpin, hawk-eye heights into the glittering, azure glaze of sweeping mediterranean coastlines; vast amphitheatrical sunsets blazing into the horizon behind the sharp silhouette of Capri while lizards, swallows, bats and bugs frolic around the verdant hillsides and between the dancing magenta of rampant bourganvillea blooms, to the sound of crickets and flamenco guitar and to the smell of the freshest, simplest pizzas cooking al forno in old al fresco clay ovens, served by jolly, moustachio-ed restauranters and sparkling-eyed waitresses, everyone smiling and clinking bowl-sized glasses of fresh local chardonnay - I'm pretty sure you'd rather be assured about Italian telly.
We stayed a couple of nights in Maori - a nice little seaside town, a couple of clicks along the coast from the noisier, more precariously-perched Amalfi. One of the things you have to do with a half-way decent hotel room - before you empty the minibar and set fire to everything - is walk past all the nice restaurants on the way back to it one night and head instead to the local Spar, picking up a vast selection of snacks and picky food to spread across the bed in front of the local TV channels.
Now, I know it'll sound like I'm making this up. It can't still be the 1980s in Italy, can it? Oh yes, my friend - this country can be one of the friendliest, nicest, most beautiful, feel-good places to visit, make no mistake - but many things are still as you'd hope they'd be here.
As soon - as soon - as I'd switched on the little wall-mounted 17-inch, what greeted me was two 'funny looking' chaps, one with goofy hair and one with sensible hair, sitting next to each other at a desk with a funny sign over it, making goggly-eyed jests to camera and to each other, to the recorded hilarity of an apparent studio audience. All well, I thought, perching eagerly on the edge of the king-size, while Caroline took a shower.
Then appeared the never-long-out-of-shot Obligatory Unbelievably Beautiful Girls, possibly talking about cell phones, with little conviction but masses of eye lash upholstery.
Then. Then he appeared. The random bloke in a bright red, giant comedy-headed, amusingly huge-footed, big wobbly-bellied character costume waddled onto stage, 'speaking' in an amusing squeeky voice and waving his huge, red, comedy hands. To much more hilarity.
Cut to commercials.
Cut back, mindless minutes later, to the same set and funny sign and studio applause and the two Obligatory Unbelievably Beautiful Girls gyrating to disco in hot pants, shuddering gusetts at the twirling camera and removing skimpy tops down to bra-tops. And all this casual Spearmint Rhino choreography was under bright, family-viewing type studio lighting, mere feet from a completely comfortable-looking audience of very mixed ages, grinning and clapping along. The dance area of this Friday night prime time show's studio seemed to blend into the desk-top of the two hilarious hosts, and so, naturally, the two OUBGs, upon finishing their splendidly half-hearted soft porn manoeuvres, stalked over to them and perched down on either side of the shot in their heels. Like two enormous table decorations.
It's not that I have any problem with this at all, of course. They were very nice table decorations - and the dark-haired one on the right had the decency to look reasonably intelligent and so ever-so slightly aware of her role and its importance to her culture. You could see some of this in her eye. It was sweet. Then they all broke into a water balloon fight with the audience and everyone in little bra tops ended up suddenly soaking and she looked chirpier again. Then I think they read some viewers emails. And did a piece about disability access in hi-rise blocks.
As Caroline joined me and sat enraptured, we found ourselves watching the Wind Music Awards. Which was essentially a succession of short, 70s-chic-slick middle-aged men playing piano balads and being handed wobbly plastic stars on springs by Impossibly Tall Unbelievably Beautiful Girls in glittery mini skirts. All of them. Like they were bred somewhere.
This managed to keep itself and us going for so many hours we eventually thought we should call it a night. One of the glittery ladies at one point said, inexplicably but with great conviction, "Passe Wind" - and after all that cured meat and red wine, we thought we would.
-----
The rest of the time - almost two weeks now - we've been in a nice little town across the bay from Amalfi, called Santa Maria di Castelabate. The view from our hilside terrace over the town is 180° of stunningness looking out across the sea (see above). It's fab, basically. Probably all you need to know. Except that we've been drinking a healthy amount of the local vino and ignoring the sadly-obvious problems of waistline that the last year has left us with.
Only one night did I overdo it so much I woke up at six AM with an amateur's headache. It was, in fact, a throbbing head full of concrete and a wobbly stomach that made me pace the flat and the terrace for an early morning hour, threatening to roll in like bad weather from the bay, not unlike the gigantic thunder storm the night before.
It eventually led me smartly to the bathroom and gave me a dressing down, telling me I was a silly boy and I wasn't to do such a damn-fool thing again and I should count myself lucky I wasn't getting a lot worse than toilet detention and a ticking off. Then, to emphasis the point, it brought me to the brink with suddenly-watering gills, fluttery hints of lastnight's pesto in the windpipe,a nd wobbly legs, pacing me up and down the tiled floor of the loo breathing deeply and saying 'oh dear' quietly... then it just evaporated. Lifted like a storm break or an idle threat. And I went immediately to bed and mercifully conked out. Grateful to be spared, wise in my learning of lesson, and wondering if we had any nice wine in for the evening...
Sadly, we come home in a week. I couldn't have loved this place more.
Tuesday, June 17, 2008
Thursday, May 29, 2008
Excited.
Excited.
I'm relaxing into it. Feeling excited. Three weeks away with the loved one - away being the word - is so long overdue for Momo's engine of creative sparkle, bless him. But it's disheartening when people don't get excited about the good stuff you've been doing for them.
Change is tricky for clients. More often than not, I end up getting at least a little bit of the loved up feeling that us creatives really go to work for - a client excited about the new things you've opened up for them. But sometimes, obvious as the good stuff might be, it isn't obvious to people who see things from a different angle. And that's the deal - brand development is about articulating a single vision for someone - a consensus, in internal terms. Which often means you have to negotiate one first.
Brand developement is always at least 50% about the internal delivery - taking the client's family with you in your creative thinking. And, honestly, I like this really. It's about people. It's about getting people excited or relieved that you've shown them a way forward. But it's never going to be 100% back-slapping glass clinks, is it.
Given the sheer number of things I have going to press or going live with only one official day left on the schedule, it's remarkable how cool my clients are with my prolonged absence. Been a long time coming, I guess, and most of them know it. Which is when work becomes a partnership. And all the jollier. After a tough time last year - a fight, I seem to recall it feeling like - this years been easier and I feel lucky to have the business friends around me that I do. Extremely lucky in a number of cases.
So, the glass of red beside me tells me it's all good, even if I am working tonight again. It's all good. Indiana was fun lastnight and it was good to see friends a fair bit over the last week, even if Momo's schedule has frowned on it. The ol' brain simply needs Away now...
Where more diplomacy is needed, I'll work it. Simple as that. It's the job, ma'am.
Or it will be when I come back.
After three weeks away from being creative, I suspect I'll just be starting to feel a twinge of excitement about it.
I'm relaxing into it. Feeling excited. Three weeks away with the loved one - away being the word - is so long overdue for Momo's engine of creative sparkle, bless him. But it's disheartening when people don't get excited about the good stuff you've been doing for them.
Change is tricky for clients. More often than not, I end up getting at least a little bit of the loved up feeling that us creatives really go to work for - a client excited about the new things you've opened up for them. But sometimes, obvious as the good stuff might be, it isn't obvious to people who see things from a different angle. And that's the deal - brand development is about articulating a single vision for someone - a consensus, in internal terms. Which often means you have to negotiate one first.
Brand developement is always at least 50% about the internal delivery - taking the client's family with you in your creative thinking. And, honestly, I like this really. It's about people. It's about getting people excited or relieved that you've shown them a way forward. But it's never going to be 100% back-slapping glass clinks, is it.
Given the sheer number of things I have going to press or going live with only one official day left on the schedule, it's remarkable how cool my clients are with my prolonged absence. Been a long time coming, I guess, and most of them know it. Which is when work becomes a partnership. And all the jollier. After a tough time last year - a fight, I seem to recall it feeling like - this years been easier and I feel lucky to have the business friends around me that I do. Extremely lucky in a number of cases.
So, the glass of red beside me tells me it's all good, even if I am working tonight again. It's all good. Indiana was fun lastnight and it was good to see friends a fair bit over the last week, even if Momo's schedule has frowned on it. The ol' brain simply needs Away now...
Where more diplomacy is needed, I'll work it. Simple as that. It's the job, ma'am.
Or it will be when I come back.
After three weeks away from being creative, I suspect I'll just be starting to feel a twinge of excitement about it.
Monday, May 26, 2008
San Marin-oh.
San Marin-oh.
Confession. I had never heard of San Marino before Saturday night.
I mean, who knew? A whole European state that doesn't appear to be on any maps of the famous continent. Turns out it's more of large car park on the east coast of Italy with such an elaborate keycode entry system it's allowed its own entry in the Eurovision song contest.
Now, I knew about Andorra. A pleasant high street in the Pyrenees. Though not many shops. And Lichtenstein, Luxembourg and Belgium are all similarly amusing but likeable dinky stunt states of Europe that we've all half heard of. But I do indeed have to confess to having never heard of San Marino.
But, while I'm confessing, I think of one other European micro state that's been inconceivably conspicuous by its absence in the Eurovision.
Why oh why has the Vatican never put in a tune? Eh?
Sure, whatever they sang would only get half listened to while the entire population of Europe waited to see if those suspiciously long priestly outfits really would adhere to contest custom and come off in an indoor firework key change, to reveal glitter-smeared thighs.
But think about the possibilities. Heal the world, man. If they stumped up the pontif himself, Germany would pile in their votes. And if he went into a little tap number on the bridge, I think he'd win over the UK teledial in a moment. Russia's orthodox background might well feel a large twang of high-church sympathy as the bass slapped and the rest of the latin countries would be in the bag before he even rose up on the soloist's plinth. Even Switzerland would dig those black and yellow stripy outfits on the backing chaps of course. Not sure where Turkey would stand exactly, but I think if Benedict's big number was essentially a forgettably bland soft rock affair, it would be hard for anyone from the Atlantic coast to the ancient silk routes to really argue with the airplayability of it.
..I'm saying it's an idea.
It's a little liberal, okay.
But come on. 'Mea Culpa, hasta la vista' by Papa Benny? It would steal the show and you know it.
----
But, just up the motorway from the disappointingly musically quiet sovereign state of the Catholic church, the hitherto-to-me unheard of mighty nation of San Remo were flexing their very important, gigantically-cultured socks on Saturday night - by being the first of only two nation states to give any votes at all to the UK entry.
I mean, what. What. ..Was going on.
Kind of felt Terry's call for a protest vote next year - all the more because not only had our entry been a decent, feel-good affair, but large swathes of the contest had been unnervinlgly... er, can I say it? Can I really say this?
Okay.
No, I mean large swathes of the contest had been unnervingly okay. With europop goggles firmly screwed in of course, we had a run of okay songs. Good performances. Things worth voting for in a mainstream context.
Norway was, I think, the classiest bit of songwriting that night - kind of cared about it when it came on and it's been in my head a lot. And it scored fairly, coming fifth. Israel's entry also scored okay, which I think took the biscuit for genuine emotion in a song that night - when young Boaz opened up his honest wailing you felt like it mattered somehow. Of all the glittery semi-cladness tottering around on the evening, Ani Lorak probably peaked the sauce-ometer with the gutsiest pop tune performance of the night, deserving her second place for Ukraine - even if I can't remember the song. And even the charming gentle tango quirkiness of Croatia's entry scored respectably. In fact, taking our traditional place alongside Kev and Fi for the night, we all found it alarmingly hard to take the piss for some of the time. Tricky.
The real daftness was found at either end of the scoreboard. Russia at the top was a triumph for political cynicism, blandly forgettable music, fuddled staging and amusing male hair - but an insult to the many better everythings on show that night. Le Roieux Uni at the bottom of the table was just an insult to us.
How did the dire piss-take of Spain score more than Andy Abraham's very likeable performance for the UK? Listened to on the record, Even if does a remarkably well-produced job of creating a great groove and a feel-good vibe. Obsessed as I currently am with old Herbie Hancock records, I think it still needs the expert touch of a good brass arranger to bring it right out, but underneath - a full-on likable tune. Same for the performer.
Of course. Hmm. Disco - it's a risky one.
When you love funk-influenced things, so many other types of music just feel boring. But it's not traditionally a big winner across mainstream audiences. Dance music may be huge across Europe, as electronic music always has been - but that's in niche terms. Soft rock is still the ticket. Witness Turkey's contemporary version of it - tight, acceptably cool and forgettably uncompelling - but a consistent vote-winner on the night.
Of course too - disco and dance don't always arrange well live. You have to be inside the groove to get it usually and live is a merciless reducer to bare necessities in music. But the UK entry seemed to do just what it was meant to do when it stepped up - create a colourful, feel-good vibe across the audience.
So, is Eurovision a wash-out? Should we leave?
Possibly. But we should keep watching. The point is twofold - Eurovision is a fab idea for a continent-wide media event, and the UK leads the world in musical creative. Why worry? The two obviously don't go together, bizarre as that may sound to a space alien - but does it matter?
I have to say, after so long with my head in it this week, it's a relief to leave the Eurovision world again and get back to proper music.
But I do have FIP on and I'm secretly hoping to hear Belgium's or Croatia's entries turn up on the playlist.
Confession. I had never heard of San Marino before Saturday night.
I mean, who knew? A whole European state that doesn't appear to be on any maps of the famous continent. Turns out it's more of large car park on the east coast of Italy with such an elaborate keycode entry system it's allowed its own entry in the Eurovision song contest.
Now, I knew about Andorra. A pleasant high street in the Pyrenees. Though not many shops. And Lichtenstein, Luxembourg and Belgium are all similarly amusing but likeable dinky stunt states of Europe that we've all half heard of. But I do indeed have to confess to having never heard of San Marino.
But, while I'm confessing, I think of one other European micro state that's been inconceivably conspicuous by its absence in the Eurovision.
Why oh why has the Vatican never put in a tune? Eh?
Sure, whatever they sang would only get half listened to while the entire population of Europe waited to see if those suspiciously long priestly outfits really would adhere to contest custom and come off in an indoor firework key change, to reveal glitter-smeared thighs.
But think about the possibilities. Heal the world, man. If they stumped up the pontif himself, Germany would pile in their votes. And if he went into a little tap number on the bridge, I think he'd win over the UK teledial in a moment. Russia's orthodox background might well feel a large twang of high-church sympathy as the bass slapped and the rest of the latin countries would be in the bag before he even rose up on the soloist's plinth. Even Switzerland would dig those black and yellow stripy outfits on the backing chaps of course. Not sure where Turkey would stand exactly, but I think if Benedict's big number was essentially a forgettably bland soft rock affair, it would be hard for anyone from the Atlantic coast to the ancient silk routes to really argue with the airplayability of it.
..I'm saying it's an idea.
It's a little liberal, okay.
But come on. 'Mea Culpa, hasta la vista' by Papa Benny? It would steal the show and you know it.
----
But, just up the motorway from the disappointingly musically quiet sovereign state of the Catholic church, the hitherto-to-me unheard of mighty nation of San Remo were flexing their very important, gigantically-cultured socks on Saturday night - by being the first of only two nation states to give any votes at all to the UK entry.
I mean, what. What. ..Was going on.
Kind of felt Terry's call for a protest vote next year - all the more because not only had our entry been a decent, feel-good affair, but large swathes of the contest had been unnervinlgly... er, can I say it? Can I really say this?
Okay.
No, I mean large swathes of the contest had been unnervingly okay. With europop goggles firmly screwed in of course, we had a run of okay songs. Good performances. Things worth voting for in a mainstream context.
Norway was, I think, the classiest bit of songwriting that night - kind of cared about it when it came on and it's been in my head a lot. And it scored fairly, coming fifth. Israel's entry also scored okay, which I think took the biscuit for genuine emotion in a song that night - when young Boaz opened up his honest wailing you felt like it mattered somehow. Of all the glittery semi-cladness tottering around on the evening, Ani Lorak probably peaked the sauce-ometer with the gutsiest pop tune performance of the night, deserving her second place for Ukraine - even if I can't remember the song. And even the charming gentle tango quirkiness of Croatia's entry scored respectably. In fact, taking our traditional place alongside Kev and Fi for the night, we all found it alarmingly hard to take the piss for some of the time. Tricky.
The real daftness was found at either end of the scoreboard. Russia at the top was a triumph for political cynicism, blandly forgettable music, fuddled staging and amusing male hair - but an insult to the many better everythings on show that night. Le Roieux Uni at the bottom of the table was just an insult to us.
How did the dire piss-take of Spain score more than Andy Abraham's very likeable performance for the UK? Listened to on the record, Even if does a remarkably well-produced job of creating a great groove and a feel-good vibe. Obsessed as I currently am with old Herbie Hancock records, I think it still needs the expert touch of a good brass arranger to bring it right out, but underneath - a full-on likable tune. Same for the performer.
Of course. Hmm. Disco - it's a risky one.
When you love funk-influenced things, so many other types of music just feel boring. But it's not traditionally a big winner across mainstream audiences. Dance music may be huge across Europe, as electronic music always has been - but that's in niche terms. Soft rock is still the ticket. Witness Turkey's contemporary version of it - tight, acceptably cool and forgettably uncompelling - but a consistent vote-winner on the night.
Of course too - disco and dance don't always arrange well live. You have to be inside the groove to get it usually and live is a merciless reducer to bare necessities in music. But the UK entry seemed to do just what it was meant to do when it stepped up - create a colourful, feel-good vibe across the audience.
So, is Eurovision a wash-out? Should we leave?
Possibly. But we should keep watching. The point is twofold - Eurovision is a fab idea for a continent-wide media event, and the UK leads the world in musical creative. Why worry? The two obviously don't go together, bizarre as that may sound to a space alien - but does it matter?
I have to say, after so long with my head in it this week, it's a relief to leave the Eurovision world again and get back to proper music.
But I do have FIP on and I'm secretly hoping to hear Belgium's or Croatia's entries turn up on the playlist.
Friday, May 23, 2008
Late.
Late.
Here's the truth. The bitter truth.
I'm thirty-seven, and I still regularly email Radio One. And still get really stupidly pleased when they read out my carefully composed emails.
'Annie - I think it's obvious that what the kids are really waiting for in the Last Blast is for you to drop the Erol Alkan mix of Romanca by Kraljevi Ulice and 75 Cents - Croatia's 2008 entry to the Eurovision song context. Not enough Balkan beer drinking songs on Radio 1.
Momo and Caz xx'
Bless her Friday night socks, Annie Mac refers to us as regular Can't Stoppers these days. She read out the whole convoluted thing and laughed. And I did a little dance round the studio. And then caught the pathetic figure I was cutting in the finally night-time summer window. So I picked up the empty pizza box and meekly shuffled to the kitchen to put the kettle on and to turn down the disco.
The thing is, I think I've had dozens of name checks by the very nice Irish squelchy beats lady over the years and I still email in like a ten year old girl. Think I like the little cheer from Caroline from wherever she is in the flat.
..And, in fact, the thing really is that I'm almost as regular on Fi Glover's Saturday Live program on Radio 4. Ask Lisa Basset. And this week I even got name-checked in her newsletter email...
Ohmygod.
Oh my good lord.
Someone make me go on holiday.
Here's the truth. The bitter truth.
I'm thirty-seven, and I still regularly email Radio One. And still get really stupidly pleased when they read out my carefully composed emails.
'Annie - I think it's obvious that what the kids are really waiting for in the Last Blast is for you to drop the Erol Alkan mix of Romanca by Kraljevi Ulice and 75 Cents - Croatia's 2008 entry to the Eurovision song context. Not enough Balkan beer drinking songs on Radio 1.
Momo and Caz xx'
Bless her Friday night socks, Annie Mac refers to us as regular Can't Stoppers these days. She read out the whole convoluted thing and laughed. And I did a little dance round the studio. And then caught the pathetic figure I was cutting in the finally night-time summer window. So I picked up the empty pizza box and meekly shuffled to the kitchen to put the kettle on and to turn down the disco.
The thing is, I think I've had dozens of name checks by the very nice Irish squelchy beats lady over the years and I still email in like a ten year old girl. Think I like the little cheer from Caroline from wherever she is in the flat.
..And, in fact, the thing really is that I'm almost as regular on Fi Glover's Saturday Live program on Radio 4. Ask Lisa Basset. And this week I even got name-checked in her newsletter email...
Ohmygod.
Oh my good lord.
Someone make me go on holiday.
Wednesday, May 21, 2008
Rai comments.
Rai comments.
I thankyou. And I'm here all week, gang - I have sunny afternoon North African music on and I might say a couple of things about it. Headline job done.
So taking a quick peek back at the ol' Lingo pages, I can see an annoyingly sunny disposition seeping through the screen pages. But on afternoons like this, it's hard not to - if you can see the sun, anyway. I concede I'm probably just getting de-mob happy leading up to time away from the studio - punchable holiday smugness seems to soak halfway across the calendar. So I apologise. ..Without being all that sorry, obviously BECAUSE I'M GOING ON SODDING HOLIDAY!!
Being irresponsible has a lot of benefits. Chief among them is the ability to walk away from your work responsibilities as a solo creative freelancer without a second thought to having any work to come back to, to help you pay off the holiday.
Well actually, the pile of work I'm putting off by typing this for five minutes would all have to go to press by the end of the month anyway, whether Momo's Creative Director was whisking away the company secretary for a dirty spin round the Amalfi coast to a 70s-chic John Barry soundtrack or not. So nice work, boss.
---
Elsewhere in Europe, the delights of a singular cultural event have put music on my mind again - though cynics might say of a less meaningful disposition than the evocative tonsil stretching of Rai. Last night was the first semi final of the Eurovision.
You know well how I/we feel about this. All I'll say in summary is that it was a relief that Norway made it through. Belgium's entry may have been so loopily creative it deserved a firm place on FIP's bonkers-eclectic playlist, but let's face it, it was never going to get voted into the final. And the singing turkey was surely only ever a piece of squawking sock-puppet comedy vandalism for a very select, and Guiness-addled audience. Class, but not to the taste of watery beer-swilling middle europeans, I had always suspected.
No, though you do quickly adjust your quality goggles when reading the worth of a Eurovision entry (so that Good only ever means Not SO Shit That Words Have Really Failed You This Time), Norway - Nil Point Norway - provided a quiet little quality blinder.
Didn't hit me between the eyes - and for that reason it wasn't inconceivable that it would escape the notice of the Baltic voters - but Hold on, be strong, performed by Maria had begun to persuade me by the end that it was possibly a little Motown classic. Really. No, I think really.
Firstly, basics. The backing singers all looked like they came as a set. They didn't look like so many Eurovision entries do, as though the lead singer had rounded up the fittest mates they could find and made them prat about behind them ill-fittingly. They matched. And they did simple little hand actions together, to reinforce the lyrics.
Secondly, the music. I can still remember it, kind of. Hum it at least. And it all seemed to belong.
So, er... I think I really rate it. In pop terms, for Eurovision. I think I might.
Norway - keep an eye on it. It will fail. But it might be the classiest thing in the final. Might be.
---
Sunshine's magic is akin to music, of course. It cleverly dulls the feel of other things. Other bad things. And bloody rotten song contests are an especially effective diversion for us all.
But yes, behind our own summery mood, there are epically difficult things in the news, across the Far East especially. Bad things beyond understanding. But I don't know how to talk about them. I can only sit and watch in silence. And thank God for the good things. For the sunshine outside my just-about-still-standing house this afternoon.
Nothing more you can say. No witty asides needed by aid agency workers. The CD's just ended.
And Caroline's just thankfully put on Kylie.
I thankyou. And I'm here all week, gang - I have sunny afternoon North African music on and I might say a couple of things about it. Headline job done.
So taking a quick peek back at the ol' Lingo pages, I can see an annoyingly sunny disposition seeping through the screen pages. But on afternoons like this, it's hard not to - if you can see the sun, anyway. I concede I'm probably just getting de-mob happy leading up to time away from the studio - punchable holiday smugness seems to soak halfway across the calendar. So I apologise. ..Without being all that sorry, obviously BECAUSE I'M GOING ON SODDING HOLIDAY!!
Being irresponsible has a lot of benefits. Chief among them is the ability to walk away from your work responsibilities as a solo creative freelancer without a second thought to having any work to come back to, to help you pay off the holiday.
Well actually, the pile of work I'm putting off by typing this for five minutes would all have to go to press by the end of the month anyway, whether Momo's Creative Director was whisking away the company secretary for a dirty spin round the Amalfi coast to a 70s-chic John Barry soundtrack or not. So nice work, boss.
---
Elsewhere in Europe, the delights of a singular cultural event have put music on my mind again - though cynics might say of a less meaningful disposition than the evocative tonsil stretching of Rai. Last night was the first semi final of the Eurovision.
You know well how I/we feel about this. All I'll say in summary is that it was a relief that Norway made it through. Belgium's entry may have been so loopily creative it deserved a firm place on FIP's bonkers-eclectic playlist, but let's face it, it was never going to get voted into the final. And the singing turkey was surely only ever a piece of squawking sock-puppet comedy vandalism for a very select, and Guiness-addled audience. Class, but not to the taste of watery beer-swilling middle europeans, I had always suspected.
No, though you do quickly adjust your quality goggles when reading the worth of a Eurovision entry (so that Good only ever means Not SO Shit That Words Have Really Failed You This Time), Norway - Nil Point Norway - provided a quiet little quality blinder.
Didn't hit me between the eyes - and for that reason it wasn't inconceivable that it would escape the notice of the Baltic voters - but Hold on, be strong, performed by Maria had begun to persuade me by the end that it was possibly a little Motown classic. Really. No, I think really.
Firstly, basics. The backing singers all looked like they came as a set. They didn't look like so many Eurovision entries do, as though the lead singer had rounded up the fittest mates they could find and made them prat about behind them ill-fittingly. They matched. And they did simple little hand actions together, to reinforce the lyrics.
Secondly, the music. I can still remember it, kind of. Hum it at least. And it all seemed to belong.
So, er... I think I really rate it. In pop terms, for Eurovision. I think I might.
Norway - keep an eye on it. It will fail. But it might be the classiest thing in the final. Might be.
---
Sunshine's magic is akin to music, of course. It cleverly dulls the feel of other things. Other bad things. And bloody rotten song contests are an especially effective diversion for us all.
But yes, behind our own summery mood, there are epically difficult things in the news, across the Far East especially. Bad things beyond understanding. But I don't know how to talk about them. I can only sit and watch in silence. And thank God for the good things. For the sunshine outside my just-about-still-standing house this afternoon.
Nothing more you can say. No witty asides needed by aid agency workers. The CD's just ended.
And Caroline's just thankfully put on Kylie.
Tuesday, May 13, 2008
Heat.
Heat.
Ice creams. Socked feet. Very hairy dogs. These are things that don't like heat.
I, however, am so stunned by how unusual - how genuinely weird - it feels to have had all the windows in the flat open for a week, with balmy warmth blowing through them, that I couldn't care if I melted all over the deck in the garden. And anyway, I have my socks off and my jeans rolled up, padding around the wooden studio floor like a jolly Jack Tar in a sailor's musical.
How fab is this weather? It's like a full-on, actual summer. SUMMER! Here - in the UK.
So, bliss factor is high... sort of.
Well, it's work, isn't it? Work has been more full-on since the full-on happy weather and I've had to peer out at the glorious play-time brightness from the electronic gloom of my Mac screen. Seem to have had a nasty confluence of deadlines all for about, er, now - today. But I'm still alive, even after so many late nights and work-throughs that I've had a sleep-hindering excess of adrenalin.
As Gellan said, you can kind of end up leading a double life (..triple. Triple life if you count the weekend vaudeville) - what your head's doing and what your body is doing. Momo is keeping me pretty all-round engaged and plugged in and generally enjoying the projects on the go - but body is inexplicably telling me to tone down the heat a little.
But it's all good. Hols are in the diary at last - at long last - and there are good things on all over the Momo schedule.
Had a good few meetings this morning and the monster branding work Thinking Juice and Momo are partnering on seems to be still out-working nicely. I've been nerdily developing a brand book - which is only fun if you're the particular kind of nerd that likes explaining to people why Helvetica is such a great choice for their brand comms.
Anyway, fonts, pantones, FTPs and giant EPSs aside, I've been listening to the early mixes of The Golden Age Of Exploration while my palpitating heart has been forcing me to take long walks on the beach and all this has done is get me all the more worked up and over-excited.
I'm obviously well creatively blind to the whole thing now, but I'm loving being so close to completing an album. And such a cheeky one too. ..You'll see what I mean when I force you to come to the launch party at the end of the summer.
If I don't explode in one of the many types of heat I'll be experiencing before then.
Ice creams. Socked feet. Very hairy dogs. These are things that don't like heat.
I, however, am so stunned by how unusual - how genuinely weird - it feels to have had all the windows in the flat open for a week, with balmy warmth blowing through them, that I couldn't care if I melted all over the deck in the garden. And anyway, I have my socks off and my jeans rolled up, padding around the wooden studio floor like a jolly Jack Tar in a sailor's musical.
How fab is this weather? It's like a full-on, actual summer. SUMMER! Here - in the UK.
So, bliss factor is high... sort of.
Well, it's work, isn't it? Work has been more full-on since the full-on happy weather and I've had to peer out at the glorious play-time brightness from the electronic gloom of my Mac screen. Seem to have had a nasty confluence of deadlines all for about, er, now - today. But I'm still alive, even after so many late nights and work-throughs that I've had a sleep-hindering excess of adrenalin.
As Gellan said, you can kind of end up leading a double life (..triple. Triple life if you count the weekend vaudeville) - what your head's doing and what your body is doing. Momo is keeping me pretty all-round engaged and plugged in and generally enjoying the projects on the go - but body is inexplicably telling me to tone down the heat a little.
But it's all good. Hols are in the diary at last - at long last - and there are good things on all over the Momo schedule.
Had a good few meetings this morning and the monster branding work Thinking Juice and Momo are partnering on seems to be still out-working nicely. I've been nerdily developing a brand book - which is only fun if you're the particular kind of nerd that likes explaining to people why Helvetica is such a great choice for their brand comms.
Anyway, fonts, pantones, FTPs and giant EPSs aside, I've been listening to the early mixes of The Golden Age Of Exploration while my palpitating heart has been forcing me to take long walks on the beach and all this has done is get me all the more worked up and over-excited.
I'm obviously well creatively blind to the whole thing now, but I'm loving being so close to completing an album. And such a cheeky one too. ..You'll see what I mean when I force you to come to the launch party at the end of the summer.
If I don't explode in one of the many types of heat I'll be experiencing before then.
Friday, May 02, 2008
Bonkers Bankers.
Bonkers Bankers.
No, I'm not talking about twitchy city types. I'm referring to my work/life balance and how desperately out of skew it is these days.
I'm at the Mac, listening to Annie Mac. Thing is, her groovy Radio One show is now over and it's Dave Pearce's Circuits Class Classics, or whatever he calls it... and I'm STILL here. Gone 11.00 on a bank holiday Friday evening, and I've been writing reports on websites and scamping up housing association newsletters. Actually, I feel like a guest on a magic show; I've been spinning so many project plates today, I feel dizzy.
Though some of that dizzyness might be the heady whiff of summer. 1st of May, Caroline found herself post-epic-deadline free - enough at least to plunge into the luxuriantly hirsute back garden lawn with the pitifully-armed pushy mower, to find the shed. In which, is the little table and chairs that Dad bought us last year for the decking. Summer's here officially. Thanks, Dad.
So I used it all today. Sun was out proper today and I've been on a bit of a meetings marathon this week. One quick deadline after another, with not much time to prepare Actual Stuff for them, and this morning was no exception. So, by the time I got back from somewhere up the M3 this afternoon, I was fair determined to find a bagette and a packet of Kettle Chips and a nice length of deck for twenty minutes. Well, jeepers - I may be busy, but I work for myself, for Pete's sake. And I knew, at 3.00pm, I'd be pushing on until 11.00 tonight. Woop. Lucky me - and here I am.
So I stole a few quick zeds on the deck. Have you ever stared at a blank blue sky long enough to see the sample slide bacterial weird things floating across your eyeballs? They try to float away as you focus on them, but they're there - and they do look like weird chains of microscopic life.
I love working from home.
Anyway, snoozing deck/eyeball madness aside, I have a hell of a list of things to do here beside me for May, summer or not. Great having work on, of course. But I'll be spending most of the Bank Holiday weekend at the Mac again.
Bonkers?
---
It's actually been a very jolly week, so I'm not on the moan tonight. Found myself at the Arts Institute Bournemouth twice this week, trying desperately to not look too old. It's twenty years since I studied there, which is longer than some of the students-who-didn't-know-when-to-laugh- at-my-jokes have been alive. It just doesn't make sense. But I'm not sure I did to them. Still, I awoke from a desperate snooze in the studio last Sunday afternoon to scribble down some vaguely brilliant looking diagram about creativity, hand of God style, which I inflicted on them, telling them I wasn't sure if it was, in fact, helpful brilliance, or deranged bollocks.
The point is, it was nice of Sarah to invite me in to talk to her class. I wish I'd had some chap come into one of my lessons there and say "Crikey, none of us know what the hell we're doing, don't worry. You can still have fun and just about pay the bills.."
Nice too then, of Gellan to invite back to the Enterprise Pavillion to meet some more students on Wednesday night, as they presented their design suggestions for the logo of his co-operative idea, the Dorset Design Forum. I think I may have inadvertantly been roped in to promote greater harmony across the creative industries in the sunny south. And why not - as a work-at-home deck-hugger, I've tarted around with lots of agencies in the area. Mind you, I found myself amazingly talking to local ad legend, Matt Flemming. After he diffidently mentioned Aylesworth Flemming's turnover and current business outlook, I did well to maintain my engaging professional air, but I was sweating at the thought of him asking me what Momo is currently up to.
"Emailing Radio One and kipping in the garden during working hours, mate."
Why do I imagine students can't relate to me?
No, I'm not talking about twitchy city types. I'm referring to my work/life balance and how desperately out of skew it is these days.
I'm at the Mac, listening to Annie Mac. Thing is, her groovy Radio One show is now over and it's Dave Pearce's Circuits Class Classics, or whatever he calls it... and I'm STILL here. Gone 11.00 on a bank holiday Friday evening, and I've been writing reports on websites and scamping up housing association newsletters. Actually, I feel like a guest on a magic show; I've been spinning so many project plates today, I feel dizzy.
Though some of that dizzyness might be the heady whiff of summer. 1st of May, Caroline found herself post-epic-deadline free - enough at least to plunge into the luxuriantly hirsute back garden lawn with the pitifully-armed pushy mower, to find the shed. In which, is the little table and chairs that Dad bought us last year for the decking. Summer's here officially. Thanks, Dad.
So I used it all today. Sun was out proper today and I've been on a bit of a meetings marathon this week. One quick deadline after another, with not much time to prepare Actual Stuff for them, and this morning was no exception. So, by the time I got back from somewhere up the M3 this afternoon, I was fair determined to find a bagette and a packet of Kettle Chips and a nice length of deck for twenty minutes. Well, jeepers - I may be busy, but I work for myself, for Pete's sake. And I knew, at 3.00pm, I'd be pushing on until 11.00 tonight. Woop. Lucky me - and here I am.
So I stole a few quick zeds on the deck. Have you ever stared at a blank blue sky long enough to see the sample slide bacterial weird things floating across your eyeballs? They try to float away as you focus on them, but they're there - and they do look like weird chains of microscopic life.
I love working from home.
Anyway, snoozing deck/eyeball madness aside, I have a hell of a list of things to do here beside me for May, summer or not. Great having work on, of course. But I'll be spending most of the Bank Holiday weekend at the Mac again.
Bonkers?
---
It's actually been a very jolly week, so I'm not on the moan tonight. Found myself at the Arts Institute Bournemouth twice this week, trying desperately to not look too old. It's twenty years since I studied there, which is longer than some of the students-who-didn't-know-when-to-laugh- at-my-jokes have been alive. It just doesn't make sense. But I'm not sure I did to them. Still, I awoke from a desperate snooze in the studio last Sunday afternoon to scribble down some vaguely brilliant looking diagram about creativity, hand of God style, which I inflicted on them, telling them I wasn't sure if it was, in fact, helpful brilliance, or deranged bollocks.
The point is, it was nice of Sarah to invite me in to talk to her class. I wish I'd had some chap come into one of my lessons there and say "Crikey, none of us know what the hell we're doing, don't worry. You can still have fun and just about pay the bills.."
Nice too then, of Gellan to invite back to the Enterprise Pavillion to meet some more students on Wednesday night, as they presented their design suggestions for the logo of his co-operative idea, the Dorset Design Forum. I think I may have inadvertantly been roped in to promote greater harmony across the creative industries in the sunny south. And why not - as a work-at-home deck-hugger, I've tarted around with lots of agencies in the area. Mind you, I found myself amazingly talking to local ad legend, Matt Flemming. After he diffidently mentioned Aylesworth Flemming's turnover and current business outlook, I did well to maintain my engaging professional air, but I was sweating at the thought of him asking me what Momo is currently up to.
"Emailing Radio One and kipping in the garden during working hours, mate."
Why do I imagine students can't relate to me?
Sunday, April 27, 2008
Humph.
Humph.
Sad news. On Thursday I had a little email from the BBC's audience people to say that the new series of I'm sorry, I haven't a clue, which we'd been hoping to finally make it to see, had had to be postponed, because much-loved host, Humphrey Lyttelton, had been taken into hospital. Saturday morning, it was announced that the 86-year-old had died.
He'd been hosting the self-styled antidote to panel games for some 36 years, but he'd been presenting his legendary jazz show for over forty. It was only last month, after four decades of being the UK's foremost jazz voice, he finally retired from the programme. Fundamental changes like that do seem to have a funny effect on people, which is why I'd wondered how retirement would suit him - but I suspect he'd say that the thing that really had a funny effect on him was an aortic aneurysm.
And he was funny. Obituaries are famously humourless things, so I won't try to describe him - it would sound far too respectful. Comedy is like sex, I think - describing it always sounds like you're rather missing the point. Anyone who listened to ISIHAC will have Humph's style clearly in mind - he was a dry, hilarious warmth. He kind of made it the favourite radio feature in our house. Though, to be fair, I have no idea what he was like in bed.
Weirdly, if you listen to early recordings of the show, it sounds just the same. One or two bereavements aside, it's the same cast. Listening again to an episode from 1975 a little while ago, I found it hard to believe that the intervening years had seen such fundamental changes to British society as humourless Thatcherism, Alternative Comedy and digital broadcasting; the gags were that old. Humph himself was the only thing to have noticeably aged in voice over the years - but this just made him all the funnier. The more he sounded like a venerable elder statesman, the more jolly effective were his sudden filthy double entendres.
The thing is, all this is enough to mourn the chap and when you hear friends' testimonies of him, the man was clearly a rare joy. But it's only in more recent times it's been dawning on me what a giant talent he was.
He was considered one of the greatest UK jazz musicians of all time. But he wasn't 'just' a horn player - was a prolific composer and a fantastic bandleader, performed with his group until mere weeks before he died. And as if jazz musician, composer, performer and broadcaster weren't enough accolades, he was also a writer and cartoonist. And, of course, raconteur and bon viveur.
In short, a ruddy inspiration. Funny, talented, knowledgeable and self-deprecating.
If you're interested, here's his obit at the Beeb:
http://news.bbc.co.uk/1/hi/entertainment/3477089.stm
I wonder if Mrs Trellis will send in a card.
Sad news. On Thursday I had a little email from the BBC's audience people to say that the new series of I'm sorry, I haven't a clue, which we'd been hoping to finally make it to see, had had to be postponed, because much-loved host, Humphrey Lyttelton, had been taken into hospital. Saturday morning, it was announced that the 86-year-old had died.
He'd been hosting the self-styled antidote to panel games for some 36 years, but he'd been presenting his legendary jazz show for over forty. It was only last month, after four decades of being the UK's foremost jazz voice, he finally retired from the programme. Fundamental changes like that do seem to have a funny effect on people, which is why I'd wondered how retirement would suit him - but I suspect he'd say that the thing that really had a funny effect on him was an aortic aneurysm.
And he was funny. Obituaries are famously humourless things, so I won't try to describe him - it would sound far too respectful. Comedy is like sex, I think - describing it always sounds like you're rather missing the point. Anyone who listened to ISIHAC will have Humph's style clearly in mind - he was a dry, hilarious warmth. He kind of made it the favourite radio feature in our house. Though, to be fair, I have no idea what he was like in bed.
Weirdly, if you listen to early recordings of the show, it sounds just the same. One or two bereavements aside, it's the same cast. Listening again to an episode from 1975 a little while ago, I found it hard to believe that the intervening years had seen such fundamental changes to British society as humourless Thatcherism, Alternative Comedy and digital broadcasting; the gags were that old. Humph himself was the only thing to have noticeably aged in voice over the years - but this just made him all the funnier. The more he sounded like a venerable elder statesman, the more jolly effective were his sudden filthy double entendres.
The thing is, all this is enough to mourn the chap and when you hear friends' testimonies of him, the man was clearly a rare joy. But it's only in more recent times it's been dawning on me what a giant talent he was.
He was considered one of the greatest UK jazz musicians of all time. But he wasn't 'just' a horn player - was a prolific composer and a fantastic bandleader, performed with his group until mere weeks before he died. And as if jazz musician, composer, performer and broadcaster weren't enough accolades, he was also a writer and cartoonist. And, of course, raconteur and bon viveur.
In short, a ruddy inspiration. Funny, talented, knowledgeable and self-deprecating.
If you're interested, here's his obit at the Beeb:
http://news.bbc.co.uk/1/hi/entertainment/3477089.stm
I wonder if Mrs Trellis will send in a card.
Friday, April 25, 2008
Cheesy.
Cheesy.
This is groovy. Had an excited email from Gellan pointing me at this:
http://www.utalkmarketing.com/pages/Article.aspx?ArticleID=10122&Title=Wyke%20Farms%20ad%20wins%20People%E2%80%99s%20Choice
Thinking Juice's little TV as for Wyke Farms has won a People's Choice award, up against people with rather more budget. You can watch the ad and its rivals from the link. Nice one, G.
Why am I posting this? Rather pleasingly, Momo:timo wrote the music - a nice little tune to whistle while you're carving the Simply Gorgeous extra mature. True, it's hard to hear a note of it on YouTube, but the full thing is on the Timo website, for you dedicated cheese fans.
Doesn't help me knuckle down, this. I've spent the week trying to develop a reasonably monstrous website for one client - and now I'm at Friday morning with a half-finished website and a couple of unstarted jobs I was planning to start on Monday. And all I really want to do is get back on the album. Swing the sign round from Typo to Timo and enjoy a Friday talking silly voices through a harmoniser. Way to run a business.
But I had a slightly hefty tea-time presentation of said website lastnight, that made me miss circuits and open some wine instead - so this morning was never going to be an early starter, was it? Mind you, I had the easier time. In the same meeting, as part of the wider brand development we're partnering on for this, Gellan had to present some weighty and sometimes tricky-to-hear research. Then I got to stand up and say: 'here's your new website - as you can see, it's very pretty. Any questions?' [ finger pistol ]
Leeeetle more to it than that, obviously. But as I ponder the schedule for next week, the good thing, responsibility fans, is that Momo has an interesting spread of projects coming up.
Hopefully enough to keep us in cheese.
This is groovy. Had an excited email from Gellan pointing me at this:
Thinking Juice's little TV as for Wyke Farms has won a People's Choice award, up against people with rather more budget. You can watch the ad and its rivals from the link. Nice one, G.
Why am I posting this? Rather pleasingly, Momo:timo wrote the music - a nice little tune to whistle while you're carving the Simply Gorgeous extra mature. True, it's hard to hear a note of it on YouTube, but the full thing is on the Timo website, for you dedicated cheese fans.
Doesn't help me knuckle down, this. I've spent the week trying to develop a reasonably monstrous website for one client - and now I'm at Friday morning with a half-finished website and a couple of unstarted jobs I was planning to start on Monday. And all I really want to do is get back on the album. Swing the sign round from Typo to Timo and enjoy a Friday talking silly voices through a harmoniser. Way to run a business.
But I had a slightly hefty tea-time presentation of said website lastnight, that made me miss circuits and open some wine instead - so this morning was never going to be an early starter, was it? Mind you, I had the easier time. In the same meeting, as part of the wider brand development we're partnering on for this, Gellan had to present some weighty and sometimes tricky-to-hear research. Then I got to stand up and say: 'here's your new website - as you can see, it's very pretty. Any questions?' [ finger pistol ]
Leeeetle more to it than that, obviously. But as I ponder the schedule for next week, the good thing, responsibility fans, is that Momo has an interesting spread of projects coming up.
Hopefully enough to keep us in cheese.
Wednesday, April 23, 2008
Barry and George.
Barry and George.
Today is, apparently, St George's day. But my mind's on ol' Bazzer.
I may be an Englishman, but I never remember this date - 23rd April. Who knows this? And when they say that less people celebrate the nation's patron saint than celebrate Guy Fawkes night, I wonder who on earth is celebrating our basically-apocryphal dragon slayer AT ALL. And how are they doing it? We don't parade giant paper dragons down the street, or enjoy traditional dragon soup recipes, overpriced and pre-packed by Tesco, in fact we don't have ANYthing. What am I supposed to do to get all Englishy today? No one's equipped me. Who am I, someone?
And anyway, it's the big drag-on I'm thinking of. The presidential primaries in America.
So Hillers fights back again. It's a head-scratcher, isn't it? Tough bird in the one corner, gives the impression of being willing to say anything out of desperation to be nominated, but ruddy hell is tenacious. Then golden boy Obama in the other corner, all the qualifications the world is willing for a new US president, but not a sausage about how he's going to inject life into America's aimless economy. Hmm.
Lord only knows why this keeps my attention so much; I know as much about my local council elections when they come round as I do about St George's day, but the surreal race for the Democratic nomination across the Atlantic has me hooked. Or is it speared?
How did George kill the sodding dragon?
Today is, apparently, St George's day. But my mind's on ol' Bazzer.
I may be an Englishman, but I never remember this date - 23rd April. Who knows this? And when they say that less people celebrate the nation's patron saint than celebrate Guy Fawkes night, I wonder who on earth is celebrating our basically-apocryphal dragon slayer AT ALL. And how are they doing it? We don't parade giant paper dragons down the street, or enjoy traditional dragon soup recipes, overpriced and pre-packed by Tesco, in fact we don't have ANYthing. What am I supposed to do to get all Englishy today? No one's equipped me. Who am I, someone?
And anyway, it's the big drag-on I'm thinking of. The presidential primaries in America.
So Hillers fights back again. It's a head-scratcher, isn't it? Tough bird in the one corner, gives the impression of being willing to say anything out of desperation to be nominated, but ruddy hell is tenacious. Then golden boy Obama in the other corner, all the qualifications the world is willing for a new US president, but not a sausage about how he's going to inject life into America's aimless economy. Hmm.
Lord only knows why this keeps my attention so much; I know as much about my local council elections when they come round as I do about St George's day, but the surreal race for the Democratic nomination across the Atlantic has me hooked. Or is it speared?
How did George kill the sodding dragon?
Wednesday, April 16, 2008
Having the horn.
Having the horn.
Oh, boy, do I.
The economy may be taking a more theatrical dive than a Premier League striker, rolling around with the kind of over-acted agony clear enough to be seen from the back tiers of Wembley, but as we all know, one of the best tonics for a flagging game is a loud bit of trumpet karaoki.
So, before my business is stretchered off indefinitely, I thought I'd stir the blood with something so exciting I could barely sit down.
I'm easily pleased, obviously. And I'm definitely in that over-excited, can't-see-it-properly stage. But there's a particular track I've had cooking for a while that reeeeally needed a horn section. Thanks to Kev putting me in touch with his good, and formerly-professional trumpet player, John... I am grinning from ear to ringing ear.
I did warn the neighbours, but it was probably just as well they were out that afternoon. A trumpet is a loud thing. A LOUD thing. But I felt it was allowed.
I may calm down when I go back to the mix and find I can't in fact stop it sounding like a school band. But right now, I SO have the horn. And so does Mark, who's practicing drums for the piece, entitled Disfunkshun.
How do I concentrate on other deadlines with the horn? The horn is all I can think about.
Ah. A cold shower of client emails. Okay. Calm now.
:o)
Oh, boy, do I.
The economy may be taking a more theatrical dive than a Premier League striker, rolling around with the kind of over-acted agony clear enough to be seen from the back tiers of Wembley, but as we all know, one of the best tonics for a flagging game is a loud bit of trumpet karaoki.
So, before my business is stretchered off indefinitely, I thought I'd stir the blood with something so exciting I could barely sit down.
I'm easily pleased, obviously. And I'm definitely in that over-excited, can't-see-it-properly stage. But there's a particular track I've had cooking for a while that reeeeally needed a horn section. Thanks to Kev putting me in touch with his good, and formerly-professional trumpet player, John... I am grinning from ear to ringing ear.
I did warn the neighbours, but it was probably just as well they were out that afternoon. A trumpet is a loud thing. A LOUD thing. But I felt it was allowed.
I may calm down when I go back to the mix and find I can't in fact stop it sounding like a school band. But right now, I SO have the horn. And so does Mark, who's practicing drums for the piece, entitled Disfunkshun.
How do I concentrate on other deadlines with the horn? The horn is all I can think about.
Ah. A cold shower of client emails. Okay. Calm now.
:o)
Monday, April 14, 2008
Crash.
Crash.
Don't know if you saw any of the interview with the parents of Indira Swann, Greg and Louise. They were giving testimony to their daughter, killed along with four other young women in a tragically simple coach crash in Ecuador.
We were stopped short by their words. The couple's dedication to encouragement in the middle of such obvious agony was a kind of wisdom too heroic for words. There was a visible pause in the Channel 4 News studio, after the tape.
Seize the day. Do the best you can with how long you've got. Don't stop learning about the world. Accidents happen.
Accidents happen. Greg seemed to wring the words out of himself. The determination of conviction.
--
Getting on for a decade ago now, two young friends of our family in Sussex were killed in a car accident in Australia. Two others with them survived. I remember the morning news waking me up with the story and I just kind of suspected it was them.
I didn't know them. Met maybe once or twice, I can't remember. But they were central to Caroline's sister's family of friends, and watching everyone in the community try to come to terms with such a pointless, recreational loss was silencing. I don't know what I'd do, if one of my adopted family didn't come home from a holiday. Build a shrine, probably.
Tonight's brief interview reminded me how you never know what life can grow out of the jagged fractures of a crash. How life likes to show up where it shouldn't be. I wonder for them. But, as Stephen Lawrence's mother, Doreen, said at the opening of the centre that fights to creatively equip young people facing poverty, bearing his name in St Johns, "I'd swap it all in a heartbeat for Stephen."
Just thinking of all five families.
Don't know if you saw any of the interview with the parents of Indira Swann, Greg and Louise. They were giving testimony to their daughter, killed along with four other young women in a tragically simple coach crash in Ecuador.
We were stopped short by their words. The couple's dedication to encouragement in the middle of such obvious agony was a kind of wisdom too heroic for words. There was a visible pause in the Channel 4 News studio, after the tape.
Seize the day. Do the best you can with how long you've got. Don't stop learning about the world. Accidents happen.
Accidents happen. Greg seemed to wring the words out of himself. The determination of conviction.
--
Getting on for a decade ago now, two young friends of our family in Sussex were killed in a car accident in Australia. Two others with them survived. I remember the morning news waking me up with the story and I just kind of suspected it was them.
I didn't know them. Met maybe once or twice, I can't remember. But they were central to Caroline's sister's family of friends, and watching everyone in the community try to come to terms with such a pointless, recreational loss was silencing. I don't know what I'd do, if one of my adopted family didn't come home from a holiday. Build a shrine, probably.
Tonight's brief interview reminded me how you never know what life can grow out of the jagged fractures of a crash. How life likes to show up where it shouldn't be. I wonder for them. But, as Stephen Lawrence's mother, Doreen, said at the opening of the centre that fights to creatively equip young people facing poverty, bearing his name in St Johns, "I'd swap it all in a heartbeat for Stephen."
Just thinking of all five families.
Saturday, April 12, 2008
Allsop's Fables.
Allsop's Fables.
Over the last couple of weeks, I've had a steady, delicate stream of blossom blowing past my studio window. Some years, the local trees deposit their pink cargo in one wallop overnight - dumping a burst duvet of spring petals on the road around their roots in a gusty turn of weather. This year, it's sort of strewn gently down the road like it's welcoming important business visitors to a five-star suite in a Chinese hotel. Pretty.
So I'm in a committed mood of summery optimism. This is based entirely on short-termism of the most childish kind. I just want to go on holiday - awake, this time - and tinker with bits of music and go have coffee with chums.
Yes. You're right, I can see this isn't even a shade of a different mood to normal, at Momo. But sometimes I jest about being a lazy, arty blighter to remind myself of these cherished values while working my proverbials off and talking very sensibly to people who are paying for my professional help. A sort of reality check.
Of course, in the creative business, you are terribly prey to desperately un-creative businesses - and we are having the young mother of 'reality' checks at the moment.
Housing and money and blaaahhh. So the banks were over-ambitious and complacent in their lend-some-to-make-some strategies and now they're being reactionary and petulant and mela-dramatic. Snatching away the toys. It's not like we didn't all see this coming, is it? Just like the other millions of unqualified laypeople who said that the idea of putting western tanks into the Middle East in 2002 would be a poor piece of politics and defense strategy. Yep, we may all know nothing, but we were right. And now again - what a shocker, overnight Credit Crunch.
Although much of my sensible work is connected with the property market in different ways, the debates and dramatic language quickly bore me. Don't they you? I mean, it's all a worry. But let's listen to a bastion of common sense in such times - a comfort and a no-nonsense guide - Kirsty Allsop.
She was on Today this morning, basically telling us all to get a grip and not panic. And it made me think that Relocation Relocation - despite looking ever more like a guilty pleasure - should introduce a new feature to its weekly format, to give us all succor and good cheer in these choppy waters of sudden economic panic.
Allsop's Fables. I need not elaborate further, need I. Just matronly, green-wellies-with-skirt, 'pull your pop socks up' common sense. Sponsored by ING Direct.
-------
You never know when the weather will change. Beams of sunlight through the clouds can be a welcome relief, but they can close up just as suddenly. And lounging around on the cabin top in the warmth is certainly some of what you put to sea for, but stay there too long under your sunnies and you might find yourself in a squall in your speedos.
Well, however choppy the waters ahead, I do of course know how to make a small cabin feel like home at 45°, as you know. I'm a seasoned salty old sea dog now, famously. And my oft-clung-to kids lifering of jollyness might look stupidly inadequate at sea, but it does keep my head above water.
I can think of three or four or five or six sets of circumstances around me that feel like being pitched overboard. People and things I wish I could throw a sturdy, reassuring tether to. The best I can ever do, I've come to realise, is throw a flimsy floatation aid with an inflatable duck's head attached to it - not because things around us are only bathtime deep, but because it might make a moment of funny where there shouldn't be one. And at least help buoyancy a little.
So I'm trusting that the little Momo boat will turn into the wind and ride the swell okay. And if I sprang a leak and had to jump ship to Tesco, all other hands lost, I'd hardly be able to complain. I'd have the memories of weeks like this one, where the combination things on my list of things to do may still be ignominious, unglamorous and only subtly paid - but sounds like the lifestyle of a There's No Shame In Saying It To His Face: Jammy Bastard. Believe me, I do know. And I am enjoying it like a kid, for as long as I can get away with it. Which probably won't be all that long.
What makes up this combination of JB work at Momo? Oh, sheesh, it's just the usual stuff, really; it's nothing special. I'm just a jobbing creative and it sounds like fun when you talk about it. But I think when you get to write bonkers copy for a range of organic kids snacks, you just start to feel good about the world. I don't know what passengers would have thought, had they looked over the shoulder of the sensible-suited chap in the middle carriage of the train back from London yesterday, if they'd actually read what he was studiously penning.
SPLOT! FRRRRRAAPP! SPLOOCH! CLONK!
I went out last night, still suited and sensible looking, trying hard not to punctuate everything I said with energetic, made-up verbs.
Anyway, the point is that doing this AS WELL as designing comprehensive rebrands for property companies; presenting large website projects for social sector housing associations in the morning, and recording trumpet parts with session musicians in the afternoon... all sounds like a sodding nice time in life. One that might be little more than a short-term series of distractions from the big waves of Oh Buggery piling up astern. For sure. But I have no idea how to command the waves. And I've learned this much: there's a time to strap on your oilies and bare your teeth at the perfect storm, but you'll thinking of the blossom blowing past your window at home when the mast breaks.
..I just KNOW Kirsty would tell me to get a ruddy grip and get on with my work. So I shall.
..Tinkle of chardonnay, anyone? Let's pack up early tonight...
Over the last couple of weeks, I've had a steady, delicate stream of blossom blowing past my studio window. Some years, the local trees deposit their pink cargo in one wallop overnight - dumping a burst duvet of spring petals on the road around their roots in a gusty turn of weather. This year, it's sort of strewn gently down the road like it's welcoming important business visitors to a five-star suite in a Chinese hotel. Pretty.
So I'm in a committed mood of summery optimism. This is based entirely on short-termism of the most childish kind. I just want to go on holiday - awake, this time - and tinker with bits of music and go have coffee with chums.
Yes. You're right, I can see this isn't even a shade of a different mood to normal, at Momo. But sometimes I jest about being a lazy, arty blighter to remind myself of these cherished values while working my proverbials off and talking very sensibly to people who are paying for my professional help. A sort of reality check.
Of course, in the creative business, you are terribly prey to desperately un-creative businesses - and we are having the young mother of 'reality' checks at the moment.
Housing and money and blaaahhh. So the banks were over-ambitious and complacent in their lend-some-to-make-some strategies and now they're being reactionary and petulant and mela-dramatic. Snatching away the toys. It's not like we didn't all see this coming, is it? Just like the other millions of unqualified laypeople who said that the idea of putting western tanks into the Middle East in 2002 would be a poor piece of politics and defense strategy. Yep, we may all know nothing, but we were right. And now again - what a shocker, overnight Credit Crunch.
Although much of my sensible work is connected with the property market in different ways, the debates and dramatic language quickly bore me. Don't they you? I mean, it's all a worry. But let's listen to a bastion of common sense in such times - a comfort and a no-nonsense guide - Kirsty Allsop.
She was on Today this morning, basically telling us all to get a grip and not panic. And it made me think that Relocation Relocation - despite looking ever more like a guilty pleasure - should introduce a new feature to its weekly format, to give us all succor and good cheer in these choppy waters of sudden economic panic.
Allsop's Fables. I need not elaborate further, need I. Just matronly, green-wellies-with-skirt, 'pull your pop socks up' common sense. Sponsored by ING Direct.
-------
You never know when the weather will change. Beams of sunlight through the clouds can be a welcome relief, but they can close up just as suddenly. And lounging around on the cabin top in the warmth is certainly some of what you put to sea for, but stay there too long under your sunnies and you might find yourself in a squall in your speedos.
Well, however choppy the waters ahead, I do of course know how to make a small cabin feel like home at 45°, as you know. I'm a seasoned salty old sea dog now, famously. And my oft-clung-to kids lifering of jollyness might look stupidly inadequate at sea, but it does keep my head above water.
I can think of three or four or five or six sets of circumstances around me that feel like being pitched overboard. People and things I wish I could throw a sturdy, reassuring tether to. The best I can ever do, I've come to realise, is throw a flimsy floatation aid with an inflatable duck's head attached to it - not because things around us are only bathtime deep, but because it might make a moment of funny where there shouldn't be one. And at least help buoyancy a little.
So I'm trusting that the little Momo boat will turn into the wind and ride the swell okay. And if I sprang a leak and had to jump ship to Tesco, all other hands lost, I'd hardly be able to complain. I'd have the memories of weeks like this one, where the combination things on my list of things to do may still be ignominious, unglamorous and only subtly paid - but sounds like the lifestyle of a There's No Shame In Saying It To His Face: Jammy Bastard. Believe me, I do know. And I am enjoying it like a kid, for as long as I can get away with it. Which probably won't be all that long.
What makes up this combination of JB work at Momo? Oh, sheesh, it's just the usual stuff, really; it's nothing special. I'm just a jobbing creative and it sounds like fun when you talk about it. But I think when you get to write bonkers copy for a range of organic kids snacks, you just start to feel good about the world. I don't know what passengers would have thought, had they looked over the shoulder of the sensible-suited chap in the middle carriage of the train back from London yesterday, if they'd actually read what he was studiously penning.
SPLOT! FRRRRRAAPP! SPLOOCH! CLONK!
I went out last night, still suited and sensible looking, trying hard not to punctuate everything I said with energetic, made-up verbs.
Anyway, the point is that doing this AS WELL as designing comprehensive rebrands for property companies; presenting large website projects for social sector housing associations in the morning, and recording trumpet parts with session musicians in the afternoon... all sounds like a sodding nice time in life. One that might be little more than a short-term series of distractions from the big waves of Oh Buggery piling up astern. For sure. But I have no idea how to command the waves. And I've learned this much: there's a time to strap on your oilies and bare your teeth at the perfect storm, but you'll thinking of the blossom blowing past your window at home when the mast breaks.
..I just KNOW Kirsty would tell me to get a ruddy grip and get on with my work. So I shall.
..Tinkle of chardonnay, anyone? Let's pack up early tonight...
Monday, April 07, 2008
BST
WHAT was going on at the weekend? Drove away on Friday in balmly sunshine to a sweaty Ibiza soundtrack - woke up on Sunday to a winter blummen' wonderland with snowmen and carols. Moose in the streets. Dickensian children running with hoops. An overnight shortage on carrots.
We're in British Summer Time, aren't we?
So, er - SNOW?
WHAT was going on at the weekend? Drove away on Friday in balmly sunshine to a sweaty Ibiza soundtrack - woke up on Sunday to a winter blummen' wonderland with snowmen and carols. Moose in the streets. Dickensian children running with hoops. An overnight shortage on carrots.
We're in British Summer Time, aren't we?
So, er - SNOW?
Friday, April 04, 2008
Salt.
Salt.
I have it in my ears. Actually, I wouldn't be surprised if I still do, one week on. It's another gorgeously summer-hinting morning this morning, but seven days back was a different story. In fact, that wet, windy, chilly Friday as we stood on the pontoon at Hamble Marina, we were all a little indignant that the scene was such a different story from the DAY before; Thursday last had been glorious. Still, at my sensible, can-do age you do rather look rotten weather in the teeth with a grin. Felt like a school trip.
As foolish a sense as this may turn out to be in future, it's hard to imagine putting to sea as a relative new-comer in a safer pair of hands than those of our skipper for the weekend, Steve King. Something pastoral must kick in for him at the helm - along with a competitive imperative to have the best boat and crew in the Solent, I suspect. Whatever, it works. We felt safe, and acted safe. Which, ah... turned out to be a good thing.
Now, I've not earned my sea legs. A lifetime living on the coast has put me on the water strangely few times. Stranger too is the inexplicable thing that I spent five long years of my life on the UK's biggest selling boating magazine; Valsheda may look beautiful in thirties sepier on my kitchen wall, but the kitchen floor doesn't officially move. So I did feel that the ninth member of the crew might turn out to be the good Cardinal - Chunder, I mean of course. But thankfully, he didn't actually visit - cast his shadow, but didn't bunk down with us. Despite the very best efforts of Skipper and First Mate to serve us elaborately creamy, cheesy, sea-foody, Tesco Finest entrés and luncheons washed down with beer the whole weekend, while in the odd Force 8 squall, I enjoyed my food only the once. Just.
And yes, I did say Force 8. Bit blowy for the odd moment. The thing is, we may have spent Saturday setting our faces like flint to windward, beating up the Solent from Portsmouth to Yarmouth on our ear for much of it, but the UK's favourite stretch of maritime playground is fairly forgiving in the chop department. I'm not saying we weren't all terribly manly about the whole thing, but a real salty old dog would laugh quietly at our tales and nod knowingly into his pipe. ..Which, I've come to believe quite firmly, is also the universal Experienced Skipper's sign for Oh Shit, We're Really In Trouble Now. So you never know.
Thing is, I love the especially-British will to make yourself at home wherever you are. My theory, long-cherrished, that pizza is the ultimate universal food was borne out magnificently, somewhere off Cowes at 45°. I'd kept some from the meal the night before in Portsmouth and someone suggested we distribute it among the men. So, image to take to my grave, there we were passing around flapping slices of the stone-baked blessing, ice-cold in a wet headwind, like we were at a picnic. Morning, noon, night; hot, cold, luke warm; dry or wet - there is NEVER a wrong time for pizza.
Nope, it may have been a fun bit of blowing to sail in, producing the odd bruised shin, but it wasn't proper scary. If we'd have forged out into the Channel that morning, and aimed to make for Yarmouth via the Horn of Ventnor, I think we might have had some interesting swell to contend with as well. Probably, machismo aside, the Solent's weather was baptism enough for the first weekenders. Plus, we'd not have made it into the harbour with enough time for real ale in the rustic warmth of the local pub, shining its chunky-knit cosy reassurance out through the stormy night. Or for the Five Star Michelin experience in the cabin, prepared as little short of loving art by Mr Green and Mr King. Or for hoisting Robbie up the tallest mast in the harbour to retrieve a flailing halliard, hours into the fifth bottle of oaky red...
Actually, if you could have seen us round the table on board that night - and you were a girl - you'd have laughed. Just the right music, just the right wine, just the right combinations of flavours... I tried to picture our selection of other halves in the same situation and came to the instantaneous conclusion that the scene wouldn't have been half so delicate and atmospheric. Steve was, I kid not, genuinely annoyed he'd 'left the candles in Andy's car'.
I was so proud of the boys that night.
In the event, we woke up to an unexpectedly stunning morning. Calm. Flat. Blue. Disappointed though we were to have erected a goose-wing sail configuration, with the express purpose of creaming downhill at warm nine, only to find we were more sort of adrift with a pretty work of canvas art overhead, the sunshine was a welcome warmth.
Three days wasn't long enough. It comes down to who you share these things with, of course - a boat can be a miserable place very easily, and I felt lucky to have who I had around me. But, perhaps all weird experiences - such as working on a boating magazine without getting your feet wet - lead somewhere after all. Maybe.
As soon as I got in that Sunday evening, I emailed PBO to ask about a good RYA Competent Crew course...
I have it in my ears. Actually, I wouldn't be surprised if I still do, one week on. It's another gorgeously summer-hinting morning this morning, but seven days back was a different story. In fact, that wet, windy, chilly Friday as we stood on the pontoon at Hamble Marina, we were all a little indignant that the scene was such a different story from the DAY before; Thursday last had been glorious. Still, at my sensible, can-do age you do rather look rotten weather in the teeth with a grin. Felt like a school trip.
As foolish a sense as this may turn out to be in future, it's hard to imagine putting to sea as a relative new-comer in a safer pair of hands than those of our skipper for the weekend, Steve King. Something pastoral must kick in for him at the helm - along with a competitive imperative to have the best boat and crew in the Solent, I suspect. Whatever, it works. We felt safe, and acted safe. Which, ah... turned out to be a good thing.
Now, I've not earned my sea legs. A lifetime living on the coast has put me on the water strangely few times. Stranger too is the inexplicable thing that I spent five long years of my life on the UK's biggest selling boating magazine; Valsheda may look beautiful in thirties sepier on my kitchen wall, but the kitchen floor doesn't officially move. So I did feel that the ninth member of the crew might turn out to be the good Cardinal - Chunder, I mean of course. But thankfully, he didn't actually visit - cast his shadow, but didn't bunk down with us. Despite the very best efforts of Skipper and First Mate to serve us elaborately creamy, cheesy, sea-foody, Tesco Finest entrés and luncheons washed down with beer the whole weekend, while in the odd Force 8 squall, I enjoyed my food only the once. Just.
And yes, I did say Force 8. Bit blowy for the odd moment. The thing is, we may have spent Saturday setting our faces like flint to windward, beating up the Solent from Portsmouth to Yarmouth on our ear for much of it, but the UK's favourite stretch of maritime playground is fairly forgiving in the chop department. I'm not saying we weren't all terribly manly about the whole thing, but a real salty old dog would laugh quietly at our tales and nod knowingly into his pipe. ..Which, I've come to believe quite firmly, is also the universal Experienced Skipper's sign for Oh Shit, We're Really In Trouble Now. So you never know.
Thing is, I love the especially-British will to make yourself at home wherever you are. My theory, long-cherrished, that pizza is the ultimate universal food was borne out magnificently, somewhere off Cowes at 45°. I'd kept some from the meal the night before in Portsmouth and someone suggested we distribute it among the men. So, image to take to my grave, there we were passing around flapping slices of the stone-baked blessing, ice-cold in a wet headwind, like we were at a picnic. Morning, noon, night; hot, cold, luke warm; dry or wet - there is NEVER a wrong time for pizza.
Nope, it may have been a fun bit of blowing to sail in, producing the odd bruised shin, but it wasn't proper scary. If we'd have forged out into the Channel that morning, and aimed to make for Yarmouth via the Horn of Ventnor, I think we might have had some interesting swell to contend with as well. Probably, machismo aside, the Solent's weather was baptism enough for the first weekenders. Plus, we'd not have made it into the harbour with enough time for real ale in the rustic warmth of the local pub, shining its chunky-knit cosy reassurance out through the stormy night. Or for the Five Star Michelin experience in the cabin, prepared as little short of loving art by Mr Green and Mr King. Or for hoisting Robbie up the tallest mast in the harbour to retrieve a flailing halliard, hours into the fifth bottle of oaky red...
Actually, if you could have seen us round the table on board that night - and you were a girl - you'd have laughed. Just the right music, just the right wine, just the right combinations of flavours... I tried to picture our selection of other halves in the same situation and came to the instantaneous conclusion that the scene wouldn't have been half so delicate and atmospheric. Steve was, I kid not, genuinely annoyed he'd 'left the candles in Andy's car'.
I was so proud of the boys that night.
In the event, we woke up to an unexpectedly stunning morning. Calm. Flat. Blue. Disappointed though we were to have erected a goose-wing sail configuration, with the express purpose of creaming downhill at warm nine, only to find we were more sort of adrift with a pretty work of canvas art overhead, the sunshine was a welcome warmth.
Three days wasn't long enough. It comes down to who you share these things with, of course - a boat can be a miserable place very easily, and I felt lucky to have who I had around me. But, perhaps all weird experiences - such as working on a boating magazine without getting your feet wet - lead somewhere after all. Maybe.
As soon as I got in that Sunday evening, I emailed PBO to ask about a good RYA Competent Crew course...
Tuesday, March 25, 2008
Rong radio.
Rong radio.
Loved this. Scooched over a precariously ambitious serving of curry after circuits tonight, cloyed sweat still matted to me like mango chutney to a naan, FourDocs played out an award-winning Three Minute Wonder. Hip poet Benjamin Zephaniah doing a sterling performance to a cam in a cab:
http://www.channel4.com/fourdocs/film/film-detail.jsp?id=65565
Great stuff. We've all been listening to the Rong Radio, Benjy. We've known it for years, of course, but we don't seem to be doing much with the knowledge. In fact, I do rather think I'm getting comfortable with my status anxiety. After twenty years of idly enjoying myself, I still have no idea how to make much of a difference to anything, of course, and am still clinging to the vain hope that something, some day, will make its mind up to happen for me. So I won't have the on going agony of having to choose.
Attaboy - make a difference. It's rather beginning to seem that my values are degrading as I get older; too much rong radio. Fatness grows in the head, as well as the tee shirt, I think.
But, while I'm killing time in my thickening womb tank of apathy, if there's one immaturity I am fairly stubbornly happy to have carried from the beginning, it's weirdly introspective joy of making music and daydreaming about the Next Album Project. And, by jingo, it's happening. After six years.
Had an impromptu dinner at the revamped Spyglass the other night, to celebrate Caroline's handing in of the latest epic installment of diploma work. Mark and Sarah joined us round the table, as part of their Real Blummen' Actual Week Off celebrations and as the evening lengthened we found our table rounded by a whole number of folk.
Tim Colthup and I spent the whole night talking music. He's back into it - finishing a long-awaited album in the same freakin' apartment we locked ourselves into twenty summers ago to go music creative mad. We're both as excited now as we were then. Nothing's moved on and I couldn't have been happier than right then, jabbering with grins in the old Ocean. Why do we lose ourselves in it so?
All thirteen tracks I've decided on for my own new collection are up and spinning together here in the studio - around Actual Paid Work - and I'm just loving being in the right place again. That's just what it still feels like. However stupendously pointless that right place has always always appeared to be.
No, don't be nice. You've not heard the rubbish I'm recording yet.
It's never going to get on the radio, that's for damn sure.
Loved this. Scooched over a precariously ambitious serving of curry after circuits tonight, cloyed sweat still matted to me like mango chutney to a naan, FourDocs played out an award-winning Three Minute Wonder. Hip poet Benjamin Zephaniah doing a sterling performance to a cam in a cab:
http://www.channel4.com/fourdocs/film/film-detail.jsp?id=65565
Great stuff. We've all been listening to the Rong Radio, Benjy. We've known it for years, of course, but we don't seem to be doing much with the knowledge. In fact, I do rather think I'm getting comfortable with my status anxiety. After twenty years of idly enjoying myself, I still have no idea how to make much of a difference to anything, of course, and am still clinging to the vain hope that something, some day, will make its mind up to happen for me. So I won't have the on going agony of having to choose.
Attaboy - make a difference. It's rather beginning to seem that my values are degrading as I get older; too much rong radio. Fatness grows in the head, as well as the tee shirt, I think.
But, while I'm killing time in my thickening womb tank of apathy, if there's one immaturity I am fairly stubbornly happy to have carried from the beginning, it's weirdly introspective joy of making music and daydreaming about the Next Album Project. And, by jingo, it's happening. After six years.
Had an impromptu dinner at the revamped Spyglass the other night, to celebrate Caroline's handing in of the latest epic installment of diploma work. Mark and Sarah joined us round the table, as part of their Real Blummen' Actual Week Off celebrations and as the evening lengthened we found our table rounded by a whole number of folk.
Tim Colthup and I spent the whole night talking music. He's back into it - finishing a long-awaited album in the same freakin' apartment we locked ourselves into twenty summers ago to go music creative mad. We're both as excited now as we were then. Nothing's moved on and I couldn't have been happier than right then, jabbering with grins in the old Ocean. Why do we lose ourselves in it so?
All thirteen tracks I've decided on for my own new collection are up and spinning together here in the studio - around Actual Paid Work - and I'm just loving being in the right place again. That's just what it still feels like. However stupendously pointless that right place has always always appeared to be.
No, don't be nice. You've not heard the rubbish I'm recording yet.
It's never going to get on the radio, that's for damn sure.
Thursday, March 20, 2008
Gay.
Gay.
Interesting that, in a week where the word 'gay' was polled by UK teachers as by far the most used term of casual abuse in the playgrounds of Britain in 2008, I found a rather interesting comment on a BBC web article.
I couldn't sleep lastnight for some reason. Ended up getting up to write down some ideas that came to mind, unhindered by the normal daytime crap. Haven't looked back this morning to see if they will turn out to be the usual night time crap. But before the ol' bean turned to creative matters, I had been randomly thinking about this little post, left by someone called 'Sam, a Brit abroad', in answer to a piece about the Bible's attitude to homosexuality. It was a neat summation of the two views held by believers on the subject - a subject otherwise seen as absurdly moot by most people in the country.
This morning, in a not-surprising late starter for us, we were listening to the Radio 4 joy that is In Our Time and they were discussing the philosopher, Kierkegaard. And jeepers, we even understood it. More than that, it even appeared to make sense to us. But this 'father of existentialism' actually had a very personal view of Christianity... no, I'm not about to reveal he was gay. He saw the need to sometimes embrace opposing ideas if we are to attempt to understand things beyond ourselves. A necessary tension.
Trying not to behave like too much of a smug arse because, after all, I have no study to back this up at all, it did make me think how much I've thought over the years that faith is a long succession of impossible balances. That, if you feel impelled to make a declaration of faith in something - atheist or believer - the road you'll have to walk is a daily one of tension. Of holding a long series of impossible balances in tension. If you care. In simple terms, could be desire/duty. Fulfillment/sacrifice. Certainty/Open-mindedness. Hope/Reality. Responsibility/Submission to events. Trust/likelyhood. That's the high-wire act of faith. ..It rather comes down to what you're choosing to put your faith in, but when that distinctly un-impirical idea starts to make a bonkers kind of sense, you're beginning to get it. I think.
I can only measure to the end of my nose. Beyond it, I need to accept things may sometimes look contradictory in plebby human language, that aren't in the bigger cosmos. We surely have to keep measuring what we can, to enlarge the world of certainty as wisely as possible - Duh. I want to know what the hell a graviton really is, baby; we might finally get proper flying cars and stuff. But accepting that even a long-awaited Theory Of Everything, will in no way tell us everything, is just honest. What we choose to think beyond the nose ruler is another, very personal, matter... Oop - there I go again, holding my impossible philosophical tensions with casual diffidence.
..Yep, I agree. Impressively deep stuff. I think I thought a lot of other deep stuff at three AM too, about how the spectrum of sexuality is not simply about desire but identity, of course. Interesting how our desires can be our labels, outwardly and inwardly. "Hi, I'm Bob. I'm a transexual Star Trekker. That's me. What I want is who I am. And it demands a LOT of wardrobe space, let me tell you..."
I think I also came up with some clever analogy about how that sexual spectrum could be seen as a circular colour wheel - but a cylinder of brightness as well as a flat rotation of inclination.
See? Smart-sounding at three in the morning. I suspect it's as helpful to daily life as a pair of men's jeans three sizes too small - all bollocks - but there we are. Not about to devote a lifetime of study to it. But I did go back to this comment here and think, after reading the usual cartoon like responses to a religious article, this one somehow had the tone of voice of someone who in some way actually got what a God attitude might be to being gay:
"I'm 37 years old, an evangelical Christian(the kind who that believe you can "know" God personally/for real), and a struggling celibate. I knew for sure I was gay at 13. Unmistakable gay feelings etc when still a pre-pubescent junior. I became a Christian at uni, and then two very real worlds collided. No doubts about the person or reality of God. Nor of his love for me. Nor of my sexuality. My spirit (and mind)has always leaned towards my staying celibate - but my heart and emotions want what most do, a settled, loving relationship. I read the Bible several times - all of it,and as a student too - none of the points raised are new to me. Following that collision c20 yrs ago, daily I try to work through the reality of my own personal 'collateral damage'." Sam, Brit abroad.
You might have no idea where Sam is coming from here, but to my mind, there's nothing playground gay about it.
Interesting that, in a week where the word 'gay' was polled by UK teachers as by far the most used term of casual abuse in the playgrounds of Britain in 2008, I found a rather interesting comment on a BBC web article.
I couldn't sleep lastnight for some reason. Ended up getting up to write down some ideas that came to mind, unhindered by the normal daytime crap. Haven't looked back this morning to see if they will turn out to be the usual night time crap. But before the ol' bean turned to creative matters, I had been randomly thinking about this little post, left by someone called 'Sam, a Brit abroad', in answer to a piece about the Bible's attitude to homosexuality. It was a neat summation of the two views held by believers on the subject - a subject otherwise seen as absurdly moot by most people in the country.
This morning, in a not-surprising late starter for us, we were listening to the Radio 4 joy that is In Our Time and they were discussing the philosopher, Kierkegaard. And jeepers, we even understood it. More than that, it even appeared to make sense to us. But this 'father of existentialism' actually had a very personal view of Christianity... no, I'm not about to reveal he was gay. He saw the need to sometimes embrace opposing ideas if we are to attempt to understand things beyond ourselves. A necessary tension.
Trying not to behave like too much of a smug arse because, after all, I have no study to back this up at all, it did make me think how much I've thought over the years that faith is a long succession of impossible balances. That, if you feel impelled to make a declaration of faith in something - atheist or believer - the road you'll have to walk is a daily one of tension. Of holding a long series of impossible balances in tension. If you care. In simple terms, could be desire/duty. Fulfillment/sacrifice. Certainty/Open-mindedness. Hope/Reality. Responsibility/Submission to events. Trust/likelyhood. That's the high-wire act of faith. ..It rather comes down to what you're choosing to put your faith in, but when that distinctly un-impirical idea starts to make a bonkers kind of sense, you're beginning to get it. I think.
I can only measure to the end of my nose. Beyond it, I need to accept things may sometimes look contradictory in plebby human language, that aren't in the bigger cosmos. We surely have to keep measuring what we can, to enlarge the world of certainty as wisely as possible - Duh. I want to know what the hell a graviton really is, baby; we might finally get proper flying cars and stuff. But accepting that even a long-awaited Theory Of Everything, will in no way tell us everything, is just honest. What we choose to think beyond the nose ruler is another, very personal, matter... Oop - there I go again, holding my impossible philosophical tensions with casual diffidence.
..Yep, I agree. Impressively deep stuff. I think I thought a lot of other deep stuff at three AM too, about how the spectrum of sexuality is not simply about desire but identity, of course. Interesting how our desires can be our labels, outwardly and inwardly. "Hi, I'm Bob. I'm a transexual Star Trekker. That's me. What I want is who I am. And it demands a LOT of wardrobe space, let me tell you..."
I think I also came up with some clever analogy about how that sexual spectrum could be seen as a circular colour wheel - but a cylinder of brightness as well as a flat rotation of inclination.
See? Smart-sounding at three in the morning. I suspect it's as helpful to daily life as a pair of men's jeans three sizes too small - all bollocks - but there we are. Not about to devote a lifetime of study to it. But I did go back to this comment here and think, after reading the usual cartoon like responses to a religious article, this one somehow had the tone of voice of someone who in some way actually got what a God attitude might be to being gay:
"I'm 37 years old, an evangelical Christian(the kind who that believe you can "know" God personally/for real), and a struggling celibate. I knew for sure I was gay at 13. Unmistakable gay feelings etc when still a pre-pubescent junior. I became a Christian at uni, and then two very real worlds collided. No doubts about the person or reality of God. Nor of his love for me. Nor of my sexuality. My spirit (and mind)has always leaned towards my staying celibate - but my heart and emotions want what most do, a settled, loving relationship. I read the Bible several times - all of it,and as a student too - none of the points raised are new to me. Following that collision c20 yrs ago, daily I try to work through the reality of my own personal 'collateral damage'." Sam, Brit abroad.
You might have no idea where Sam is coming from here, but to my mind, there's nothing playground gay about it.
Wednesday, March 19, 2008
News travels fast.
News travels fast.
So many giant things seem to vie for attention if you ever have the misfortune to turn on the news, but it's often the small things - or the individuals - that seem to really affect you. Or you feel able to respond to meaningfully.
I wanted to chew over the situation in Gaza one more time; find a way to shake the tree of it. Throttle the frigging life out of it. But somehow the will seeped out of me.
I wanted to explore why I'm so instinctively hoping for Obama - despite his conspicuously vague Actual Policies - for the indefensibly trivial, worldly, dreadfully politicianal reason that he's such a natural orator. He's black, and he's funny. Aparently. But is it enough? Why does it feel like enough? Please let it be enough.
I wanted to cry for little Shannon when they actually found her alive. But there's nothing more to say there, is there.
I wondered too about the untimely - call it early - loss of Anthony Minghella. He surely had so much creative work still ahead of him. Someone who championed British film and British creative talent - what a sudden loss. What a fabulous selection of films to leave mankind in your wake. Makes you think too.
And, considering I've just sent another shipment of artwork to Shanghai, I'm sure I could certainly be exploring the growing challenge of China - Tibet and Ten Downing Street's moral vaguery, or the world's new favourite trading buddy's backdoor to Burmese oppression. It's a tickler, isn't it?
Hey, and where would anyone even start with the state of the economy in America, or Still President Bush's declaration that the war was worth it, or... or a thousand other stories. Big and impossible.
Nope, much as you may wish higher things for yourself - a nobler application of one's self - your brain will always tell you what's really important to you. The ol' subconscious lets you know, you know? Makes clear what you're really giving a fig for.
Lastnight I dreamt I was offered a lift by Richard Hammond and Jeremy Clarkson, on the lookout for a new presenter for... oh, shite. I'll just leave it there; you get the point.
I need to get OUT...
So many giant things seem to vie for attention if you ever have the misfortune to turn on the news, but it's often the small things - or the individuals - that seem to really affect you. Or you feel able to respond to meaningfully.
I wanted to chew over the situation in Gaza one more time; find a way to shake the tree of it. Throttle the frigging life out of it. But somehow the will seeped out of me.
I wanted to explore why I'm so instinctively hoping for Obama - despite his conspicuously vague Actual Policies - for the indefensibly trivial, worldly, dreadfully politicianal reason that he's such a natural orator. He's black, and he's funny. Aparently. But is it enough? Why does it feel like enough? Please let it be enough.
I wanted to cry for little Shannon when they actually found her alive. But there's nothing more to say there, is there.
I wondered too about the untimely - call it early - loss of Anthony Minghella. He surely had so much creative work still ahead of him. Someone who championed British film and British creative talent - what a sudden loss. What a fabulous selection of films to leave mankind in your wake. Makes you think too.
And, considering I've just sent another shipment of artwork to Shanghai, I'm sure I could certainly be exploring the growing challenge of China - Tibet and Ten Downing Street's moral vaguery, or the world's new favourite trading buddy's backdoor to Burmese oppression. It's a tickler, isn't it?
Hey, and where would anyone even start with the state of the economy in America, or Still President Bush's declaration that the war was worth it, or... or a thousand other stories. Big and impossible.
Nope, much as you may wish higher things for yourself - a nobler application of one's self - your brain will always tell you what's really important to you. The ol' subconscious lets you know, you know? Makes clear what you're really giving a fig for.
Lastnight I dreamt I was offered a lift by Richard Hammond and Jeremy Clarkson, on the lookout for a new presenter for... oh, shite. I'll just leave it there; you get the point.
I need to get OUT...
Tuesday, March 04, 2008
Beer.
Beer.
Zot. Brugge Zot - that's the stuff. Zot means 'fool' in Flemmish Dutch, apparently, so I took to it instantly. Though, I should confess straight up that I only took a couple of sips; we may have just spent the weekend in a beer Mecca of sorts, but I clung to a series of trusty stems of vino while we were there. I didn't even make myself sick on chocolates - though they are in fact currency in Bruges.
Yes, we made it. Spent the whole time wandering around cobbled streets, gazing at gables and cornices and public spaces. I think I should basically be doing Caroline's Urban Design diploma with her, I so obviously know so much. When we weren't ambling, we were sleeping the said of the undead in room.
Nothing more interesting than that to say. Everyone with a vaguely Dutch disposition seems to be unambiguously friendly and effortlessly tri-lingual. But I couldn't even be bothered to do my bad accent comedy routine.
Traveling by train is kind of cute and St Pancras is a joy, especially compared to Bruxelles Midi, which is a sort of apocalyptic bunker.
And now we're back. Planning ways to spend money we just don't have on going on holiday for the rest of the year.
Zot. Brugge Zot - that's the stuff. Zot means 'fool' in Flemmish Dutch, apparently, so I took to it instantly. Though, I should confess straight up that I only took a couple of sips; we may have just spent the weekend in a beer Mecca of sorts, but I clung to a series of trusty stems of vino while we were there. I didn't even make myself sick on chocolates - though they are in fact currency in Bruges.
Yes, we made it. Spent the whole time wandering around cobbled streets, gazing at gables and cornices and public spaces. I think I should basically be doing Caroline's Urban Design diploma with her, I so obviously know so much. When we weren't ambling, we were sleeping the said of the undead in room.
Nothing more interesting than that to say. Everyone with a vaguely Dutch disposition seems to be unambiguously friendly and effortlessly tri-lingual. But I couldn't even be bothered to do my bad accent comedy routine.
Traveling by train is kind of cute and St Pancras is a joy, especially compared to Bruxelles Midi, which is a sort of apocalyptic bunker.
And now we're back. Planning ways to spend money we just don't have on going on holiday for the rest of the year.
Monday, February 04, 2008
Bugger.
Bugger.
Won't go into it. Just won't. Silliest, most inexplicable bloody thing. But we didn't go to Belgium. Or bed.
Went to Boscombe.
(see title.)
Won't go into it. Just won't. Silliest, most inexplicable bloody thing. But we didn't go to Belgium. Or bed.
Went to Boscombe.
(see title.)
Tuesday, January 22, 2008
Pantsman pax 'em out.
Pantsman pax 'em out.
I'm just trying out my ability with tabloid headlines. Not a bad one there, maybe. The reason I think of the gussett troubles of the Beeb's biggest news anchor is twofold:
1, we were remarking only moments before we heard the news of Jeremy's already-infamous letter to the hitherto-be-shining-armoured Sir Stuart Rose – branding smarty-pants – that my recent purchases from the M&S Symmetrical & Only Vaguely-Defined Men's department were worryingly thin of fibre. Soft, I mark you. But disturbingly opaque. Bad timing to have tried white ones for the first time in twenty years…
2, my energy levels are pants. And thin. And worn-through.
A deadline-buried weekend just about floored me by the time Caroline and I were driving up to Horsham yesterday. The road was a blur. I found no reserves of personality to offer loved ones as we entered the crowded church in the old town. And as the funeral of another member of our wider family rolled past us in the pews, I wondered how to contribute anything to those we were standing with. I could barely stand for sudden fatigue.
David was an inspiration. A big smile of wisdom. To be there felt like a great privilege – but I felt only there in body.
Now, back so soon with another deadline to battle through before tomorrow morning, I am dreaming of time off. Time free. Time to think. Time to regenerate some creativity. Because I can sense things to be done coming our way – perhaps good things. But I just want to crawl under a rock at the moment.
Just a few days of french cafés and sketching. No deadlines. No schedule. That's all it might take. Because I still feel a little overwhelmed by the people around me; their care and love.
So I guess, after all, I'm saying that I don't think I'm in need of any extra support – I just don't want to be quite so on show for a little while.
I'm just trying out my ability with tabloid headlines. Not a bad one there, maybe. The reason I think of the gussett troubles of the Beeb's biggest news anchor is twofold:
1, we were remarking only moments before we heard the news of Jeremy's already-infamous letter to the hitherto-be-shining-armoured Sir Stuart Rose – branding smarty-pants – that my recent purchases from the M&S Symmetrical & Only Vaguely-Defined Men's department were worryingly thin of fibre. Soft, I mark you. But disturbingly opaque. Bad timing to have tried white ones for the first time in twenty years…
2, my energy levels are pants. And thin. And worn-through.
A deadline-buried weekend just about floored me by the time Caroline and I were driving up to Horsham yesterday. The road was a blur. I found no reserves of personality to offer loved ones as we entered the crowded church in the old town. And as the funeral of another member of our wider family rolled past us in the pews, I wondered how to contribute anything to those we were standing with. I could barely stand for sudden fatigue.
David was an inspiration. A big smile of wisdom. To be there felt like a great privilege – but I felt only there in body.
Now, back so soon with another deadline to battle through before tomorrow morning, I am dreaming of time off. Time free. Time to think. Time to regenerate some creativity. Because I can sense things to be done coming our way – perhaps good things. But I just want to crawl under a rock at the moment.
Just a few days of french cafés and sketching. No deadlines. No schedule. That's all it might take. Because I still feel a little overwhelmed by the people around me; their care and love.
So I guess, after all, I'm saying that I don't think I'm in need of any extra support – I just don't want to be quite so on show for a little while.
Saturday, January 19, 2008
Back to normal.
Back to normal.
Are we? Don't know, really. Momo's ramped up to speed this week, which is good, I guess. And Caroline's back at college; the upshot of both being that we locked ourselves into the studio again lastnight with Pete, Annie and a fruity Rioja to try and Stay On It. Or perhaps, Get Down On It. All very nice; very funky and productive even, but we had to draw the line at Kissy Sell Out, who kept shouting at us how much the tunes he was playing from only about a year ago reminded him of school… Yep, I'll concede you can only listen to Radio One for so long, even on a Friday night.
So we're knackered. And feeling a bit old. And in need of time away; I've found myself trying not to cry at episodes of Star Trek: Deep Space Nine this week – emotion that should not speak its name but be simply bundled off to Brugge for a recouperative weekend, I think. Working on it.
But right now, we're having to work all weekend, despite pained eyes. Umpteen deadlines all at once.
Still, two nice things to wake up to: my first ever collection of Django Reinhardt plopped through the door this morning, and Fi Gawdblesser Glover made a joke to a cultural hero of mine on my behalf – "Nitin Sawhney is our studio guest star this week and listener Tim Peach tells us that someone once said it is easier to list the things you can't do than those you can. He'd like me to ask you what they both are, respectfully…" He chuckled and said simply: "Cooking and driving."
Hah! Knew there had to be something.
Hmm. But he also feels no need to write into radio shows and then blog the results.
..Don't care, Fi Glover spoke my name to Nitin Sawhney while I lounged in bed. An auspicious start to Saturday…
Are we? Don't know, really. Momo's ramped up to speed this week, which is good, I guess. And Caroline's back at college; the upshot of both being that we locked ourselves into the studio again lastnight with Pete, Annie and a fruity Rioja to try and Stay On It. Or perhaps, Get Down On It. All very nice; very funky and productive even, but we had to draw the line at Kissy Sell Out, who kept shouting at us how much the tunes he was playing from only about a year ago reminded him of school… Yep, I'll concede you can only listen to Radio One for so long, even on a Friday night.
So we're knackered. And feeling a bit old. And in need of time away; I've found myself trying not to cry at episodes of Star Trek: Deep Space Nine this week – emotion that should not speak its name but be simply bundled off to Brugge for a recouperative weekend, I think. Working on it.
But right now, we're having to work all weekend, despite pained eyes. Umpteen deadlines all at once.
Still, two nice things to wake up to: my first ever collection of Django Reinhardt plopped through the door this morning, and Fi Gawdblesser Glover made a joke to a cultural hero of mine on my behalf – "Nitin Sawhney is our studio guest star this week and listener Tim Peach tells us that someone once said it is easier to list the things you can't do than those you can. He'd like me to ask you what they both are, respectfully…" He chuckled and said simply: "Cooking and driving."
Hah! Knew there had to be something.
Hmm. But he also feels no need to write into radio shows and then blog the results.
..Don't care, Fi Glover spoke my name to Nitin Sawhney while I lounged in bed. An auspicious start to Saturday…
Wednesday, January 16, 2008
New Year.
New Year.
Amazon have declared our weird Christmas finally over, with two new CDs arriving in the post. New music helps to make a new chapter – but while I fug around to Herbie Hancock and swashbuckle Momo's inbox, I think of last Wednesday and what a bizarrely good thing it was.
Dad would, I feel sure, have been bursting with pride. I was. Our family of friends were fantastic – thankyou for helping to give us a love-fest that was the best send-off we could have managed. The stories and the smiles around the sadness filled us up. Just thankyou.
Mum is in okay shape, and so is Melly. We're all doing okay. But we could have talked for days to describe Dad properly.
Thinking of you, Dad. We all have been, very very fondly.
x
Amazon have declared our weird Christmas finally over, with two new CDs arriving in the post. New music helps to make a new chapter – but while I fug around to Herbie Hancock and swashbuckle Momo's inbox, I think of last Wednesday and what a bizarrely good thing it was.
Dad would, I feel sure, have been bursting with pride. I was. Our family of friends were fantastic – thankyou for helping to give us a love-fest that was the best send-off we could have managed. The stories and the smiles around the sadness filled us up. Just thankyou.
Mum is in okay shape, and so is Melly. We're all doing okay. But we could have talked for days to describe Dad properly.
Thinking of you, Dad. We all have been, very very fondly.
x
Monday, December 31, 2007
Arrangements
As you might imagine, it's been a weird Christmas. Large helpings of lots to do and nothing to do. And an uncomfortable amount of Normal – none of us know how to stay under a black shroud for long, it seems.
For info, Dad's funeral will be Wednesday 9th January 2008, 11.30am at Richmond Hill URC, with a short time at the crem at 12.30 and a social time at Highcliffe Golf Club afterwards. It's an open door all round, in keeping with Dad's life – all welcome.
All is odd. But okay, I think. I just think of this: we've unearthed a ton of photos from the length and breadth of Dad's life for the memorial and it's hard to find one that doesn't make you smile.
Happy New Year, Dad.
x
As you might imagine, it's been a weird Christmas. Large helpings of lots to do and nothing to do. And an uncomfortable amount of Normal – none of us know how to stay under a black shroud for long, it seems.
For info, Dad's funeral will be Wednesday 9th January 2008, 11.30am at Richmond Hill URC, with a short time at the crem at 12.30 and a social time at Highcliffe Golf Club afterwards. It's an open door all round, in keeping with Dad's life – all welcome.
All is odd. But okay, I think. I just think of this: we've unearthed a ton of photos from the length and breadth of Dad's life for the memorial and it's hard to find one that doesn't make you smile.
Happy New Year, Dad.
x
Arrangements.
Arrangements.
As you might imagine, it's been a weird Christmas. Large helpings of lots to do and nothing to do. And an uncomfortable amount of Normal – none of us know how to stay under a black shroud for long, it seems.
For info, Dad's funeral will be Wednesday 9th January 2008, 11.30am at Richmond Hill URC, with a short time at the crem at 12.30 and a social time at Highcliffe Golf Club afterwards. It's an open door all round, in keeping with Dad's life – all welcome, if you knew him.
All is odd. But okay, I think. I just think of this: we've unearthed a ton of photos from the length and breadth of Dad's life for the memorial and it's hard to find one that doesn't make you smile.
Happy New Year, Dad.
x
As you might imagine, it's been a weird Christmas. Large helpings of lots to do and nothing to do. And an uncomfortable amount of Normal – none of us know how to stay under a black shroud for long, it seems.
For info, Dad's funeral will be Wednesday 9th January 2008, 11.30am at Richmond Hill URC, with a short time at the crem at 12.30 and a social time at Highcliffe Golf Club afterwards. It's an open door all round, in keeping with Dad's life – all welcome, if you knew him.
All is odd. But okay, I think. I just think of this: we've unearthed a ton of photos from the length and breadth of Dad's life for the memorial and it's hard to find one that doesn't make you smile.
Happy New Year, Dad.
x
Saturday, December 22, 2007
Dad. And Dad.
Dad. And Dad.
He had been making remarkable progress. They had taken most of the lines out of him and were daring to contemplate life at home for him. Mum had finally been let out of hospital and had a few days at home at long last, ready to start thinking about the future of care for my Dad. But in the end, he'd fought for long enough.
We had a call at 4.00am this morning. Dad died soon afterwards.
We're okay. We're all kind of okay. Wish I could say more – there's much I could, but it's only twelve hours in and this is just a blog. But my Dad is no longer suffering.
..Wish it was a neat as that, however. Sixteen hours before that call, we'd had another one. My brother in law's dad, David, died one night previous. In the space of a day, Caroline and her sister had both lost their fathers, because that's what both men really were to them. A personal thing to say, and a testimony to both of them. The first of many.
So we're juggling families. And feelings. And practicalities.
Will let you know more details here in time; the blog's been useful to let friends know the news for our folks. And everyone's texts and thoughts have been very kind, very helpful and no surprise at all. Bless you guys for being our family – Mum and Dad were always so pleased you've been there for us.
A little more when we have time.
x
He had been making remarkable progress. They had taken most of the lines out of him and were daring to contemplate life at home for him. Mum had finally been let out of hospital and had a few days at home at long last, ready to start thinking about the future of care for my Dad. But in the end, he'd fought for long enough.
We had a call at 4.00am this morning. Dad died soon afterwards.
We're okay. We're all kind of okay. Wish I could say more – there's much I could, but it's only twelve hours in and this is just a blog. But my Dad is no longer suffering.
..Wish it was a neat as that, however. Sixteen hours before that call, we'd had another one. My brother in law's dad, David, died one night previous. In the space of a day, Caroline and her sister had both lost their fathers, because that's what both men really were to them. A personal thing to say, and a testimony to both of them. The first of many.
So we're juggling families. And feelings. And practicalities.
Will let you know more details here in time; the blog's been useful to let friends know the news for our folks. And everyone's texts and thoughts have been very kind, very helpful and no surprise at all. Bless you guys for being our family – Mum and Dad were always so pleased you've been there for us.
A little more when we have time.
x
Tuesday, December 11, 2007
WARNING! WARD CLOSED.
WARNING! WARD CLOSED.
My Mum now has C-Dif. Or similar. The point is, they've closed her ward entirely and moved her to a side room where she can feel completely lousy in bacterial privacy. Can't see her.
The hospital looks like M*A*S*H. Yellow warning stickers all over wards; crooked bits of wood nailed over the doors. Blood on the lintels. But, amazingly, Melissa and I managed to see Dad this afternoon. We sat and chatted and I tried to put my finger on what was weird about him. Then I twigged – as ill and unhappy as he is, he looks more like himself than I've seen in a month. I figured he must be getting better because he'd been grouchy with the nurses in the night – they'd tried to make him lie down and he took umbridge at not being able to breathe.
We're still not thinking beyond tomorrow, however. Dad's medical condition is as complicated and vulnerable as ever. But they have moved him to a ward tonight.
So we got through today. Seems my parents will both be in hospital until next week at least.
Stop me when this gets boring.
My Mum now has C-Dif. Or similar. The point is, they've closed her ward entirely and moved her to a side room where she can feel completely lousy in bacterial privacy. Can't see her.
The hospital looks like M*A*S*H. Yellow warning stickers all over wards; crooked bits of wood nailed over the doors. Blood on the lintels. But, amazingly, Melissa and I managed to see Dad this afternoon. We sat and chatted and I tried to put my finger on what was weird about him. Then I twigged – as ill and unhappy as he is, he looks more like himself than I've seen in a month. I figured he must be getting better because he'd been grouchy with the nurses in the night – they'd tried to make him lie down and he took umbridge at not being able to breathe.
We're still not thinking beyond tomorrow, however. Dad's medical condition is as complicated and vulnerable as ever. But they have moved him to a ward tonight.
So we got through today. Seems my parents will both be in hospital until next week at least.
Stop me when this gets boring.
Family.
Family.
So, er, what a few days. I have five quiet minutes to scribble an update here, so here is where my family are at:
Kind of okay, today.
After Mum was taken in unexpectedly on Thursday morning, the two of us did what we could to be with Dad and ensure he was looked after; there was just no way for him to be left alone while so unwell. They finally diagnosed his stomach bug that afternoon and prescribed some anti-biotics – so, as Friday rolled through, he seemed to be making progress in some small way at last. I told Melly to sit tight and not come down; Mum too was making slow but sure improvement.
That evening, we popped out together for half an hour to get cat food and one or two other things we don't understand and, when we returned, found Dad looking worried and feeling unwell again.
"I've just had a call from the blood lab" he said. "They're sending a doctor round now; I need to go back to hospital…"
We prepared and waiting and eventually opened the door to the doctor on call that night. A while later, we were wheeling my heartbreakingly frail father into A&E.
The bottom line, in short, is that he was subsequently diagnosed with a combination of very serious stuff – combination being the real point. It took them a couple of hours of testing and hooking him up to things and going through a bound tome of medical records that looked like the Book Of Kells, but eventually faces were grave enough to usher us into a side room. It was very gently done, but we were Given The Talk.
How much do I say about seeing Dad like that?
Nothing really here; you get the point. We had to leave him and go home to try for some sleep. We had to leave him.
----
Walking in again the next morning we knew two things – Dad was in a serious way and Mum didn't know. What we didn't know was how far Dad had come or not during the night.
Y'know, there's plenty of story here to go into at another time but, again, maybe not now. Amazed to say that as Saturday wore on, Dad's vitals began to do the distinctly unexpected – rally. Bloody rally. The senior doctor on Friday night had said to us: "I love it when my patients prove me wrong, but…" and 24hrs later, Dad was adding another 'but' to her statement. I honestly quite can't believe it. But, almost can – my Dad is my Dad everywhere. Seeing him then, that lunchtime, he was still thanking the medical staff and, I began to suspect, warming hearts a little on a frazzled ward. That's him, in that situation.
We spent much of that day at the hospital, of course. By the time Melly had joined us, we'd actually managed to grab a kip on the sofa at home, as ward infections were barring us from seeing Dad much. But before we came home that tea time, we'd managed to do the one thing I'd most prayed for – get Mum down to see Dad. Touching, and kind of funny. Oh my lord, my blummen' parents. Having them both in the same hospital does start to feel like a Carry On farce…
----
Since then. Well, Dad is still in a very bad way. No one is talking about what to do, medium term – and by that I mean anything after next week. It is hour by hour, day by day. I'm running Momo at half speed and not travelling out of town at the moment. But Dad's vitals are on a very slow climb in the right direction. After three days.
Thing is, farce fans, we had some more news about Mum yesterday. Looking very much herself – thankfully enough for me to be facetious to her again, though this admittedly needs little more than a pulse showing on her ECG – and bored daft, she was not let out yesterday as planned. And here are her consultant's words:
"Well, Mrs Peach, we hardly want to let you out of here if you're cooking up a heart attack."
Subtle.
So we have both parents in there for indeterminate lengths of stay. ..Now, do I add here or leave it 'till later? Their elderly cat doesn't half look dicky at home too…
Anyway, there we are. On call. But okay. Today. Strangely grateful for how things have fallen to help us deal with things so far. And grateful too for the wider family's kindness. ..That's you guys.
Caroline is making for London today, to hand in an essay. I'm trying to get a presentation out of the way and Melissa is getting some more things down to Mum. Each day, we're waiting for a call and hoping for progress.
Let you know when we know more.
x
So, er, what a few days. I have five quiet minutes to scribble an update here, so here is where my family are at:
Kind of okay, today.
After Mum was taken in unexpectedly on Thursday morning, the two of us did what we could to be with Dad and ensure he was looked after; there was just no way for him to be left alone while so unwell. They finally diagnosed his stomach bug that afternoon and prescribed some anti-biotics – so, as Friday rolled through, he seemed to be making progress in some small way at last. I told Melly to sit tight and not come down; Mum too was making slow but sure improvement.
That evening, we popped out together for half an hour to get cat food and one or two other things we don't understand and, when we returned, found Dad looking worried and feeling unwell again.
"I've just had a call from the blood lab" he said. "They're sending a doctor round now; I need to go back to hospital…"
We prepared and waiting and eventually opened the door to the doctor on call that night. A while later, we were wheeling my heartbreakingly frail father into A&E.
The bottom line, in short, is that he was subsequently diagnosed with a combination of very serious stuff – combination being the real point. It took them a couple of hours of testing and hooking him up to things and going through a bound tome of medical records that looked like the Book Of Kells, but eventually faces were grave enough to usher us into a side room. It was very gently done, but we were Given The Talk.
How much do I say about seeing Dad like that?
Nothing really here; you get the point. We had to leave him and go home to try for some sleep. We had to leave him.
----
Walking in again the next morning we knew two things – Dad was in a serious way and Mum didn't know. What we didn't know was how far Dad had come or not during the night.
Y'know, there's plenty of story here to go into at another time but, again, maybe not now. Amazed to say that as Saturday wore on, Dad's vitals began to do the distinctly unexpected – rally. Bloody rally. The senior doctor on Friday night had said to us: "I love it when my patients prove me wrong, but…" and 24hrs later, Dad was adding another 'but' to her statement. I honestly quite can't believe it. But, almost can – my Dad is my Dad everywhere. Seeing him then, that lunchtime, he was still thanking the medical staff and, I began to suspect, warming hearts a little on a frazzled ward. That's him, in that situation.
We spent much of that day at the hospital, of course. By the time Melly had joined us, we'd actually managed to grab a kip on the sofa at home, as ward infections were barring us from seeing Dad much. But before we came home that tea time, we'd managed to do the one thing I'd most prayed for – get Mum down to see Dad. Touching, and kind of funny. Oh my lord, my blummen' parents. Having them both in the same hospital does start to feel like a Carry On farce…
----
Since then. Well, Dad is still in a very bad way. No one is talking about what to do, medium term – and by that I mean anything after next week. It is hour by hour, day by day. I'm running Momo at half speed and not travelling out of town at the moment. But Dad's vitals are on a very slow climb in the right direction. After three days.
Thing is, farce fans, we had some more news about Mum yesterday. Looking very much herself – thankfully enough for me to be facetious to her again, though this admittedly needs little more than a pulse showing on her ECG – and bored daft, she was not let out yesterday as planned. And here are her consultant's words:
"Well, Mrs Peach, we hardly want to let you out of here if you're cooking up a heart attack."
Subtle.
So we have both parents in there for indeterminate lengths of stay. ..Now, do I add here or leave it 'till later? Their elderly cat doesn't half look dicky at home too…
Anyway, there we are. On call. But okay. Today. Strangely grateful for how things have fallen to help us deal with things so far. And grateful too for the wider family's kindness. ..That's you guys.
Caroline is making for London today, to hand in an essay. I'm trying to get a presentation out of the way and Melissa is getting some more things down to Mum. Each day, we're waiting for a call and hoping for progress.
Let you know when we know more.
x
Thursday, December 06, 2007
Up and down.
Up and down.
It's becoming a leeeetle bit of a tragic farce now. Phone rang this morning, not long after my alarm had gone off. Early. In fact, I was still dead to the world and didn't hear the phone when Caroline leapt out of bed.
It was Mum. Badly out of breath. Being carted off to A&E.
She'd woken up unable to breathe and Dad had called an ambulance. Four of them plugged her into things and carried her away, with my Dad left behind, wondering what was going on.
We got over there pronto and realised we'd better imagine settling in for the day. I left it an hour and rang the hospital. Turns out Mum had run out of some of her meds and this caught up with her rather suddenly. So, assuring Dad we'd both be on hand, Caroline unfolded the laptop to try and make headway on an essay, and I began a multi-pointed dash through the south coast rain to run errands – main one being, to see Mum.
She'd been moved to Acute Admissions by the time I arrived, and she was stable. But under a mask and drowsy. Various tubes in her arm. As I sat with her a while, I looked at her and thought: this is Dad's primary carer?
It seems likely she'll recover fine once the missing meds balance out in her system – but she'll be in for at least a night and possibly two. Think we'll have to stick around for Dad all night. We're waiting on some test results today from a sample from Dad that Mum managed to get to a lab yesterday, smart lady. If it's not the rampant Norwood bug, or whatever it's called, they'll admit him to hospital to start trying to get some food and fluids into him at last. He's had a month of sickness and diarrhoea now; a month.
Mum and Dad live at the top of the hill. At the bottom of the hill, meanwhile, just a skateboard ride away, a rather different major medical moment is overdue – Kev and Fee's tiddler. They both keep scaring me with emails and texts, but so far these have been all about dancing elves.
So it's all a bit up and down here at the moment. Good job I'm not trying to run a business single handed, eh?
It's becoming a leeeetle bit of a tragic farce now. Phone rang this morning, not long after my alarm had gone off. Early. In fact, I was still dead to the world and didn't hear the phone when Caroline leapt out of bed.
It was Mum. Badly out of breath. Being carted off to A&E.
She'd woken up unable to breathe and Dad had called an ambulance. Four of them plugged her into things and carried her away, with my Dad left behind, wondering what was going on.
We got over there pronto and realised we'd better imagine settling in for the day. I left it an hour and rang the hospital. Turns out Mum had run out of some of her meds and this caught up with her rather suddenly. So, assuring Dad we'd both be on hand, Caroline unfolded the laptop to try and make headway on an essay, and I began a multi-pointed dash through the south coast rain to run errands – main one being, to see Mum.
She'd been moved to Acute Admissions by the time I arrived, and she was stable. But under a mask and drowsy. Various tubes in her arm. As I sat with her a while, I looked at her and thought: this is Dad's primary carer?
It seems likely she'll recover fine once the missing meds balance out in her system – but she'll be in for at least a night and possibly two. Think we'll have to stick around for Dad all night. We're waiting on some test results today from a sample from Dad that Mum managed to get to a lab yesterday, smart lady. If it's not the rampant Norwood bug, or whatever it's called, they'll admit him to hospital to start trying to get some food and fluids into him at last. He's had a month of sickness and diarrhoea now; a month.
Mum and Dad live at the top of the hill. At the bottom of the hill, meanwhile, just a skateboard ride away, a rather different major medical moment is overdue – Kev and Fee's tiddler. They both keep scaring me with emails and texts, but so far these have been all about dancing elves.
So it's all a bit up and down here at the moment. Good job I'm not trying to run a business single handed, eh?
Tuesday, December 04, 2007
Waiting.
Waiting.
Saw Dad again yesterday. Things are in a bad way.
He's not improving his ability to eat or keep his stomach settled. A month of this in his condition is… not good. The virus seems too hefty for him to shift, which sounds like the bug that hospitals across the UK are apparently struggling with. Don't know.
All I know is, Dad is basically very ill. And we all feel helpless, while waiting for tablets to work and doctors to call.
At the same time, I think of my brother-in-law's father, pastor of their big Baptist church. The chap who married us, in fact, and a big part of our family in Sussex. He's currently in hospital awaiting a delayed re-bypass operation to try and stop an infection in the original valve replacement, done a few weeks ago. Doctors have had serious expressions around his bedside over the last two weeks. Another larger-than-life man in a grave condition. Another family trying to get on with normal stuff while waiting around for news. And praying.
Thing is, this is normal stuff. And under the circumstances, so is praying. Let's just see how today pans out.
Saw Dad again yesterday. Things are in a bad way.
He's not improving his ability to eat or keep his stomach settled. A month of this in his condition is… not good. The virus seems too hefty for him to shift, which sounds like the bug that hospitals across the UK are apparently struggling with. Don't know.
All I know is, Dad is basically very ill. And we all feel helpless, while waiting for tablets to work and doctors to call.
At the same time, I think of my brother-in-law's father, pastor of their big Baptist church. The chap who married us, in fact, and a big part of our family in Sussex. He's currently in hospital awaiting a delayed re-bypass operation to try and stop an infection in the original valve replacement, done a few weeks ago. Doctors have had serious expressions around his bedside over the last two weeks. Another larger-than-life man in a grave condition. Another family trying to get on with normal stuff while waiting around for news. And praying.
Thing is, this is normal stuff. And under the circumstances, so is praying. Let's just see how today pans out.
Sunday, December 02, 2007
Growing up and getting down.
Growing up and getting down.
Number of reasons to feel old this week. As usual, I don't really – but I really should. Because, apart from anything else, they tell me it's exactly twenty-five years since Thriller was released.
I queued for that record when it came out. Or at least, I kept having to go back to John Menzies in Christchurch to get new copies of it because there was a whole funny batch of them badly pressed that made Billy Jean jump. ..And with a courageous stiff upper lip that would make one of Queen Victoria's finest cavalry front-liners proud to stand next to me, I admit that I bought this fabled Michael Jackson epic along with George Michael's beat combo debut – Wham! Fantastic! I did. I just admitted it, there. What have you got now?
So Thriller seems both quainter and sweeter second time around. Found it in a bargain bin at Borders on a rain-lashed Friday evening, after a Goodbye Old Chum drink with Kev; little baby Marshall is scheduled for much-anticipated poolside entrance tomorrow. Jeeeeepers. There again – a reason to feel old.
Another reason to feel old is watching your Father do enough aging for both of you in front of your eyes. We went over to help mine celebrate his 73rd today – but there's no escaping how his current illness has given him extra years. I won't put into idle words here how it feels, but he and Mum seem to have everything queuing up against them. And I love my Dad, and my Mum.
When I cycled from school to spend my meagre Advertiser delivery money on Thriller the first time, I was enjoying a very happy end of childhood – and looking forward to a very groovy adulthood, thanks in giant part to my groovy parents. Though 'groovy' in the Eddie Izzard sense, rather than the would-honestly-ever-dance-to-Thriller sense. Like most people's parents back then.
As an aside, today – against the natural order of things or not – most of my be-parenthooded friends seem to be doing a remarkably good job of being groovy in a way that wouldn't have made sense twenty five years ago – ie: still reasonably sexy young Got Its. As much as any of them ever had it, they still seem to have the funk for getting down –no different to two and a half decades ago to my eye. Is this right? Or am I old after all? When do we all become Real Adults?
But look at us as a generation – we still bang on about blummen' Star Wars and Stardust and Atari home video games and Thriller – and refuse to fully accept we're no longer that age, even as our heroic creatives and everything else we love slide into mediocrity and decline.
And a bloody good thing too, after all. Maybe. All I know is that, full blast in the earphones, Thriller is making me fug round the studio like a disco zombie – I am doing the dance, yes. Damn right. Do it too. Get the record and do it too, with me.
Because, however grown-up life is trying to make me, I'm still going to fight it. Somehow. And help my Dad fight it. ..Somehow.
Though I'm not sure suggesting a moonwalking class to Michael Jackson would say it right for him – or assure him I've taken up the mantle of responsibility at last.
Which would probably reassure my Dad after all.
Number of reasons to feel old this week. As usual, I don't really – but I really should. Because, apart from anything else, they tell me it's exactly twenty-five years since Thriller was released.
I queued for that record when it came out. Or at least, I kept having to go back to John Menzies in Christchurch to get new copies of it because there was a whole funny batch of them badly pressed that made Billy Jean jump. ..And with a courageous stiff upper lip that would make one of Queen Victoria's finest cavalry front-liners proud to stand next to me, I admit that I bought this fabled Michael Jackson epic along with George Michael's beat combo debut – Wham! Fantastic! I did. I just admitted it, there. What have you got now?
So Thriller seems both quainter and sweeter second time around. Found it in a bargain bin at Borders on a rain-lashed Friday evening, after a Goodbye Old Chum drink with Kev; little baby Marshall is scheduled for much-anticipated poolside entrance tomorrow. Jeeeeepers. There again – a reason to feel old.
Another reason to feel old is watching your Father do enough aging for both of you in front of your eyes. We went over to help mine celebrate his 73rd today – but there's no escaping how his current illness has given him extra years. I won't put into idle words here how it feels, but he and Mum seem to have everything queuing up against them. And I love my Dad, and my Mum.
When I cycled from school to spend my meagre Advertiser delivery money on Thriller the first time, I was enjoying a very happy end of childhood – and looking forward to a very groovy adulthood, thanks in giant part to my groovy parents. Though 'groovy' in the Eddie Izzard sense, rather than the would-honestly-ever-dance-to-Thriller sense. Like most people's parents back then.
As an aside, today – against the natural order of things or not – most of my be-parenthooded friends seem to be doing a remarkably good job of being groovy in a way that wouldn't have made sense twenty five years ago – ie: still reasonably sexy young Got Its. As much as any of them ever had it, they still seem to have the funk for getting down –no different to two and a half decades ago to my eye. Is this right? Or am I old after all? When do we all become Real Adults?
But look at us as a generation – we still bang on about blummen' Star Wars and Stardust and Atari home video games and Thriller – and refuse to fully accept we're no longer that age, even as our heroic creatives and everything else we love slide into mediocrity and decline.
And a bloody good thing too, after all. Maybe. All I know is that, full blast in the earphones, Thriller is making me fug round the studio like a disco zombie – I am doing the dance, yes. Damn right. Do it too. Get the record and do it too, with me.
Because, however grown-up life is trying to make me, I'm still going to fight it. Somehow. And help my Dad fight it. ..Somehow.
Though I'm not sure suggesting a moonwalking class to Michael Jackson would say it right for him – or assure him I've taken up the mantle of responsibility at last.
Which would probably reassure my Dad after all.
Tuesday, November 27, 2007
Moi je croix.
Moi je croix.
What do you take comfort in? I think that most of the things humans take comfort in are – if analysed with that most unfair of scientific tools, honesty – flimsy notions. Impressions. Brands, if you like – ideas of things that fit our view of the world and that we want to buy in to, to reinforce it. Romance, in other words.
Think of places. Caroline and I were contemplating the idea of city brands – every famous place on Earth paints an instant impression in your mind when you say the name – Egypt, Rome, New York, London. And straight away you know how much you identify with that place or not. Have you always been a London type of person? Does Marakech open a door of exotic comfort for you? ..If so, where the hell did that come from – you live in Bournemouth.
Both of us, for example have long taken a strange and well-known comfort in Paris. The idea of Paris. Don't know why, but we do bang on about it. We were each asked once, separately, what our Favourite Place On Earth was – daft parlour game – and we both said the French capital.
Now, to a flimsy dandy like me, a place as ponsed-up as the city of lights is an obvious choice – a perceived lifestyle of loafing in cafés talking lightweight philosophy as a basically-not-veiled-at-all excuse to watch aloof french birds swing up and down the leafy boulevards. All safe in the knowledge that some of the finest creative names in history came here to do and to champion, even, exactly that.
..But Caroline? Perhaps the least pretentious human alive? She chose this place?
Don't get me wrong, I doubt either of us would want to live in a world where you could never actually leave your Favourite Place On Earth – Greek inlets, Swiss Mountains and Scandinavian forests are all worth a visit I hear – but our joint admission just goes to show what a strong impression places create – usually despite the facts.
It makes no dent on my romantic daydreams of the Left Bank, for example, to be all-too aware that most Parisians live outside the Periferique and have a fairly unromantic view of the French police and their identity in Gallic society – that much-photographed Haussman-ploughed city centre still gives off an intoxicating vibe. And I don't mean the dog shite.
But who remembers the city's attempt to publicise itself – 'Paris, c'est la Peche'? And, for that matter, how many people remember that The Big Apple was so christened by an ad campaign? At the beginning of the 21st century, at least, these iconic locations appear in our minds as fully formed brands, without an ad man or a local community influencing us either way. Don't they?
Perhaps. But I'm not sure it's quite so simple. What's your view of Berlin? Black and white Nazi propaganda backdrop – or Lily Von Stüpp in fishnets, drawling 'I'm so tired…' on a back-turned chair? Or maybe you think of the wall and wonder what all that was about. I've not been yet – 'yet', note the brand impression already formed in my mind – but I think of a dynamic place of creativity and regeneration – art galleries and forward-thinking music. How right will I turn out to be when I go?
Places can change their brand then – perhaps when they fall out of the world's consciousness a little and have to make a new statement. But how do they get inspired, these grand new statements? You may be able to – and have to – stump up umpteen million euros to re-imagine the Pottsdammer Platz, or to create La Defence, or Canary Warf, but who inspires creatives to get together and be really inspired somewhere? They probably put the soul, or at least the brand, into a place – but what puts the soul into them when they go there?
I couldn't answer that without really thinking about it, which I can't be arsed to now – it's midnight, for Pete's sake. But it makes me think of another idle notion that I've long taken great comfort in: the idea that British people are united by their use of humour. It's the one thing that Middle Englanders quietly think they're still allowed to be collectively proud to be British about – perhaps the one remaining thing.
On Fi Glover's show last Saturday morning, there was a very nice lady sharing her Inheritance Tracks – pieces of music of personal significance, passed on from parents to children, and children to their children. She was a charmingly unshowy sort, who came out with a pearl I've not been able to forget all week. Because it's something I think I've clung to as a very conscious philosophy for very many years.
The track she felt that her father impressed upon her was by Peter Ustinov – Mock Mozart. The gigantically talented Mr Ustinov is a comfort to many people, I think – a brand he would, I suspect, feel bemused at and unworthy of. But the fact that his enormous-seeming humanity expressed itself so often in sheer sillyness is something to make romantic Britons weep for joy. And Mock Mozart is a prime example. It's what I do in the shower most mornings. On this record, he has basically multi-tracked his own voice as a series of strangely convincing operatic enunciations of random Italian words, to a Mozart-like score. It's a piece of class daftness.
But what this lady, Anna, said it made her think of was her father's strongly-held philosophy – if nothing is sacred, then everything is sacred.
If nothing is sacred, everything is sacred.
That's it. That's why it's so bloody important to be funny. It's defiant. It's victorious even, when you've little other reason to feel so. And it shows what true value every little moment has.
Call me a daft romantic, but this is something I believe. And I find it a great comfort indeed.
What do you take comfort in? I think that most of the things humans take comfort in are – if analysed with that most unfair of scientific tools, honesty – flimsy notions. Impressions. Brands, if you like – ideas of things that fit our view of the world and that we want to buy in to, to reinforce it. Romance, in other words.
Think of places. Caroline and I were contemplating the idea of city brands – every famous place on Earth paints an instant impression in your mind when you say the name – Egypt, Rome, New York, London. And straight away you know how much you identify with that place or not. Have you always been a London type of person? Does Marakech open a door of exotic comfort for you? ..If so, where the hell did that come from – you live in Bournemouth.
Both of us, for example have long taken a strange and well-known comfort in Paris. The idea of Paris. Don't know why, but we do bang on about it. We were each asked once, separately, what our Favourite Place On Earth was – daft parlour game – and we both said the French capital.
Now, to a flimsy dandy like me, a place as ponsed-up as the city of lights is an obvious choice – a perceived lifestyle of loafing in cafés talking lightweight philosophy as a basically-not-veiled-at-all excuse to watch aloof french birds swing up and down the leafy boulevards. All safe in the knowledge that some of the finest creative names in history came here to do and to champion, even, exactly that.
..But Caroline? Perhaps the least pretentious human alive? She chose this place?
Don't get me wrong, I doubt either of us would want to live in a world where you could never actually leave your Favourite Place On Earth – Greek inlets, Swiss Mountains and Scandinavian forests are all worth a visit I hear – but our joint admission just goes to show what a strong impression places create – usually despite the facts.
It makes no dent on my romantic daydreams of the Left Bank, for example, to be all-too aware that most Parisians live outside the Periferique and have a fairly unromantic view of the French police and their identity in Gallic society – that much-photographed Haussman-ploughed city centre still gives off an intoxicating vibe. And I don't mean the dog shite.
But who remembers the city's attempt to publicise itself – 'Paris, c'est la Peche'? And, for that matter, how many people remember that The Big Apple was so christened by an ad campaign? At the beginning of the 21st century, at least, these iconic locations appear in our minds as fully formed brands, without an ad man or a local community influencing us either way. Don't they?
Perhaps. But I'm not sure it's quite so simple. What's your view of Berlin? Black and white Nazi propaganda backdrop – or Lily Von Stüpp in fishnets, drawling 'I'm so tired…' on a back-turned chair? Or maybe you think of the wall and wonder what all that was about. I've not been yet – 'yet', note the brand impression already formed in my mind – but I think of a dynamic place of creativity and regeneration – art galleries and forward-thinking music. How right will I turn out to be when I go?
Places can change their brand then – perhaps when they fall out of the world's consciousness a little and have to make a new statement. But how do they get inspired, these grand new statements? You may be able to – and have to – stump up umpteen million euros to re-imagine the Pottsdammer Platz, or to create La Defence, or Canary Warf, but who inspires creatives to get together and be really inspired somewhere? They probably put the soul, or at least the brand, into a place – but what puts the soul into them when they go there?
I couldn't answer that without really thinking about it, which I can't be arsed to now – it's midnight, for Pete's sake. But it makes me think of another idle notion that I've long taken great comfort in: the idea that British people are united by their use of humour. It's the one thing that Middle Englanders quietly think they're still allowed to be collectively proud to be British about – perhaps the one remaining thing.
On Fi Glover's show last Saturday morning, there was a very nice lady sharing her Inheritance Tracks – pieces of music of personal significance, passed on from parents to children, and children to their children. She was a charmingly unshowy sort, who came out with a pearl I've not been able to forget all week. Because it's something I think I've clung to as a very conscious philosophy for very many years.
The track she felt that her father impressed upon her was by Peter Ustinov – Mock Mozart. The gigantically talented Mr Ustinov is a comfort to many people, I think – a brand he would, I suspect, feel bemused at and unworthy of. But the fact that his enormous-seeming humanity expressed itself so often in sheer sillyness is something to make romantic Britons weep for joy. And Mock Mozart is a prime example. It's what I do in the shower most mornings. On this record, he has basically multi-tracked his own voice as a series of strangely convincing operatic enunciations of random Italian words, to a Mozart-like score. It's a piece of class daftness.
But what this lady, Anna, said it made her think of was her father's strongly-held philosophy – if nothing is sacred, then everything is sacred.
If nothing is sacred, everything is sacred.
That's it. That's why it's so bloody important to be funny. It's defiant. It's victorious even, when you've little other reason to feel so. And it shows what true value every little moment has.
Call me a daft romantic, but this is something I believe. And I find it a great comfort indeed.
Saturday, November 17, 2007
Pneu pneu – da-daahh de-dada.
Pneu pneu – da-daahh de-dada.
A whole week has gone by without having a wife around. Given that we're normally both living and working around eachother here in the flat, it's been a strangely un-strange week for me; think we've both just gotten on with things. And I rather think Caroline's week has been more intense than mine, which is a cruel twist of fate given that I've been working and she's been on a sketchbook field trip to Montpelier. Still, I'll have to work up the sympathy a little when she returns, as right now I think she's likely to be in a café in Paris, diverted to the city of lights by the current French rail strike. I've had FIP on round the house all day, listening to a bonkers-eclectic playlist and Parisian traffic reports in solidarity.
Lastnight, it was French music too. Though I've yet to decide if Air's fashion sense is the future or not – it wouldn't be the future of a family, if I did adopt their tight white jeans as my new look du jour.
I'm beginning to wonder if the Opera House has pants acoustics. Can't say lastnight's mix was any better than Pendulum's a week ago – and what a dreary technical way to start a review of one of Pop's most enjoyed left-of-centre groups. But trying to pull off electronic music live is a tricky one, I feel prompted to say again, and though the boys did an admirable job with their band, a combination of fizzy synths, live vocoding and a middle-aged audience did little to create a seething Zion in the mosh pit.
Still, as an inadvertant Air nerd, I enjoyed playing air keyboards along to their back catalogue and it was nice to hear so much from their least commercially successful album, 10,000htz or whatever it's called. It was a likeable, tuneful show with a fabulously over-egged, arpeggiated finish, even if they'd cleared off with a friendly 'bon soir' by quarter to eleven. They obviously figured their demographic would need to get home sharpish to relieve the baby sitter. Never mind.
I did have a bit of a Pavlovian reaction to some of the tunes from Moon Safari though – I've had so many darned dinner parties to that album over the last decade, I was desperate for the main course by the end.
So, to celebrate a night out properly, we turned a joke into an action plan and Andy, Mark, Mike, Emma and myself hotwheeled to the Chick King and ate mushroom burgers in the seafront carpark.
Health kick starts tomorrow, when Caroline is back. I had better get the hoover out; if I still haven't cleared the washing up by the time she walks in later, I won't be humming french lounge music, it'll be something from The Muppets.
A whole week has gone by without having a wife around. Given that we're normally both living and working around eachother here in the flat, it's been a strangely un-strange week for me; think we've both just gotten on with things. And I rather think Caroline's week has been more intense than mine, which is a cruel twist of fate given that I've been working and she's been on a sketchbook field trip to Montpelier. Still, I'll have to work up the sympathy a little when she returns, as right now I think she's likely to be in a café in Paris, diverted to the city of lights by the current French rail strike. I've had FIP on round the house all day, listening to a bonkers-eclectic playlist and Parisian traffic reports in solidarity.
Lastnight, it was French music too. Though I've yet to decide if Air's fashion sense is the future or not – it wouldn't be the future of a family, if I did adopt their tight white jeans as my new look du jour.
I'm beginning to wonder if the Opera House has pants acoustics. Can't say lastnight's mix was any better than Pendulum's a week ago – and what a dreary technical way to start a review of one of Pop's most enjoyed left-of-centre groups. But trying to pull off electronic music live is a tricky one, I feel prompted to say again, and though the boys did an admirable job with their band, a combination of fizzy synths, live vocoding and a middle-aged audience did little to create a seething Zion in the mosh pit.
Still, as an inadvertant Air nerd, I enjoyed playing air keyboards along to their back catalogue and it was nice to hear so much from their least commercially successful album, 10,000htz or whatever it's called. It was a likeable, tuneful show with a fabulously over-egged, arpeggiated finish, even if they'd cleared off with a friendly 'bon soir' by quarter to eleven. They obviously figured their demographic would need to get home sharpish to relieve the baby sitter. Never mind.
I did have a bit of a Pavlovian reaction to some of the tunes from Moon Safari though – I've had so many darned dinner parties to that album over the last decade, I was desperate for the main course by the end.
So, to celebrate a night out properly, we turned a joke into an action plan and Andy, Mark, Mike, Emma and myself hotwheeled to the Chick King and ate mushroom burgers in the seafront carpark.
Health kick starts tomorrow, when Caroline is back. I had better get the hoover out; if I still haven't cleared the washing up by the time she walks in later, I won't be humming french lounge music, it'll be something from The Muppets.
Tuesday, November 13, 2007
Afrikaans apricots. Sort of.
Afrikaans apricots. Sort of.
Alas, I am left alone. Couple of days in, and Caroline's absence from the home for a whole week is a darn shame on a cold winter's night, but we are both being remarkably grown-up about it. While Caroline is drawing flick-book stick men with berets, while pretending to fill a sketchbook with intelligent elevations of eighteenth century Provence, I've already watched enough Top Gear on Dave to split my head gasket and indulged in splendidly serious World Cinema with Mark.
And that's the interesting thing. Most of my finest chap-mates would furtively turn on Cold War documentaries and The History Channel and BBC Four World Music specials when live-in loved ones are away or not looking. If you are interested in another perspective on the Palestinian debate, for example, watch Sundance-applauded Paradise Now, about two young men from Nablus facing the prospect of becoming suicide bombers. Simply very good and very subtitled.
To be fair, I can't think of much that my lovely wife and I don't enjoy critiquing together. But one Top Gear a week would be enough for her, I think, and I've yet to convince her to snuggle up and watch Downfall, the much-acclaimed cinematic dramatisation of Hitler's last days. I have too, I notice, left Tarkovsky's original epic Solaris lying around conspicuously this week, two years after borrowing it from Jamie. Am I kidding myself?
Interesting thing, sitting here alone in the flat, little nose going blue as I refuse to put on the heating for a day with just me here, in the absence of the loved one, I've made some new friends quickasaflash, thanks to the superficial influence of the internet.
I promised myself I would restrict my Facebooking to real friends – actual people I interact with. However, today I had a friend request from a chap in Capetown that made me bend my rules.
Jaques Maclárn Peach wonders why he's never heard of the name Peach outside his own circle, and why he's an Afrikaans-speaking Boer with Scottish grandparents and a huge family peachtree crest with a mysterious motto in an alien tongue tattooed all over his arm. He pretty much seemed to be asking me: 'any idea how I got here?'
I looked at the ribboned words around the crest on the picture he sent me. Not English. Not anything South African either. With huge communicatio-lingustic instinct, I immediately divined it to mean: 'I abide in hope and abandon fear' – or, as I broke it down knowledgeably for Jaques: 'I live in hope, not fear.' How cool is that?
I then immediately thought of having this crest tattooed all over my arm.
And then I looked into some Scots Gaelic, which I discovered this is likely to be. As poetic and noble as I'd like this hither-to unheard-of Peach family crest vision statement to be, it turns out it could equally mean: 'Keeping myself in beer up in the glen, and enjoying the odd shank of heffer, stops me shatting myself'. And you think I jest.
What the hell was I doing looking this up? I was in the middle of a press production and trying to translate Scottish mottos into South African Dutch!
Thing is, Jaques' story didn't half sound like a story waiting to be unfolded. A series of buried links across the world. Perhaps a sort of Jason Bournemouth. And when I saw how many other Peaches he'd collected from round the globe in his quest to find a family, I felt I could do nothing but welcome him in.
He said: 'it must be nice to have so much family'. I sheepishly replied that I didn't bother with the rellies much – but my friends were as much family for me as anyone.
So make Jaques feel welcome in the UK, especially if you're a Peach. Timewasting so sociably with the snapping social reflexes of the idle fickle is what we do best, so let's keep it in the family. 'Whether on the south coast, the south of France or South Africa, my circle of friends are all Peaches' I assured him warmly.
Alas, I am left alone. Couple of days in, and Caroline's absence from the home for a whole week is a darn shame on a cold winter's night, but we are both being remarkably grown-up about it. While Caroline is drawing flick-book stick men with berets, while pretending to fill a sketchbook with intelligent elevations of eighteenth century Provence, I've already watched enough Top Gear on Dave to split my head gasket and indulged in splendidly serious World Cinema with Mark.
And that's the interesting thing. Most of my finest chap-mates would furtively turn on Cold War documentaries and The History Channel and BBC Four World Music specials when live-in loved ones are away or not looking. If you are interested in another perspective on the Palestinian debate, for example, watch Sundance-applauded Paradise Now, about two young men from Nablus facing the prospect of becoming suicide bombers. Simply very good and very subtitled.
To be fair, I can't think of much that my lovely wife and I don't enjoy critiquing together. But one Top Gear a week would be enough for her, I think, and I've yet to convince her to snuggle up and watch Downfall, the much-acclaimed cinematic dramatisation of Hitler's last days. I have too, I notice, left Tarkovsky's original epic Solaris lying around conspicuously this week, two years after borrowing it from Jamie. Am I kidding myself?
Interesting thing, sitting here alone in the flat, little nose going blue as I refuse to put on the heating for a day with just me here, in the absence of the loved one, I've made some new friends quickasaflash, thanks to the superficial influence of the internet.
I promised myself I would restrict my Facebooking to real friends – actual people I interact with. However, today I had a friend request from a chap in Capetown that made me bend my rules.
Jaques Maclárn Peach wonders why he's never heard of the name Peach outside his own circle, and why he's an Afrikaans-speaking Boer with Scottish grandparents and a huge family peachtree crest with a mysterious motto in an alien tongue tattooed all over his arm. He pretty much seemed to be asking me: 'any idea how I got here?'
I looked at the ribboned words around the crest on the picture he sent me. Not English. Not anything South African either. With huge communicatio-lingustic instinct, I immediately divined it to mean: 'I abide in hope and abandon fear' – or, as I broke it down knowledgeably for Jaques: 'I live in hope, not fear.' How cool is that?
I then immediately thought of having this crest tattooed all over my arm.
And then I looked into some Scots Gaelic, which I discovered this is likely to be. As poetic and noble as I'd like this hither-to unheard-of Peach family crest vision statement to be, it turns out it could equally mean: 'Keeping myself in beer up in the glen, and enjoying the odd shank of heffer, stops me shatting myself'. And you think I jest.
What the hell was I doing looking this up? I was in the middle of a press production and trying to translate Scottish mottos into South African Dutch!
Thing is, Jaques' story didn't half sound like a story waiting to be unfolded. A series of buried links across the world. Perhaps a sort of Jason Bournemouth. And when I saw how many other Peaches he'd collected from round the globe in his quest to find a family, I felt I could do nothing but welcome him in.
He said: 'it must be nice to have so much family'. I sheepishly replied that I didn't bother with the rellies much – but my friends were as much family for me as anyone.
So make Jaques feel welcome in the UK, especially if you're a Peach. Timewasting so sociably with the snapping social reflexes of the idle fickle is what we do best, so let's keep it in the family. 'Whether on the south coast, the south of France or South Africa, my circle of friends are all Peaches' I assured him warmly.
Friday, November 09, 2007
Buff-diff, baby.
Buff-diff, baby.
So, lastnight we went out. Just for fun.
I know – mid-week madness for two hard-working poppets like us. And we were, of course, already sleep-deprived from Caroline's usual Wednesday late-nighter from London – and Mike, who's idea it was, had to be up at five the next morning to do his morning radio show (gratemate), the crazy boy. But when you discover that stadium drum'n'bassers, Pendulum, are doing a live show right in your back yard at the Academy – sorry, the Opera House – it's not so daft to give your slumbers a bit of a dent for such a big beat treat.
The band's debut album, Hold your colour, is as much rocked-up, riff-tastic fun as it is sophisticated style statement. Sort of Apollo 440 for the naughties, if that means anything; all very nicely put together and so hot right now. But I did sort of wonder how they'd make it work live – I know from bitter experience how hard it is to make electronic music mix well in concert. Especially when you're trying to create an atmosphere in a mostly-empty church hall to your mum and a stray dog. It either sounds like a backing tape with you doing karaoke over the top (which it probably is after all) or it just sounds like a clamorous mush. Which is a total cow, because the idea of mega soundscapes filling the night with sonic possibilities is a seductive one – electronic music should be the biggest kind of live music event, to my mind. Never mind, eh, you can always enjoy it properly on your iPod afterwards.
So, as we queued to get into the recently revamped venue and gazed around inside to see how they'd refurbished the Victorian space, I think Mike, Emma, Caroline and I all secretly wondered if everyone else buying tickets thought we were there to drive the youth group minibuses. But we continue to live in faithful Post Rave Nostalgic denial, as dictated by our demographic, and just enjoyed the DJ set – Noisia (I think – who knows what Mr or Mrs Noisia actually looks like, given that no-one ever introduces a DJ set) played some great mixes of electro tunes new and old along with a comfortable blend of lovely drum'n'bass buff-differy. Justice and The Prodigy and all kinds of things I vaguely recognised – all proper electronic music to my mind; groovy and cleverly built. We were all jigging about and grinning a lot as the vaulted old theatre filled and filled.
I looked at Mike and smiled. He and I were swapping musical reference points as usual and I suddenly thought how nice it was to be still doing so after nearly twenty-five years. Then I dropped my smile when it occured to me these reference points hadn't changed much in twenty-five years.
Eventually, the floor below us was a heaving mass of hormonal youth. As the stage finally dimmed and everyone went bonkers, Caroline thought it looked like a renaissance painting of Dante's hell – a dark sea of writhing limbs and red light.
It went off, proper. People were crowd surfing all night and being proudly pulled out of the front by bouncers, while Pendulum's MC did what all MCs do – which was basically: wander around saying 'Are you having a nice time? Sorry, what was that?' loudly, while the musicians who were obviously all too nervous to do any of this themselves, just made a wall of energetic noise.
The two guitarists clearly thought they were simply in a rock band – tight-trousered Mossop & Keenrick ball-stretching oratory stance and all – and the keyboard chap/undoubted production brains of the outfit sheepishly pushed buttons between Axel F-style synth riffery. Meanwhile, the drummer just sucker-punched the 165bpm tempo all night.
It was just very cool. And very ramped. And very enjoyable fun, thanks chaps. It's true, sadly, that you'd have had no idea as a newcomer to Pendulum's oeuvre that they actually made finely-crafted electronic soundscapes of melody and poise, and you'd be hard pushed for some of the tracks to even pick out the face-slapping big fat riffs they're famous for – the mix was mostly a wall of noise. Everyone kind of looked like they were miming in a sea of midrange for much of it, apart from the drummer and the MC who both sounded energetically clear, cool and bang-on. And really, this was all anyone wanted.
Top show; brilliant music hidden in it, with a couple of particularly nice musical moments breaking through the mix. Had a great time.
And best of all, Caroline is finally converted. She finally gets Drum'n'bass. I said: "Yes, darling, the genre's double-time reggae heritage creates an irresistable hip-swinging hypno-saucery that builds the kind of wild-eyed build-ups, break-downs, switches and releases that the rest of Dance music can only aspire to."
She just grinned and said: "Buff diff, baby."
So, lastnight we went out. Just for fun.
I know – mid-week madness for two hard-working poppets like us. And we were, of course, already sleep-deprived from Caroline's usual Wednesday late-nighter from London – and Mike, who's idea it was, had to be up at five the next morning to do his morning radio show (gratemate), the crazy boy. But when you discover that stadium drum'n'bassers, Pendulum, are doing a live show right in your back yard at the Academy – sorry, the Opera House – it's not so daft to give your slumbers a bit of a dent for such a big beat treat.
The band's debut album, Hold your colour, is as much rocked-up, riff-tastic fun as it is sophisticated style statement. Sort of Apollo 440 for the naughties, if that means anything; all very nicely put together and so hot right now. But I did sort of wonder how they'd make it work live – I know from bitter experience how hard it is to make electronic music mix well in concert. Especially when you're trying to create an atmosphere in a mostly-empty church hall to your mum and a stray dog. It either sounds like a backing tape with you doing karaoke over the top (which it probably is after all) or it just sounds like a clamorous mush. Which is a total cow, because the idea of mega soundscapes filling the night with sonic possibilities is a seductive one – electronic music should be the biggest kind of live music event, to my mind. Never mind, eh, you can always enjoy it properly on your iPod afterwards.
So, as we queued to get into the recently revamped venue and gazed around inside to see how they'd refurbished the Victorian space, I think Mike, Emma, Caroline and I all secretly wondered if everyone else buying tickets thought we were there to drive the youth group minibuses. But we continue to live in faithful Post Rave Nostalgic denial, as dictated by our demographic, and just enjoyed the DJ set – Noisia (I think – who knows what Mr or Mrs Noisia actually looks like, given that no-one ever introduces a DJ set) played some great mixes of electro tunes new and old along with a comfortable blend of lovely drum'n'bass buff-differy. Justice and The Prodigy and all kinds of things I vaguely recognised – all proper electronic music to my mind; groovy and cleverly built. We were all jigging about and grinning a lot as the vaulted old theatre filled and filled.
I looked at Mike and smiled. He and I were swapping musical reference points as usual and I suddenly thought how nice it was to be still doing so after nearly twenty-five years. Then I dropped my smile when it occured to me these reference points hadn't changed much in twenty-five years.
Eventually, the floor below us was a heaving mass of hormonal youth. As the stage finally dimmed and everyone went bonkers, Caroline thought it looked like a renaissance painting of Dante's hell – a dark sea of writhing limbs and red light.
It went off, proper. People were crowd surfing all night and being proudly pulled out of the front by bouncers, while Pendulum's MC did what all MCs do – which was basically: wander around saying 'Are you having a nice time? Sorry, what was that?' loudly, while the musicians who were obviously all too nervous to do any of this themselves, just made a wall of energetic noise.
The two guitarists clearly thought they were simply in a rock band – tight-trousered Mossop & Keenrick ball-stretching oratory stance and all – and the keyboard chap/undoubted production brains of the outfit sheepishly pushed buttons between Axel F-style synth riffery. Meanwhile, the drummer just sucker-punched the 165bpm tempo all night.
It was just very cool. And very ramped. And very enjoyable fun, thanks chaps. It's true, sadly, that you'd have had no idea as a newcomer to Pendulum's oeuvre that they actually made finely-crafted electronic soundscapes of melody and poise, and you'd be hard pushed for some of the tracks to even pick out the face-slapping big fat riffs they're famous for – the mix was mostly a wall of noise. Everyone kind of looked like they were miming in a sea of midrange for much of it, apart from the drummer and the MC who both sounded energetically clear, cool and bang-on. And really, this was all anyone wanted.
Top show; brilliant music hidden in it, with a couple of particularly nice musical moments breaking through the mix. Had a great time.
And best of all, Caroline is finally converted. She finally gets Drum'n'bass. I said: "Yes, darling, the genre's double-time reggae heritage creates an irresistable hip-swinging hypno-saucery that builds the kind of wild-eyed build-ups, break-downs, switches and releases that the rest of Dance music can only aspire to."
She just grinned and said: "Buff diff, baby."
Wednesday, November 07, 2007
Autumn colours, winter blues.
Autumn colours, winter blues.
Weird. Worrying? Welcome; Momo isn't a frenzy of screams and clamours and phone calls and general jumpings up and down. I don't think I've had such a civilised week in two years.
Of course the studio never has nothing happening in it. I'm still trying to think of a proper ending-in-o suffix for the new branch of the business that Caroline has established – she's annexed half the space, technology, time and effort of the company to studying Urban Design but I'm blowed if I can make it fit the brand properly. I will – have no fear – this kind of creative time-wasting is what I'm clearly best at.
But despite her mad deadlines and my pile of things to do at all times, we took off a whole day on Sunday. Just sort of happened. And what a day to go for a walk in the forest. Just think:
Reasons Why We Live Here
(absence of mountain vistas and a decent music scene not withstanding)
1: People who are prepared to look past our character flaws and invite us in for tea live here.
2: We own a flat here and it makes sense to live in it.
3: The New Forest is cycling distance away and eye-wateringly pretty at this time of year.
Yes, it's true. We went for a walk in the Autumn sunshine from Standing Hat near Brockenhurst and the trees and the colours and the light and the air and the relaxed beauty restoredeth the souls. I just so bloody love living here sometimes. Most times. Been grateful since I was a kid, in fact. Because all this niceness never takes you far from a shop or a rail link to London.
Sad to say that Mum and Dad, however, have been feeling more wintery than back-to-school chirpy. Mum has been badly ill since Dad came back from hospital. Been a cyclical thing all year and the doctors don't yet know what it is. Poor things are so down about everything and I don't at all blame them. They were hoping to get out into the forest themselves this week but I suspect it didn't happen. Shame. They need a little soul-restoring more than many at the moment.
Going round there now, in fact. Because, obviously, they're a pretty big reason why we live here too.
Weird. Worrying? Welcome; Momo isn't a frenzy of screams and clamours and phone calls and general jumpings up and down. I don't think I've had such a civilised week in two years.
Of course the studio never has nothing happening in it. I'm still trying to think of a proper ending-in-o suffix for the new branch of the business that Caroline has established – she's annexed half the space, technology, time and effort of the company to studying Urban Design but I'm blowed if I can make it fit the brand properly. I will – have no fear – this kind of creative time-wasting is what I'm clearly best at.
But despite her mad deadlines and my pile of things to do at all times, we took off a whole day on Sunday. Just sort of happened. And what a day to go for a walk in the forest. Just think:
Reasons Why We Live Here
(absence of mountain vistas and a decent music scene not withstanding)
1: People who are prepared to look past our character flaws and invite us in for tea live here.
2: We own a flat here and it makes sense to live in it.
3: The New Forest is cycling distance away and eye-wateringly pretty at this time of year.
Yes, it's true. We went for a walk in the Autumn sunshine from Standing Hat near Brockenhurst and the trees and the colours and the light and the air and the relaxed beauty restoredeth the souls. I just so bloody love living here sometimes. Most times. Been grateful since I was a kid, in fact. Because all this niceness never takes you far from a shop or a rail link to London.
Sad to say that Mum and Dad, however, have been feeling more wintery than back-to-school chirpy. Mum has been badly ill since Dad came back from hospital. Been a cyclical thing all year and the doctors don't yet know what it is. Poor things are so down about everything and I don't at all blame them. They were hoping to get out into the forest themselves this week but I suspect it didn't happen. Shame. They need a little soul-restoring more than many at the moment.
Going round there now, in fact. Because, obviously, they're a pretty big reason why we live here too.
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